New Books in Italian Studies

By Marshall PoeSociety & Culture Science Social Sciences History

New Books in Italian Studies episodes

June 12 Jake Dyble, "Managing Maritime Risk in Early Modern Europe: General Average in Law and Practice in Seventeenth-Century Tuscany" (Boydell Press, 2025)
Commercial seafaring, both dangerous and with large amounts
of capital at stake, was the source of the risk-management institutions
that still undergird the global economy today. A key institution of
early modern risk management was General Average, a procedure used to
redistribute extraordinary costs arising from a maritime venture between
all financially interested parties. For example, should one merchant’s
cargo be jettisoned to lighten a ship in a storm, the loss would be
shared pro rata by the shipper and all the cargo-owners. A risk-sharing
practice, different from the risk-shifting of marine insurance which
became established relatively late, General Average is still in widespread use.
In Managing Maritime Risk in Early Modern Europe: General Average in Law and Practice in Seventeenth-Century Tuscany
(Boydell Press, 2025), Jake Dyble explores how General Average worked.
It reveals the gap between
General Average in law and how it worked on the ground. It shows how
General Average partitioned a wide array of business costs, thereby
performing a significant role in structuring maritime commerce, managing
risk and promoting shipping and trade. In addition, the book discusses
how far General Average was a feature of a supposedly ancient,
universal, customary maritime law, and contributes to debates about the
evolution of institutions in economic development.
Dr Jake Dyble is a postdoctoral researcher at the University of Padova, Italy.
This
interview is conducted by Dr Lewis Wade, a Humboldt Research Fellow at
the University of Bamberg. He is the author of the prize-winning Privilege, Economy and State in Old Regime France and can be found on Bluesky @wadehistory.bsky.social.

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36 min
June 08 Susanna Drake, "Veiling in the Late Antique World" (Cambridge UP, 2026)
Veiling meant many things to the ancients. On women, veils could signify virtue, beauty, piety, self-control, and status. On men, covering the head could signify piety or an emotion such as grief. Late Roman mosaics show people covering their hands with veils when receiving or giving something precious. They covered their altars, doorways, shrines, and temples; and many covered their heads when sacrificing to their gods. Early Christian intellectuals such as Origen and Gregory of Nyssa used these everyday practices of veiling to interpret sacred texts. These writers understood the divine as veiled, and the notion of a veiled spiritual truth informed their interpretation of the bible. Veiling in the Late Antique World (Cambridge UP, 2026) provides the first assessment of textual and material evidence for veiling in the late antique Mediterranean world. Susanna Drake here explores the relation between the social history of the veil and the intellectual history of the concept of truth as veiled/revealed.
New Books in Late Antiquity is Presented by Ancient Jew Review
Susanna Drake is Professor of Religious Studies at Macalister College. Her first book was Slandering the Jew: Sexuality and Difference in Early Christian Texts.
Michael Motia teaches Classics and Religious Studies at UMass Boston
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1 hr 35 min
May 25 Timothy McCall, "Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy" (Reaktion Books, 2023)
Looking beyond the marble elegance of Michelangelo's David, the pugnacious, passionate, and--crucially--important story of Renaissance manhood.
Timothy McCall's book Making the Renaissance Man: Masculinity in the Courts of Renaissance Italy (Reaktion, 2023) explores the images, objects, and experiences that fashioned men and masculinity in the courts of fifteenth-century Italy. Across the peninsula, Italian princes fought each other in fierce battles and spectacular jousts, seduced mistresses, flaunted splendor in lavish rituals of knighting, and demonstrated prowess through the hunt--all ostentatious performances of masculinity and the drive to rule. Hardly frivolous pastimes, these activities were essential displays of privilege and virility; indeed, violence underlay the cultural veneer of the Italian Renaissance. Timothy McCall investigates representations and ideals of manhood in this time and provides a historically grounded and gorgeously illustrated account of how male identity and sexuality proclaimed power during a century crucial to the formation of Early Modern Europe.
Jana Byars is an independent scholar located in Amsterdam.
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1 hr 4 min
May 10 Italo Calvino on the Written and the Unwritten Word
In this episode of the Vault, we revisit the Italian writer Italo Calvino’s James Lecture, presented at the New York Institute for the Humanities on March 30, 1983.
Italo Calvino was one of the most inventive and widely read Italian authors of the twentieth century. Born in Cuba in 1923 and raised in San Remo, Italy, he began his literary career as a journalist and fiction writer after World War II, publishing his debut novel, The Path to the Nest of Spiders, in 1947. He went on to write some of the most formally original works in postwar literature, including Our Ancestors, Cosmicomics, Invisible Cities, and If on a winter's night a traveler. His work moved fluidly between realism, fantasy, and structural experimentation, earning him a reputation as one of the foremost practitioners of what would come to be called postmodern fiction. He died in 1985, in Siena, Italy.
In this lecture, later published as “The Written and the Unwritten Word” in the New York Review of Books, Calvino reflects on writing, reading and what it means to live between the written world and the material world. He is introduced by NYIH fellow Susan Sontag.
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45 min
May 02 Paola De Santo, "The Ambassador and the Courtesan: Political Bodies in Renaissance Italy" (U Delaware Press, 2026)
Paola de Santo joins Jana Byars to talk about her new book, The Ambassador and the Courtesan: Political Bodies in Renaissance Italy (U Delaware Press, 2026). Drawing on literature, legal texts, and archival materials, The Ambassador and the Courtesan offers a comparative analysis of these two emerging roles in the early modern period and in Renaissance Italian society. While these two figures may appear unrelated, this book demonstrates their shared relation to the body politic, including the relationship of their very bodies to that metaphorical body. One imagines the early modern ambassador as traveling from one center of power to another, gathering news and disseminating it in writing, as well as negotiating in person. The courtesan, in contrast, is normally imagined employing her body in the service of entertaining elite clients in the enclosed space of the urban salon. These characterizations reinforce their very different roles in Renaissance Italian society and culture, but by placing them in dialogue, salient points of convergence emerge detailing how they were integral to the concurrent emergence of a modern subjectivity of the individual and the formation of the modern state.
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59 min
April 11 David Potter, "Master of Rome: A Life of Julius Caesar" (Oxford UP, 2025)
By any measure, Julius Caesar is one of the most significant and famous figures in Roman history. Self-identified as a "popular" politician, he advocated for effective government to better the lives of average Romans,but believed such a government could not be based upon the existing democracy. Only through his personal authority and the massive organization he built to overthrow the government could the prosperity of all Rome's citizens be ensured.

Through a careful analysis of the ancient sources, especially Caesar's own writings, David Potter offers us a stunning and original portrait of this great general and statesman. Master of Rome: A Life of Julius Caesar (Oxford UP, 2025) reveals Caesar as a highly organized manager with an extraordinary ability to adjust to circumstances while maintaining the ancient equivalent of a positive "media presence." After his death, Caesar's followers put forward a narrative of his life that made his rise to power seem inevitable, but Caesar's own writing tells us a different story—one of a detail-oriented general who demanded a high degree of accountability from his subordinates.
A critical aspect of Caesar's philosophy of command was the need to find room for former enemies to serve in his organization. While this philosophy catapulted Caesar to great fame as a general during the wars in Gaul, when he attempted to put this method into effect in the wake of the civil war that established him as the master of Rome, it led to his brutal assassination in 44 BCE.
Master of Rome tells the dramatic story of one of history's most intriguing figures, who rose from the fringes of Roman political society to unprecedented heights. Along the way, Potter identifies the extraordinary qualities that enabled Caesar to dominate the world in which he lived.
David Potter is Francis W. Kelsey Collegiate Professor of Greek and Roman History and Arthur F. Thurnau Professor in the Department of Classical Studies at the University of Michigan. His previous books include The Origin of Empire: Rome from the Republic to Hadrian, Constantine the Emperor, The Victor's Crown: A History of Ancient Sport from Homer to Byzantium, and Theodora: Actress, Empress, Saint.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: here
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53 min
April 05 Marta Lorimer, "Europe As Ideological Resource: European Integration and Far Right Legitimation in France and Italy" (Oxford UP, 2024)
How did the far right go from illegitimate fringe to contender for public office, and did Europe have anything to do with it? Europe As Ideological Resource: European Integration and Far Right Legitimation in France and Italy (Oxford UP, 2024) argues that European integration functioned as an ideological resource for far right parties looking for legitimation because it enabled them to refashion their political message in a more acceptable form, while maintaining the allegiance of their existing supporters.
Drawing on the qualitative analysis of over 400 documents produced by the Movimento Sociale Italiano/Alleanza Nazionale in Italy (1978-2009) and the Rassemblement National in France (1978-2019), Lorimer identifies the core concepts and discourses the parties used to talk about Europe, and the legitimation mechanisms associated with them. The book's narrative is developed through the analysis of four key concepts: the concept of identity, which enabled the parties to transnationalise their message and create a positive association between themselves and Europe; the concept of liberty, which made it possible for them to foster an image of actors holding uncontroversial positions; the concept of threat, which helped them promote the idea that 'desperate times call for desperate measures; and the concept of national interest, which helped them stress commitment to core principles in their ideology.
Ever since its re-emergence on the European political scene, scholars have sought to explain the mainstreaming of the far right. By understanding how the process of European integration facilitated its transition from the margins to the mainstream, this book adds one piece to the puzzle of far right legitimation.
Marta Lorimer is a Lecturer in Politics at the School of Law and Politics at Cardiff University, where she teaches on European politics and populism, and co-editor of the journal Political Research Exchange. Her research on far-right politics and European integration has been published widely, including in the Journal of European Public Policy and the Journal of Common Market Studies.
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35 min
March 22 Martha Feldman, "Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome" (Zone Books, 2026)
Around 1830, opera houses stopped using castrati, and Rome and the Vatican became home to their glorious singing, engineered by surgery and intensive vocal training. Castrati were long mired in secrecy, obfuscations, and lies about their origin and conditions, not least the last of them, Alessandro Moreschi. In Castrato Phantoms: Moreschi, Fellini, and the Sacred Vernacular in Rome (Zone Books, 2026), musicologist Professor Martha Feldman declines to accept these deep-seated mysteries and concealments. After a decade and more of digging through archives and family histories comes her exciting transdisciplinary and quasi-cinematic account of Moreschi, whose recordings preserve the only sonic trace of a solo castrato.
Yet Moreschi’s story extends far beyond him. It opens up intrigues, politics, and histories of the Vatican, everyday histories of nineteenth- and twentieth-century Rome, the world of Roman opera, the city’s unique mélange of sacred and vernacular tropes, and representations of Rome by iconic film director Federico Fellini. Moreschi and Fellini turn out to have been related by marriage, but also to share synergies grounded in Rome’s persistent inclination to vernacularize the sacred. Far from telling of one anomalous figure, Professor Feldman’s gripping history convinces readers that Moreschi, like Fellini, can be read as an improbable index of Roman consciousness, both during his own life and well beyond.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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40 min
March 16 Jake Nabel, "The Arsacids of Rome: Misunderstanding in Roman-Parthian Relations" (U California Press, 2025)
At the beginning of the common era, the two major imperial powers of the ancient Mediterranean and Near East were Rome and Parthia. In this
(open access) book The Arsacids of Rome: Misunderstanding in Roman-Parthian Relations (U California Press, 2025), Jake Nabel analyzes Roman-Parthian interstate politics by focusing on a group of princes from the Arsacid family—the ruling dynasty of Parthia—who were sent to live at the Roman court. Although Roman authors called these figures “hostages” and scholars have studied them as such, Nabel draws on Iranian and Armenian sources to argue that the Parthians would have seen them as the emperor’s foster-children. These divergent perspectives allowed each empire to perceive itself as superior to the other, since the two sides interpreted the exchange of royal children through conflicting cultural frameworks. Moving beyond the paradigm of great powers in conflict, The Arsacids of Rome advances a new vision of interstate relations with misunderstanding at its center.
New Books in Late Antiquity is Presented by Ancient Jew Review.
Jake Nabel is the Tombros Early Career Professor of Classical Studies and Assistant Professor of Classics and Ancient Mediterranean Studies at Pennsylvania State University.
Michael Motia teaches Classics and Religious Studies at UMass Boston
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1 hr 31 min
March 13 Jessica Clarke, "A New History of Ancient Roman Theatre" (Liverpool UP, 2025)
"Roman theatre" is a term often used to describe the theatre of ancient Italy during the second and third century BCE. Plautus and Terence are referred to as ‘Roman playwrights,’ and Rome itself is generally regarded as the driving force behind the development of theatrical culture in Italy. But was this early theatre in Italy specifically or characteristically Roman? Using previously marginalised archaeological source material and placing it in constructive dialogue with the surviving ancient literature, A New History of Ancient Roman Theatre (Liverpool UP, 2025) offers a significant reinterpretation of how theatre developed in the Italian peninsula, as well as a radical reappraisal of the role of Republican Rome as the impetus for cultural change. Challenging a long-held scholarly consensus, it is argued that whilst Rome would eventually rise to political and cultural dominance, the archaeological evidence does not encourage us to view Rome as a significant factor in the development of theatre in Italy until at least the end of the first century BCE and the construction of the Theatre of Pompey. Our attention is directed instead to other cities in the Italian peninsula during the third and second centuries BCE, which have hitherto been greatly overshadowed by imperialistic narratives of Roman cultural development.
Jessica Clarke is a historian and archaeologist specialising in ancient Roman theatre and entertainment culture. She was awarded her PhD by University College London in 2024.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: here
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46 min

About New Books in Italian Studies

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This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.