Never Records Podcasts

Never Records Podcasts

By Never Records PodcastsMusic
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Never Records Podcasts episodes

  • Episode 66
    As we come to the end of the Liverpool sessions of Never Records I wanted to focus on some of the exciting live recordings we did as part of Never Records Liverpool.
    Artists Featured;
    Beast
    Barbaros
    Mugstar
    32 min
  • Episode 65
    On today's episode of Never Records we return back to Liverpool with a very special episode hosted by Andrew Ellis, who collaborated with me and kept Never Records Liverpool running and helped book shows there.
    Artists Featured:
    Hot Club de Paris - Shipwreck
    That Fucking Tank
    Kogumaza
    29 min
  • Episode 64
    I’m going to break from Liverpool today because I had the most amazing spring in New York. These are recordings from my living room, which has a surprising acoustic atmosphere.
    Artists Featured:
    Grecia Alban - Untitled Improvisation
    Simon Pettit - As A Bee
    Pat Irwin - In Another Time
    27 min
  • Episode 63
    This episode features the opening night of Never Records Liverpool and our first concert arranged by my amazing collaborator Andrew Ellis.
    Artists Featured:
    Phil Jeck with Hildur Gudnadottir and Ted Riederer
    Specific Ocean
    Mother Earth
    31 min
  • Episode 62
    In September of 2010 I was invited by the curator Asher Remy Toledo from the organization No Longer Empty along with a group call The Art Organization or TAO to participate in a satellite project for the Liverpool Biennial that they called SQUAT Liverpool.
    23 min
  • Episode 61
    On this week's episode of Never Records I will take you to Liverpool where I collaborated with No Longer Empty and The Art Organization in September 2010. I will tell the story of how I got my lathe and will showcase some of the first recordings I ever did.
    25 min
  • Episode 60
    In September of 2010 I was invited by the curator Asher Remy Toledo from the organization No Longer Empty along with a group call The Art Organization or TAO to participate in a satellite project for the Liverpool Biennal that they called SQUAT Liverpool. This is the first Never Records where I cut vinyl records with my brand new vinyl record lathe
    Rose Sisters - And Then
    Ottersgear - Untitled
    Jack Roberts - I don’t want to fall
    SJ Downes - Right Now
    31 min
  • Episode 59
    A little over a week ago I journeyed to Ecuador to perform in the Festival de Arte Público GRAFFF Numero 18 which took place in the tiny Andean town of Pujili. Graff is presented by this talented group of curators, artists, and activists called Revista Dogma, and much like Never Records they believe in the power of art and performance to transcend division and galvanize communities.
    22 min
  • Episode 58
    This past weekend I journeyed to Ecuador to perform in the Festival de Arte Público GRAFFF Numero 18 which took place in the tiny Andean town of Pujili. Graff is presented by this talented group of curators, artists, and activists called Revista Dogma, and much like Never Records they believe in the power of art and performance to transcend division and galvanize communities.
    19 min
  • Episode 57
    In the Fall of 2010, I traveled to Lisbon with the Antagonist Movement, an East Village artist cooperative founded at the turn of the century. We went to Lisbon as guests of curator Carlos Alcobia who had invited our group to participate in a festival Called Pop Up Lisboa.
    This week's episode will attempt to take you on an anthropological journey through the wonderful streets of Lisbon.
    22 min

About Never Records Podcasts

From the publisher's feed

Never Records is a combination recording studio and record shop, setting up in locales throughout the world. The sole proprietor, interior decorator, and engineer is New York-based artist Ted Riederer. Inspired by his own redemptive education at a young age inside the walls of a local record store in Rockville, Maryland as well as the field recording projects of Alan Lomax, Riederer devised his unique community art installation in the early part of this century and has been replicating it with regional variations throughout the world since 2010.