New Books in Australian and New Zealand Studies

Welcome to the first episode of The Cultural Competence Collective podcast! For our first episode, we are joined by the multi-talented actress, musician and director, Zindzi Okenyo! You may recognise her from your TV screen on shows like Fisk, Wakefield and Play School, on stage from her multiple shows with Sydney Theatre Company or maybe you’ve heard her hits like ‘A Woman’s World’ as a solo artist Okenyo, or ‘Love + Kindness’ from her fun, family-friendly kids project Zindzi & the Zillionaires. Tune into our first episode as we chat with Zindzi about the importance of cultural competence, diversity and representation across the arts.

Show notes

This episode is hosted by Dr. Matthew Tyne, an Academic Facilitator at the National Centre Centre for Cultural Competence. He comes to cultural competence following 20 years of working in international community development, especially in Southeast Asia and the Pacific, and sexual health promotion with diverse communities in Australia.

Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman

Podcast Artwork: Zein Arif

Featured Music:

You can find more of Zindzi’s music on her webpage OKENYO: http://www.okenyo.com/

You can find music by Zindzi & the Zillionaires on their webpage: https://www.zindziandthezillionaires.com/about.

Resources

You can read more about DESTINY, Zindzi’s most recent piece of directorial work through the Melbourne Theatre Company: https://www.mtc.com.au/discover-more/backstage/destiny-programme/.

The Sydney Morning Herald article mentioned can be found here: https://www.smh.com.au/entertainment/theatre/actor-musician-and-presenter-zindzi-okenyo-on-taking-risks-and-self-care-20180216-h0w7zu.html

If you are interested in developing your knowledge about race and racism, and deepen your understanding of the diversity of the world's cultural histories and identities, you can enrol in the NCCC’s free online course Confident conversations about race and racism: https://www.coursera.org/learn/confident-conversations-about-race-and-racism

Participants will learn about the dynamics of cultural difference, and how to increase their knowledge and ability to address inequity, bias and privilege, and to create space for effective dialogue about racism.

Mental Health Support Services:

For University of Sydney staff: CONVERGE

Converge offers multiple dedicated helplines for specialist services:

Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people

24-hour crisis hotlines

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Australia has a special place in the history of struggle for a Fair Day's Work.

In giving a history of Australian worker struggles over the length of the working day, Sean Scalmer historicises things that might otherwise seem universal and stable, including time, leisure and productivity. Decades before any attempt by Australian timekeepers to standardise time, Scalmer shows that some of the earliest working-class activism in Australia was focused on the nature of time and the meaning of leisure. For what was the movement for the eight hour day, inspired by British activist Robert Owen, except for a battle over the ownership of time and the virtue of recreation?

The length of the working day and the challenges of work–life balance are pressing issues for many people, as well as lively matters of public controversy. While the winning of the eight-hour day is celebrated as a past industrial achievement, contemporary discussions of working hours often overlook its rich history. Tracing 150 years of campaigns for rights and for the fair distribution of productivity gains, historian Sean Scalmer shows how these movements successfully reduced the length of the standard working week from 60 to 38 hours per week, and how economic, social and political shifts since the early 1980s have stalled this long-term progress. Today, industrial laws provide inadequate protection for excessive hours, and women increasingly shoulder long hours of paid work with the bulk of unpaid domestic labour. This has produced a social crisis for all Australians, but is yet to inspire adequate political action. As debate over our working lives intensifies amid ongoing political, economic and technological challenges, Scalmer’s labour of love on the history of work and play affords us a way to understand the past so we can win back our time—collectively.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Challenging Anzac: Stories that don’t fit the legend Edited by Mia Martin Hobbs, Carolyn Holbrook, and Joan Beaumont

The Anzac legend has shaped Australia’s national identity for more than a century. Yet many experiences of war do not fit comfortably within this.

In Challenging Anzac, leading historians explore some of these stories: Aboriginal activists, deserters on the Western Front, veterans who took their own lives and soldiers who became radicalized by their service. They reveal how episodes in Australia’s war history that unsettled the Anzac legend – from the relief of Tobruk, nuclear testing on Australian soil and feminist protests against war, to alleged atrocities in Afghanistan – have been elided or adapted to ‘fit’ the legend.

Edited by award-winning historians Mia Martin Hobbs, Carolyn Holbrook and Joan Beaumont, Challenging Anzac examines how the reality of warfare has always been at odds with mythic representation and considers why, despite this, the Anzac legend has survived.

Mia Martin Hobbs is an oral historian of war and conflict, with a research focus on the Vietnam War, War on Terror, gender, peace, security and postwar reconciliation. Her first book, Return to Vietnam: An Oral History of American and Australian Veterans’ Journeys, won the Oral History Australia Book Award in 2022 and was highly commended for the Memory Studies First Book Award in 2023. She has written widely on anti-war veteran activism, war crimes and the impact of the Anzac revival on Australian veterans’ war memory. She is presently an ARC DECRA fellow at Deakin University.

Carolyn Holbrook is a historian at Deakin University. Her latest books are Challenging Anzac: Stories that Don’t Fit the Legend, co-edited with Mia Martin Hobbs and Joan Beaumont (2026), Australia Fair? Democracy, Bureaucracy and the Making of Modern Australia, co-authored with James Walter (2026), and Gold Standard? Remembering the Hawke Government, co-edited with Frank Bongiorno and Joshua Black (2026). She is the director of the Australian Policy and History network and the Australian Health and History digital archive.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

*Aboriginal and Torres Strait Islander people should be aware that this episode may contain the name of deceased persons.*

Podcast description: In the final episode of our first season, we sit down with Craig Seinor-Davies about what it means to create meaningful pathways for marginalised groups across our institutions. Craig is a proud Darug man, and the Indigenous Employment Manager here at the University of Sydney. Tune in to hear Craig share his reflections on identity, home, culture, and how his professional experience in community work and supporting at-risk youth through mentoring and holistic support networks influences his work for creating culturally safe and inclusive spaces. We explore what cultural competence and cultural safety look like in practice and unpack the lessons that shape his approaches to equity and inclusion.

Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman

Podcast Artwork: Zein Arif

Resources:

Mental Health Support Services:

For University of Sydney staff: CONVERGE

Converge offers multiple dedicated helplines for specialist services:

Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people

24-hour crisis hotlines

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of the Language on the Move Podcast, Emily Pacheco speaks with PhD candidate Brynn Quick (Macquarie University, Australia) about her 2025 paper, The (un)imagined work of determining patients’ English language proficiency. The conversation focuses on language policies in healthcare, the monolingual logic, and language access.

Quick, B., Piller, I., & Lising, L. (2025). The (un)imagined work of determining patients’ English language proficiency. Journal of Multilingual and Multicultural Development, 1-18. https://doi.org/10.1080/01434632.2025.2594462

Abstract. This study investigates how Australian healthcare policies imagine communication between limited English proficiency (LEP) patients and healthcare providers to occur. This is done through a work as imagined (WAI) vs. work as done (WAD) analysis of 13 Australian medical policies from four levels of governance. Findings reveal that policies mostly conceptualise the work of determining if a patient needs a professional interpreter as an act of self-assessment that patients will do themselves. When policies direct healthcare staff to assess patients’ English language proficiency, they often instruct staff to ‘determine if the patient can understand English’, usually without clear instruction on how to do this. Finally, while communication is the goal that drives many of these policies, ‘successful’ communication is conceptualised as language-neutral, implicitly privileging English and erasing LEP patients’ language needs. These findings reflect a novel way of framing policies’ monolingual logic of WAI within the multilingual reality of WAD and mark an innovative contribution to the study of language access rights.

For additional resources, show notes, and transcripts, go here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Cultural Competence Collective welcomes Marika Duczynski onto the podcast to discuss cultural competence, decolonial practices, and community-led curation. Marika is a Gamilaraay and Mandandanji writer and curator and is the Indigenous Heritage Curator at the University of Sydney’s Chau Chak Wing Museum. Our conversation with Marika covers a range of crucial topics, delving into what it means to do decolonial work within colonial institutions, the importance of Indigenous Cultural and Intellectual Property (ICIP), culturally respectful care of collections, and what self-determination and the right of response looks like in action. Together, we discuss what cultural competence looks like in supporting truth-telling, repatriation and building collaborative relationships with First Nations communities.

Show notes

This episode is hosted by Dr. Pooja Mittal Biswas. Pooja Mittal Biswas is an Academic Facilitator at the National Centre for Cultural Competence and an award-winning educator and author. She is the author of ten books of fiction, poetry and non-fiction. Her ninth book, Hunger and Predation (Cordite Books, 2023) was shortlisted for the 2024 NSW Premier’s Literary Awards, and her tenth book, The Maker of Garlands, was published by Vagabond Press in 2024.

Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman

Podcast Artwork: Zein Arif

Resources:

Learn more about Marika, her work at the Chau Chak Wing Museum, and her works across other art and cultural institutions below:

Mental Health Support Services:

For University of Sydney staff: CONVERGE

Converge offers multiple dedicated helplines for specialist services:

Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people

24-hour crisis hotlines

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Not everything about wool is warm and fuzzy. Wool, for millennia the cold climate textile fiber, has a long relationship to war, both in terms of supporting it and causing it. Wool's strategic value in wartime, a position it gained over centuries, and contrived shortages of same in the 20th century, have helped drive consumers' transition to the synthetic fibers that have enabled fast fashion, and as both fiber and cloth are global contemporary pollutants.

Fleeced: Unraveling the History of Wool and War (Bloomsbury, 2025) by Professor Trish FitzSimons & Madelyn Shaw argues that the 19th century advent of southern hemisphere large scale sheep pastoralism and northern hemisphere industrialization of the woolen textile industry allowed - at least in part - the huge armies of the 20th century to exist. World War I represented a fundamental shift in the scale of armies and the kind of wars they fought. Demand for wool to outfit the tens of millions of men and women involved in fighting the war or supporting those who did grew way beyond what could be accommodated by any nation's normal supply. The contrived wool shortages of this war had a lasting impact - nations subject to supply chain difficulties began the search for substitutes that led first to the semi-synthetic rayon, and ultimately to the plastic fibers such as polyester and acrylic that dominate today's world of fast fashion.

Each chapter of Fleeced begins with a surprising object, document or image that takes us into this fascinating and previously untold history. Change is not necessarily progress. Fleeced explains how competition for wool in wartime helped create our current unsustainable and environmentally disastrous reliance on petrochemical fibers.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of Language on the Move Podcast, Tazin Abdullah talks to Dr. Laura Rademaker (Australian National University), the author of Found in Translation: Many Meanings on a North Australian Mission.

The conversation explores the distinctive historical context of Australia’s Northern Territory as a location for Christian missionary activity. Tazin and Laura talk about the multiple tensions and elements involved in language interactions between monolingual English-speaking missionaries and multilingual Indigenous communities, against the background of settler colonialism.

Found in Translation: Many Meanings on a North Australian Mission was published by University of Hawai’i Press in 2018.

About the book

Found in Translation is a rich account of language and shifting cross-cultural relations on a Christian mission in northern Australia during the mid-twentieth century. It explores how translation shaped interactions between missionaries and the Anindilyakwa-speaking people of the Groote Eylandt archipelago and how each group used language to influence, evade, or engage with the other in a series of selective “mistranslations.”

In particular, this work traces the Angurugu mission from its establishment by the Church Missionary Society in 1943, through Australia’s era of assimilation policy in the 1950s and 1960s, to the introduction of a self-determination policy and bilingual education in 1973. While translation has typically been an instrument of colonization, this book shows that the ambiguities it creates have given Indigenous people opportunities to reinterpret colonization’s position in their lives.

Laura Rademaker combines oral history interviews with careful archival research and innovative interdisciplinary findings to present a fresh, cross-cultural perspective on Angurugu mission life. Exploring spoken language and sound, the translation of Christian scripture and songs, the imposition of English literacy, and Aboriginal singing traditions, she reveals the complexities of the encounters between the missionaries and Aboriginal people in a subtle and sophisticated analysis.

Rademaker uses language as a lens, delving into issues of identity and the competition to name, own, and control. In its efforts to shape the Anindilyakwa people’s beliefs, the Church Missionary Society utilized language both by teaching English and by translating Biblical texts into the native tongue. Yet missionaries relied heavily on Anindilyakwa interpreters, whose varied translation styles and choices resulted in an unforeseen Indigenous impact on how the mission’s messages were received. From Groote Eylandt and the peculiarities of the Australian settler-colonial context, Found in Translation broadens its scope to cast light on themes common throughout Pacific mission history such as assimilation policies, cultural exchanges, and the phenomenon of colonization itself.

This book will appeal to Indigenous studies scholars across the Pacific as well as scholars of Australian history, religion, linguistics, anthropology, and missiology.

For additional resources, show notes, and transcripts, go here.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this RTB and Novel Dialogue episode from 2021, Helen Garner sits down with John and Elizabeth McMahon, a distinguished scholar of Australian literature. Helen’s novels range from the anti-patriarchy exuberance of Monkey Grip (1977) to the heartbreaking mortality at the heart of The Spare Room (2008). She has also authored a slew of nonfiction, plus screenplays for Jane Campion’s Two Friends and Gillian Armstrong’s wonderfully Garneresque The Last Days of Chez Nous. After a reading from John’s favorite, The Children’s Bach, the trio discusses Garner’s capacity for cutting and cutting, creating resonant, thought-inducing gaps. Garner connects that taste for excision, perhaps paradoxically, to her tendency to accumulate scraps, bits and pieces of life. She relates her father’s restlessness to her own life-total of houses inhabited (27). “Why wouldn’t I write about households?” asks Helen, “They’re just so endlessly interesting.”

Who shaped her writing? Raymond Carver: packed with power, but the pages white with omissions and excisions. Helen offers an anecdote about her own pruning that ends with her “ankle-deep in adverbs.” That’s how to escape the “fat writing” that stems for distrust of the reader. She thoughtfully compares the practical virtues of keeping notebooks for the “music” of everyday life to the nightly process of diary-writing (more analytical). John raises the question of pervasive musical metaphors in Helen’s writing, and she reports her passion for “boring pieces” and the “formal” side of Bach, which makes a listener feel that there is such a thing as meaning. “There’s something about shaping a sentence, too, which can be musical.”

Mentioned in the Episode

Listen to Episode

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What do the economics of decolonisation mean for the future of Aotearoa? This question drives the work of Dr. Matthew Scobie and Dr. Anna Sturman as they explore the complex relationship between tangata whenua and capitalism in The Economic Possibilities of Decolonisation (Bridget Williams Books, 2024). By weaving together historical insights and contemporary analysis, this book reveals the enduring influence of Māori economies and illuminates how these perspectives could radically transform Aotearoa’s political economy for the better.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.