In which we see one of the most absurd small choices of the film, starting Gaston and LeFou out of town, and one of the most offensive large changes, making LeFou a mincing gay stereotype and not even committing to it.

We jump into the song "Belle", which is really just a powder keg of terrible remake decisions. And terrible filmmaking decisions in general.

We jump into the song "Belle", which is really just a powder keg of terrible remake decisions. And terrible filmmaking decisions in general.

We prepare to meet our other titular character, and I become very annoyed about urban planning, and about how this movie loves to take breaks in the middle of songs.

We prepare to meet our other titular character, and I become very annoyed about urban planning, and about how this movie loves to take breaks in the middle of songs.

Still at the castle, I get fed up with the narrator constantly lying about what's happening on the screen. I CAN SEE IT, LADY.

Still at the castle, I get fed up with the narrator constantly lying about what's happening on the screen. I CAN SEE IT, LADY.

The castle scene trudges on, and we look at some really weird-ass architectural and design choices.

The castle scene trudges on, and we look at some really weird-ass architectural and design choices.

Our excursion into the castle continues. Audra and Stanley show up and perform a brand new song that no one has ever remembered.