A follow up to his 2024 mixtape, Illegal Generation Vol. 1, Lil Internet brings you Vol. 2 — a new hour of fresh “gencore,” which aired today on Mark Leckey’s monthly NTS radio show. [https://www.nts.live/shows/mark-leckey]

“Compared to Volume 1,” Lil Internet writes, “Volume 2 feels closer to a truly functional example of what AI generated music might offer outside of joke songs and the emulation of styles that already exist—it’s also more deranged.”

“Both, however, are made in the tradition of sample-based, breakbeat driven dance music,” Lil Internet points out, which is to say music that “has always been made using the latest technology and stolen data (uncleared samples).” In this sense, Gencore is part of the natural evolution of what music critic Simon Reynolds named the “hardcore continuum.” Could one even argue that the big AI companies — sampling everything we type, everything we upload, everything we do — follow the same protocol? Perhaps the “hardcore continuum” has expanded from something we listen to into something we are living through.

SUBSCRIBE to New Models to access:

* Lil Internet’s Three Rules of Gencore

* Download link to high quality file of the pure mix (w/out NM intro/outro)

https://patreon.com/newmodels https://newmodels.substack.com

ILLEGAL GENERATION Vol. 2 | TRACKLIST

00:00 - SHENZHEN CONFIDENTIAL®

02:46 - FIND A WHEY®

05:13 - THE LOCUST COMMUNITY®

08:22 - FLOOD DOSE®

12:51 - EARTH VICTORY®

18:04 - VIOLENCE AGAINST MEN®

22:52 - SPRING BROKERS®

26:09 - SEASTEADIN’®

31:25 - PEPTIDE PSYCHOSIS®

36:26 - CHEMISTRY FAIRE / INN XL®

41:46 - IBOGA DRIFT®

46:59 - LAST NIGHT OF DUBAI®

51:51 - ESCHATOLOGY BOP®

56:16 - CONSCIOUSNESS, INTERRUPTED®

https://newmodels.io

Gavin Brown, Caroline Busta, Joshua Citarella, Ben Davis, Jason Farago, Tobias Spichtig and Lloyd Wise read their contributions to “What Is Contemporary Art For Today?" (Perić Collection, 2025)

This is a preview — for the full episode (released 08/13/2025), including a conversation with the book's editors, Matt Moravec, Eleonore Hugendubel, and Dean Kissick, subscribe: patreon.com/newmodels newmodels.substack.com

From January 2023 to January 2024, the Perić Collection funded a series of informal, highly attended talks about the state of Contemporary Art. Hosted by Dean Kissick and coordinated & commissioned by Eleonore Hugendubel and Matt Moravec, the monthly event, known as the Seaport Talks, took place in Downtown Manhattan. As a kind of coda to this series, Matt, Eleonore, and Dean created a correlating reader (likewise supported by Perić) featuring texts by 25 contributors who have spent some significant part of their life in the art world. Each writer was asked to briefly respond to the book’s titular question: “What is contemporary art for Today? And what should it be for, if anything?” For this special episode, we bring you a selection of the answers.

For more: https://www.mcnallyjackson.com/product/what-contemporary-art-today

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com

Theorists Marek Poliks & Roberto Alonso Trillo (co-hosts of the Dis.integrator pod) come on New Models to talk us through their highly anticipated new book, Exocapitalism: Economies with Absolutely No Limits, which is out this month from Becoming Press. Through their radical rethinking of capitalism — its indifference to human scale, its endless appetite for complexity, its rapacious transformation of everything into betting surfaces — Marek and Roberto relieve us of old Leftist frameworks, supplying a decoder ring for the growing incoherence of everyday contemporary life.

Exocapitalism: Economies With Absolutely No Limits (Becoming Press, 2025)

https://becoming.press/exocapitalism-economies-with-absolutely-no-limits-(2025)-by-marek-poliks-roberto-alonso-trillo

Authors: Marek Poliks & Roberto Alonso Trillo

https://www.marekpoliks.com/

https://robertoalonsotrillo.com/

https://open.spotify.com/show/4AcGAXHIdRu1toaZYnK3kB

Foreward: Charles Mudede

Afterward: Alex Quicho

Art & Design: Palais Sinclaire

Illustrations: Avocado Ibuprofen

Names cited:

AMD, Amazon/AWS, Amanda Askell, American Express, BlackRock, Bogna Konior, Charles Mudede, ChatGPT, Citadel, Cortical Labs, Daniel Felstead & Jenn Leung, David Graeber, DraftKings, Dunkin', SNAP (US food stamps), Elena Esposito, Gilles Deleuze & Felix Guattari, GUS (Global University Systems), Helen Hester & Nick Srnicek, Hilton Worldwide, Jürgen Habermas, K Allado-McDowell, Karl Marx, Kraft Singles, Luciana Parisi, Luigi Mangione, Nick Land, Nvidia, OpenAI, Ray Brassier, René Benko, Robinhood, Salesforce, Silvia Federici, SpaceX, Starbucks, TSMC

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com

In advance of their new album SISTER—out Sept 12 via True Panther and Dirty Hit—EDM emo pop punk crunkcore electroclash dubstep screamo trance DJs, producers, and siblings Angel and Lulu AKA the @FrostChildren join NM to talk about making music in a memetically driven age.

For more: https://frostchildren.xyz

https://frostchildren.ffm.to/sister

https://instagram.com/thefrostchildren

Names cited: Above & Beyond, Adam Curtis, Addison Rae, Afrojack, All Time Low, Blood on the Dance Floor, Breathe Carolina, BryanStars, Brokencyde, Celine, Charli XCX, Fall Out Boy, Gerard Way, Gracie Abrams, Harmony Korine, I Set My Friends on Fire, Isabella Rossellini, Jane Remover, Jimmy Buffett, Kate Bush, Kim Petras, Lana Del Rey, Mac DeMarco, Marc Jacobs, margø, The Medic Droid, Mission of Burma, Miu Miu, Model/Actriz, Monstercat, Montez Press Radio, MTV Cribs, My Chemical Romance, Nirvana, Oklou, Olivia Rodrigo, Owsla, Panic! At the Disco, Paper Magazine, Peter Gabriel, Pitbull, Porter Robinson, Sabrina Carpenter, Skrillex, The Smashing Pumpkins, Spring Breakers, The Sound, Stüssy, The 1975, True Panther, Vans Warped Tour, Virtual Riot, Vivaldi

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com

Our guest is American media theorist Douglas Rushkoff. He is the author of such seminal books on digital culture and networked communication as Cyberia (1994), Media Virus (1995), and Coercion (1999); and numerous further titles including, Program or Be Programmed (2010/2025) and Survival of the Richest: Escape Fantasies of the Tech Billionaires (2022). He is also the host of Team Human and a professor of Media Theory and Digital Economics as CUNY/Queens.

On this episode, Doug speaks with us about the evolution (and devolution) of digital culture across web 1, 2, 3, and beyond via a synthesis of media theory, psychedelic thinking, and practical wisdom for navigating our contemporary networks.

Names cited: Adam Curtis, Alex Garland, Allan Kaprow, Amazon, Art Bell, AT&T, Bernie Madoff, CNN, Cyberia, CVS, Dan Rather, Daniel Dennett, David Bowie, David Hershkovitz, David Lynch, Donna Haraway, Douglas Rushkoff, Elon Musk, Emmanuel Levinas, Francis Bacon, Genesis P-Orridge, Jake Tapper, Jeff Bezos, Jeffrey Epstein, Jesse Armstrong, Joe Rogan, John Brockman, John Perry Barlow, Joseph Chaikin, Kamala Harris, Lauren Sanchez, Louis Rossetto, Ludwig Wittgenstein, Madonna, Marjorie Taylor Greene, Marshall McLuhan, Martin Buber, Martin Heidegger, Media Virus, Michael Jackson, Milton Friedman, Naomi Klein, Naomi Wolf, Neil Simon, New Models, New York Times, Norbert Wiener, Orit Halpern, Paper Magazine, Peter Thiel, Pierre Teilhard de Chardin, Present Shock, Ray Kurzweil, Richard Dawkins, Robert Anton Wilson, Ross Douthat, Skinny Puppy, Spinoza, Star Trek, Team Human, Temple of Psychic Youth, The Long Boom, The Process Church, The Simpsons, Vanessa Machado de Oliveira, Walter Benjamin, William S. Burroughs, Wired Magazine

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com

Our guest is Orit Halpern: co-author of The Smartness Mandate (MIT Press, 2023); author of Beautiful Data: A History of Vision and Reason since 1945 (Duke, 2014); and Full Professor and Chair of Digital Cultures at Technische Universität Dresden.

Often in discussions about machine learning and smartness, AI is presented as the natural path of human progress, an evolutionary – almost biological – development that emerged out of human communication systems and that has the potential to far exceed them. But as Orit argues, these technologies are neither inevitable nor inhuman. Rather they are the result of a particular intersection of neoliberal theory, psychology, and computer science that generated the economic incentives, political will, and public desire for AI to exist in the specific form we have now.

On this episode, Orit animates the technological imaginary that gave rise to our culture of AI, asking, among other things, how a highly adaptive, machine-learning enabled world changes the terms of political possibility and human revolution.

For more: https://orithalpern.net


“Financializing Intelligence: On the Integration of Markets & Machines“

https://www.e-flux.com/architecture/on-models/519993/financializing-intelligence-on-the-integration-of-machines-and-markets/

“Futures of Cybernetic Urbanism” in "Intelligens. Natural. Artificial. Collective" catalogue of the 19th Venice Architecture Biennale (2025)

Counter-Practices and The Image of Thought https://journals.sagepub.com/doi/10.1177/29768640251335679

Planetary Infrastructure

https://link.springer.com/referenceworkentry/10.1007/978-3-658-38128-8_1-1

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Episode image adapted from: Marco Zorzanello photo of the installation TERMS AND CONDITIONS by Transsolar, Bilge Kobas, Daniel A. Barber, and Sonia Seneviratne at La Biennale di Venezia, 2025

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com

On this ep, NM is joined by filmmaker Eugene Kotlyarenko, who you may know as the director of films such as 0s and 1s, Wobble Palace, Spree, and most recently, The Code, which stars Peter Vack & Dasha Nekrasova and is currently streaming on Mubi. 

Like much of Eugene’s work, The Code understands itself both as entertainment and as cinema — cinema-in-a-time-when everyone is an editor, cinema-in-a-time-when content has become infinite, which is to say empty, a site of projection for viewers-turned-users. We talk about The Code on this episode and about the industry, about virality, idenity, authoritarianism, slop, empathy. comedy, and success.

For more: https://www.instagram.com/madabouteug (IG)

Patreon: https://www.patreon.com/directorscommentary

Site: https://www.everybodyloves.me  

Watch “The Code”

MUBI: https://mubi.com/en/de/films/the-code-2024

LA: https://lumierecinemala.com/film-the-code-2024/

NYC: https://www.roxycinemanewyork.com/screenings/the-code-3-2-3-2/

This is a preview — for the full episode, subscribe: https://newmodels.io or https://patreon.com/newmodels https://newmodels.substack.com

In town for an event with Matt Copson at Berlin’s KW, Dean Kissick stops by the show to talk about art, criticism, and self-performance as well as fire punks, AI monsters, vulgarity, Ye, and the death of the hot take.

Now based in London following a decade-long tenure in Downtown New York, Dean is a writer with recent and forthcoming work in Spike, Heavy Traffic, and Civilization. His essay, “The Painted Protest: How Politics Destroyed Contemporary Art” appeared in the December 2024 issue of Harper’s.

For more: @deankissick IG & X

This is a preview — for the full episode, subscribe: https://newmodels.io https://patreon.com/newmodels https://newmodels.substack.com

Gideon Jacobs joins NM to discuss his latest piece for the LA Review of Books, “Player One and Main Character,” which explores the logic of power in a time when some of its key agents are no longer operating in base reality.

Related: Lil Internet’s “Hallucinator’s Dice” (unlocked) https://soundcloud.com/newmodels/hallucinators-dice

See also: 


"Player One and Main Character" (LARB, Apr 2025)

https://lareviewofbooks.org/article/player-one-and-main-character/

“Trump l’Oeil,” (LARB, Nov 2024) https://lareviewofbooks.org/article/trump-loeil/

NM Talkcore w/ Gideon Jacobs on Trump as Image (Nov 2024)

https://on.soundcloud.com/kC8NzddUcGynZyZj6

Episode image adapted from photo by Daniel Arnold for Document Journal of Gideon Jacobs as the character Father Bartholomew Mary, 2025.

Unlocked (first released to subscribers 17 March 2025) --> https://patreon.com/newmodels https://newmodels.substack.com https://newmodels.io

Lil Internet purges his Musk Derangement Syndrome one last time in a monologue that could have been titled “Ket, Lies, and Video Games”—until a decades-long shift in base reality is revealed by dice in a Hong Kong bar.

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[Excerpt from monologue]:

“A very brief review of what everyone knows but might not think about all at once: Elon Musk bought Twitter, the most influential social media platform in the world, and promised to make it ”politically neutral.” He then renamed it X, which, in mathematics and logic stands for any arbitrary thing you want, and turned the entire platform towards boosting far right parties across the globe. He controls what does and doesn’t appear on your feed, what does or doesn’t get fact checked, and bans users on a whim. He owns Starlink, a satellite ISP that allows him to monitor traffic or sever a home’s entire internet connection at any time. He owns SpaceX, which is building a classified satellite network called Starshield for the National Reconnaissance Office of the US Military that will allow 24/7, real-time images and AI-powered intelligence gathering across the entire surface of the planet. He owns xAI, which is building the world’s most powerful supercomputer to achieve AGI and have it run the US government. He owns Tesla, which sells cars that he can control, shut down, or render permanently inoperable via satellite, and builds humanoid robots explicitly for replacing human jobs. And then there’s Neuralink, Elon Musk’s company that is literally implanting thought-reading microchips in people’s brains.

This is all basic public knowledge, and yet people who swore Bill Gates was putting 5G microchips in the vaccines seem to be totally fine with an even richer guy controlling their social media, internet access, and car while building robots to replace their jobs, putting every square inch of Earth under 24/7 surveillance, and implanting microchips in people’s brains.

Elon Musk has openly, transparently, turned every conspiracy theory trope into a business he directly owns. He is openly, transparently, every dystopian fear embodied within a single man. Yet the paranoid and the conspiratorial are most likely to support him. Why? I think it’s because transparency has replaced truth and trust in society, and with Elon transparently the most dangerous man to ever exist, truth and trust have become irrelevant.”