Contested City: Citizen Advocacy and Survival in Modern Baghdad (Stanford UP, 2025) offers a history of state-society relations in Baghdad, exploring how city residents managed through periods of economic growth, sanctions, and war, from the oil boom of the 1950s through the withdrawal of US troops in 2011. Interactions between citizens and their rulers shaped the social fabric and political realities of the city. Notably, low-ranking Ba'th party officials functioned as crucial intermediaries, deciding how regime policies would be applied. Charting the social, economic, and political transformations of Iraq's capital city, Alissa Walter examines how national policies translated into action at the local, everyday level.

With this book, Walter reveals how authoritarian governance worked in practice. She follows shifts in mid-century housing and urban development, the impact of the Iran–Iraq and Gulf Wars on city life, and the manipulation of food rations and growth of black markets. Reading citizen petitions to the government, Walter illuminates citizens' self-advocacy and the important role of low-ranking party officials and state bureaucrats embedded within neighborhoods. The US occupation and ensuing sectarian fighting upended Baghdad's neighborhoods through violent displacement and the collapse of basic state services. This power vacuum paved the way for new power brokers, including militias and neighborhood councils, to compete for influence on the local level.

Alissa Walter is Associate Professor of History at Seattle Pacific University.

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For centuries, monuments have telegraphed the values and origin myths of dominant culture in public space and on massive scale. They have signaled both who is part of a culture and who is not, often overlooking histories that complicate the stories they tell. Yet in the last 50 years in the United States, the role of monuments has changed significantly. Numerous historical monuments have been removed or toppled, bringing to the fore a long-repressed conversation about the relationship between the monumental landscape and national identity. In Monumental: How a New Generation of Artists Is Shaping the Memorial Landscape (MIT Press, 2025), Dr. Cat Dawson takes up the social, political, and art historical causes and ramifications of this important shift.
Examining the conditions that have led to and define this new era, Dr. Dawson reveals that these interventions are as indebted to the monumental tradition as they are to representational strategies that grew out of twentieth-century social justice efforts, from the Civil Rights movement to queer organizing during the AIDS crisis.
Since 2014, a new generation of artists has established a groundbreaking role for monuments, calling into question the very notion of what a monument is through novel investigations of how symbolic structures can be made and what stories they can tell. This book tells the important story of that sea change.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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No-one can fail to notice how many statues of Great Men there are around London: stern politicians, military generals, imperial adventurers . . . But what about women?

As shown by Juliet Rix in London's Statues of Women (SafeHaven Books, 2025), women are surprisingly well represented amongst London’s statues. Recent years have seen new statues of Virginia Woolf in Richmond, Mary Wollstonecraft in Stoke Newington, even boxer Nicola Adams in Brent.

But there are also groundbreaking statues commemorating the Black community, notably the two of Brixton resident Joy Battick on its railway station platforms. And you’ll find historical figures from Florence Nightingale to Joan of Arc and Edith Cavell – as well as Twiggy.

And how many ballet dancers are commemorated, and where? And which famous tennis player was the unlikely model for the young girl with dolphin by Tower Bridge? This is a book that really will make you see London in a new way.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Through deep attention to sense and feeling, Go with God grapples with the centrality of Evangelical faith in Rio de Janeiro's subúrbios, the city's expansive and sprawling peripheral communities. Based on sensory ethnographic fieldwork and attuned to religious desire and manipulation, this book shows how Evangelical belief has changed the way people understand their lives in relation to Brazil's history of violent racial differentiation and inequality. From expressions of otherworldly hope to political exhaustion, Go with God depicts Evangelical life as it is lived and explores where people turn to find grace, possibility, and a future.

Mentioned in this episode:

Laurie Denyer Willis is Senior Lecturer in Social Anthropology at the University of Edinburgh.

Liliana Gil is Assistant Professor of Comparative Studies (STS) at The Ohio State University.

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This Must Be the Place: How Music Can Make Your City Better (Watkins Media Limited, 2023) explores how music can make cities better. This Must Be the Place introduces and examines music's relationship to cities. Not the influence cities have on music, but the powerful impact music can have on how cities are developed, built, managed, and governed. Told in an accessible way through personal stories from cities around the world--including London, Melbourne, Nashville, Austin, and Zurich--This Must Be the Place takes a truly global perspective on the ways music is integral to everyday life but neglected in public policy. Arguing for the transformative role of artists and musicians in a post-pandemic world, This Must Be The Place not only examines the powerful impact music can have on our cities, but also serves as a how-to guide and toolkit for music-lovers, artists, and activists everywhere to begin the process of reinventing the communities they live in.

Shain Shapiro is one of the world’s leading music and cultural policy thinkers. He is the founder and chairman of economics consultancy Sound Diplomacy, founder and director of the global nonprofit Center for Music Ecosystems and author of This Must Be The Place: How Music Can Make Your City Better. Shain has pioneered the work of music cities and music ecosystem policy, where music is written into how cities and places plan and invest in their future.

Alex Hallbom is a Registered Professional Planner in British Columbia, Canada. He sits on the editorial board of Plan Canada, the professional publication for planners in Canada.

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In the sprawling city of São Paulo, a weekly practice known as devotion to souls (devoção às almas) draws devotees to Catholic churches, cemeteries, and other sites associated with tragic or unjust deaths. The living pray and light candles for the souls of the dead, remembering events and circumstances in a rite of collective suffering. Yet contemporary devotion to souls is not confined to Catholic adherents or fixed to specific locations. The practice is also linked to popular tours of haunted sites in the city, and it moves within an urban environment routinely marked by violence and death. While based in Catholic traditions, devotion to souls is as complex and multifaceted as religion itself in Brazil, where African, Portuguese, and other cultural forms have blended and evolved over centuries.

Michael Amoruso's insightful work, Moved By The Dead: Haunting and Devotion in São Paulo, Brazil (University of North Carolina Press, 2025) uses the methods of ethnography, religious studies, and urban studies to consider how devotion to souls embodies, adapts, and challenges conventional ideas of religion as tethered to specific sites and practices. Examining devotees' varied ways of ascribing meaning to their actions, Amoruso argues that devotion to souls acts as a form of what he calls "mnemonic repair," tying the living to the dead in a struggle against the forces of forgetting.

Michael Amoruso is assistant professor of religious studies at Occidental College.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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The Carceral City: Slavery and the Making of Mass Incarceration in New Orleans, 1803-1930 (UNC Press, 2024) reveals that Americans often assume that slave societies had little use for prisons and police because slaveholders only ever inflicted violence directly or through overseers. Mustering tens of thousands of previously overlooked arrest and prison records, John K. Bardes demonstrates the opposite: in parts of the South, enslaved and free people were jailed at astronomical rates. Slaveholders were deeply reliant on coercive state action. Authorities built massive slave prisons and devised specialized slave penal systems to maintain control and maximize profit. Indeed, in New Orleans—for most of the past half-century, the city with the highest incarceration rate in the United States—enslaved people were jailed at higher rates during the antebellum era than are Black residents today. Moreover, some slave prisons remained in use well after Emancipation: in these forgotten institutions lie the hidden origins of state violence under Jim Crow.

With powerful and evocative prose, Bardes boldly reinterprets relations between slavery and prison development in American history. Racialized policing and mass incarceration are among the gravest moral crises of our age, but they are not new: slavery, the prison, and race are deeply interwoven into the history of American governance.

Kishauna Soljour is an Assistant Professor of Public Humanities at San Diego State University. Her most recent writing appears in the edited collection: From Rights to Lives: The Evolution of the Black Freedom Struggle.

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In the fourth episode of Soundscapes NYC, host Ryan Purcell and music historian Jesse Rifkin tour a constellation of seedy bars and venues in the 1970s that nurtured bands during the early days of punk rock. These spaces include well-known clubs like CBGBs and Max’s Kansas City and lesser-known haunts like the Mercer Arts Center and Mother’s that shed light on hidden meanings behind punk rock. These stories illuminate echoes of the trans liberation struggle, and how punk rock embodied the sounds of the city collapsing in a literal sense.  

Jesse Rifkin is the owner and operator of Walk on the Wild Side Tours NYC, a music history walking tour company in New York City, and consults as a pop music historian for the Association for Cultural Equity. His work has been featured in the New York Times, Conde Nast Traveller, and Vice among other venues. Before his work as a historian, he spent twelve years touring the country as a working musician, playing at CBGB, Lincoln Center, and venues of every size and shape in between. In 2023, Rifkin published his debut book, This Must be the Place: Music, Community and Vanished Spaces in New York City (Harper Collins, 2023). 

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Bruce Harvey is a historian and photographer based in Syracuse, NY, who works at the intersection of memory, place, and public history. As an independent consultant, he helps both public and private clients document historic sites--shaping how we remember, preserve, and sometimes say goodbye to the built environment. In this episode, Bruce reflects on what drew him to historical consulting, the art of managing complex projects, and the deeper philosophical questions that animate his work: What do we choose to remember? And why? We discuss the beauty and impermanence of old buildings and landscapes, Bruce’s social mission of preserving memory for future generations, and the unique challenges of working in a field where history, economics, and policy meet. Along the way, he shares insights from his work with the Historic American Buildings Survey (HABS), the Historic American Engineering Record (HAER), and the Historic American Landscapes Survey (HALS), programs with their own rich histories rooted in New Deal ideals of public service and economic recovery.

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In this episode we challenge the ideas about invisibility of Asian Americans in the urban Midwest by discussing Rebecca Jo Kinney’s Mapping AsiaTown Cleveland: Race and Redevelopment in the Rust Belt (Temple University Press, 2025).

Mapping AsiaTown Cleveland links the contemporary development of Cleveland’s “AsiaTown” to the multiple and fragmented histories of Cleveland’s Asian American communities from the 1940s to present. Kinney’s sharp insights include Japanese Americans who resettled from internment camps, Chinese Americans food purveyors, and Asian American community leaders who have had to fight for visibility and representation in city planning—even as the Cleveland Asian Festival is branded as a marquee “diversity” event for the city. Importantly, this book contributes to a growing field of Asian American studies in the U.S. Midwest by foregrounding the importance of region in racial formation and redevelopment as it traces the history of racial segregation and neighborhood diversity in Cleveland during the 20th and 21st centuries.

Rebecca Jo Kinney is a Fulbright Scholar and an interdisciplinary teacher and scholar of American Studies and Ethnic Studies at Bowling Green State University, Ohio, USA. Dr. Kinney’s award-winning first book, Beautiful Wasteland: The Rise of Detroit as America’s Postindustrial Frontier argues that contemporary stories told about Detroit’s potential for rise enables the erasure of white supremacist systems. Her third book, Making Home in Korea: The Transnational Lives of Adult Korean Adoptees, is based on research undertaken while she was a Fulbright Scholar in South Korea. Her research has appeared in American Quarterly, Food, Culture & Society, Verge: Studies in Global Asia, Radical History Review, Race&Class, among other journals.

Donna Doan Anderson (she/her) is a research assistant professor in the department of History at the University of Nebraska-Lincoln.

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