New Music Insight Lectures

New Music Insight Lectures

By School of Advanced Study, University of LondonArtsPerforming Arts
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New Music Insight Lectures episodes

  • Gawain - David Harsent and Clare Lees in conversation, part 1
    Institute of Musical Research
    Gawain - David Harsent and Clare Lees in conversation, part 1
    [PRESENTERS] David Harsent and Clare Lees
    David Harsent (Professor of Creative Writing, University of Roehampton) and Clare Lees (Professor of Medieval Literature and History of the Language, King's College London) discuss the fourteenth century poem "Sir Gawain and the Green Knight". David Harsent explores how he reshaped the poem as a libretto for Sir Harrison Birtwistle's opera "Gawain".
    Supported by: Institute of Musical Research, King's College London, University of Roehampton
    Cameras and Editing: David Lefeber
    Executive Producer: Paul Archbold
    © 2015 Metier Sound & Vision Ltd
    0 min
  • Gawain - David Harsent and Clare Lees in conversation, part 2
    Institute of Musical Research
    Gawain - David Harsent and Clare Lees in conversation, part 1
    [PRESENTERS] David Harsent and Clare Lees
    David Harsent (Professor of Creative Writing, University of Roehampton) and Clare Lees (Professor of Medieval Literature and History of the Language, King's College London) discuss the fourteenth century poem "Sir Gawain and the Green Knight". David Harsent explores how he reshaped the poem as a libretto for Sir Harrison Birtwistle's opera "Gawain".
    Supported by: Institute of Musical Research, King's College London, University of Roehampton
    Cameras and Editing: David Lefeber
    Executive Producer: Paul Archbold
    © 2015 Metier Sound & Vision Ltd
    0 min
  • Gawain - David Harsent and Clare Lees in conversation, part 2
    Institute of Musical Research
    Gawain - David Harsent and Clare Lees in conversation, part 1
    [PRESENTERS] David Harsent and Clare Lees
    David Harsent (Professor of Creative Writing, University of Roehampton) and Clare Lees (Professor of Medieval Literature and History of the Language, King's College London) discuss the fourteenth century poem "Sir Gawain and the Green Knight". David Harsent explores how he reshaped the poem as a libretto for Sir Harrison Birtwistle's opera "Gawain".
    Supported by: Institute of Musical Research, King's College London, University of Roehampton
    Cameras and Editing: David Lefeber
    Executive Producer: Paul Archbold
    © 2015 Metier Sound & Vision Ltd
    0 min
  • Celebrating the 80th anniversary of Alfred Schnittke's birth: Round Table with Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chaired by Roger Redgate
    Institute of Musical Research
    Celebrating the 80th anniversary of Alfred Schnittke's birth: Round Table with Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chaired by Roger Redgate
    [PRESENTERS] Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chaired by Roger Redgate
    On the 80th anniversary of Alfred Schnittke's birth, Mark Lubotsky, Dmitri Smirnov and Elena Firsova discuss the relevance of Schnittke's music to Russia and to music today. Mark Lubotsky reflects on the compositions that Schnittke wrote for him, including the violin concerti and the works featured in the concert at the IMR on 24 November 2014
    Supported by: Institute of Musical Research; John Coffin Trust; Centre for Russian Studies, Goldsmiths University of London
    Cameras and Editing: David Lefeber
    Executive Producer: Paul Archbold
    © 2015 Metier Sound & Vision Ltd
    0 min
  • Celebrating the 80th anniversary of Alfred Schnittke's birth: Round Table with Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chaired by Roger Redgate
    Institute of Musical Research
    Celebrating the 80th anniversary of Alfred Schnittke's birth: Round Table with Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chaired by Roger Redgate
    [PRESENTERS] Mark Lubotsky, Dmitri Smirnov & Elena Firsova, chaired by Roger Redgate
    On the 80th anniversary of Alfred Schnittke's birth, Mark Lubotsky, Dmitri Smirnov and Elena Firsova discuss the relevance of Schnittke's music to Russia and to music today. Mark Lubotsky reflects on the compositions that Schnittke wrote for him, including the violin concerti and the works featured in the concert at the IMR on 24 November 2014
    Supported by: Institute of Musical Research; John Coffin Trust; Centre for Russian Studies, Goldsmiths University of London
    Cameras and Editing: David Lefeber
    Executive Producer: Paul Archbold
    © 2015 Metier Sound & Vision Ltd
    0 min
  • Brian Ferneyhough in conversation with Christopher Redgate
    Institute of Musical Research
    Brian Ferneyhough in conversation with Christopher Redgate
    [COMPOSER] Brian Ferneyhough
    The distinguished composer Brian Ferneyhough talks with the oboist Christopher Redgate about the composition of Schatten aud Wasser und Stein for Howarth/Redgate system aboe and string quartet.
    Supported by Institute of Musical Research, Huddersfield Contemporary Music Festival, AHRC Research Centre for Musical Performance as Creative Practise, Royal Academy of Music
    Executive Producer: Paul Archbold
    Sound: David Lefeber
    Editor: Jane Clegg
    Director: Colin Still
    © Optic Nerve, 2013
    0 min
  • Prof. Christian Wolff in conversation with Richard Bernas
    Institute of Musical Research
    Prof. Christian Wolff in conversation with Richard Bernas
    [COMPOSER] Christian Wolff
    The distinguished composer Prof. Christian Wolff talks with the conductor Richard Bernas about his work and his contemporaries: John Cage, Morton Feldman, Earle Brown, David Tudor, Robert Rauschenberg, Frederic Rzewski and Cornelius Cardew.
    Supported by Institute of Musical Research
    Filming and Editing: David Lefeber
    Executive Producer: Paul Archbold
    © 2014 Metier Sound & Vision Ltd
    0 min
  • Brian Ferneyhough in conversation with Christopher Redgate
    Institute of Musical Research
    Brian Ferneyhough in conversation with Christopher Redgate
    [COMPOSER] Brian Ferneyhough
    The distinguished composer Brian Ferneyhough talks with the oboist Christopher Redgate about the composition of Schatten aud Wasser und Stein for Howarth/Redgate system aboe and string quartet.
    Supported by Institute of Musical Research, Huddersfield Contemporary Music Festival, AHRC Research Centre for Musical Performance as Creative Practise, Royal Academy of Music
    Executive Producer: Paul Archbold
    Sound: David Lefeber
    Editor: Jane Clegg
    Director: Colin Still
    © Optic Nerve, 2013
    0 min
  • Prof. Christian Wolff in conversation with Richard Bernas
    Institute of Musical Research
    Prof. Christian Wolff in conversation with Richard Bernas
    [COMPOSER] Christian Wolff
    The distinguished composer Prof. Christian Wolff talks with the conductor Richard Bernas about his work and his contemporaries: John Cage, Morton Feldman, Earle Brown, David Tudor, Robert Rauschenberg, Frederic Rzewski and Cornelius Cardew.
    Supported by Institute of Musical Research
    Filming and Editing: David Lefeber
    Executive Producer: Paul Archbold
    © 2014 Metier Sound & Vision Ltd
    0 min
  • Helmut Lachenmann in conversation with John Deathridge
    Institute of Musical Research
    Helmut Lachenmann in conversation with John Deathridge
    [PRESENTERS] Helmut Lachenmann (Composer) and John Deathridge (Emeritus King Edward, Professor of Music, King's College London)
    Helmut Lachenmann at 80
    A symposium on Helmut Lachenmann's music
    St David's Room, King's College London
    Promoted by: Institute of Musical Research, Institute of Modern Languages Research, King's College London, University of London
    Supported by: Hepner Foundation, Embassy of the Federal Republic of Germany, London, Southbank Centre
    Cameras and Editing: David Lefeber
    Executive Producer: Paul Archbold
    © 2015 Metier Sound & Vision Ltd
    0 min

About New Music Insight Lectures

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New Music Insight Lectures at the Institue of Musical Research, School of Advanced Study. New Music Insight is a research network dedicated to the study of contemporary music. It provides a resource…