New Realities with Alan Steinfeld
MAKING CONTACT: Seven Experiencers Share UFO Contact Stories, Symbolic Art, and the Buga Sphere Mystery
Host Alan Steinfeld and co-host Scott Catamas gather seven experiencers, including musician Shelley Reef, channel Debs Shakti, forensic artist Cynthia Marsh, guitarist John Martin, and farmer Indy Riggs, to compare notes on shared vibrations, symbolic art, UFO contact, and the mysterious Buga sphere.
Framing Disclosure In Three Parts
Alan Steinfeld opens the show by playing a clip from a recent YouTube video on UFO disclosure, then tells viewers the footage misses two-thirds of the story. He breaks the subject into three parts: the government's defense, meaning whistleblowers and the officials fighting them; the phenomenon itself, meaning who is showing up and why; and the experiencers, whom he calls the essential part because they are in direct contact. Co-host Scott Catamas, introducing himself as Love Coach Scott Catamas, welcomes more than fifty viewers in the Zoom room and asks them to share in the chat their own moments of expanded consciousness, from near-death experiences to contact with non-human intelligence. Catamas recalls interviewing Timothy Leary shortly before his death and recounts Leary's theory that human consciousness must accelerate to catch up with the power of atomic energy. Both hosts frame the phenomenon as an upgrade rather than an invasion, aimed at awakening humanity rather than building weapons.
Shelley Reef's Joshua Tree Breakthrough
Alan Steinfeld introduces musician, harp player, and sound healer Shelley Reef, noting that experiencers rarely get to speak at congressional hearings or major conferences. Reef describes the turning point in her decades of contact: a night in the Joshua Tree Desert when six friends, split across four locations, all watched a giant light blossom toward them and later woke up on the ground with the shared sensation of having been scanned. She calls most of her encounters, even the frightening ones, ultimately positive, and locates the point of contact in the pineal gland, the same place she reaches through hypnosis and telepathy. Reef recounts comparing notes with Chris Bledsoe Jr. over lunch and discovering they both feel an identical chest vibration and hear the same wah-wah sound before contact, a sound she later found replicated in crystal alchemy singing bowls, monochords, and harps. She closes by urging daily meditation, arguing that real disclosure happens first in the individual heart, not in a government announcement.
Debs Shakti On Star Teachers And Fear
Before Alan Steinfeld introduces quantum hypnosis therapist and channel Debs Shakti, guest Dezaraea briefly shares a recent download of an Andromedan, Pleiadean, Avian hybrid energy and describes spending a morning connecting with what she calls the chakras of the Earth. Shakti then describes her earliest memory, at about three months old, of a tall, glass-like extraterrestrial being lifting her from her crib to stop her from suffocating, an experience her father denies but one a hypnotherapist later confirmed under regression. She says she has channeled these beings, whom she calls the star teachers, almost daily for seventy years, and that not one encounter has ever felt negative. Shakti explains that fearful abduction accounts, including the terror she helped filmmaker John Yost process for the documentary Alien Abduction Answers, usually trace back to what she calls Hollywood programming and cultural indoctrination rather than anything the beings themselves do. She links contact to a piezoelectric effect in the pineal gland and describes accessing a timeless quantum field she compares to streaming from a cosmic cloud.
Cynthia Marsh's Symbols And Sacred Geometry
Alan Steinfeld introduces forensic artist and experiencer Cynthia Marsh, who shares a slideshow of her work. Marsh recalls a 1974 encounter at age fourteen, when she and a friend walked down a forbidden dirt road near a water-treatment plant in Westchester County's Hudson Valley and found a seamless, humming disc hovering roughly twenty feet overhead; her friend fled in terror while Marsh stood transfixed without fear. Decades later, reunited, the friend recalled seeing a distant light first, suggesting the object moved with extraordinary speed. Marsh describes vivid recurring dreams of projected images and, beginning in 2012, waves of unfamiliar symbols flooding her mind. When the COVID shutdown ended her law-enforcement forensic work in 2020, she felt compelled to finally document them, filling pages with charcoal symbols until the dreams returned with layered geometries. She shows the resulting artwork's progression from quick black-paper sketches to detailed paintings inspired by orb encounters in Hawaii, describing each piece as a kind of transmission she channels more than designs.
Indy Riggs: Grief, Dreams, And A Farm Encounter
Alan Steinfeld introduces Indy Riggs, whose story blends grief with contact. After his father's death in 2019, Riggs began having vivid dreams in which his father told him, 'There is no death,' a message underscored when he dug a cobalt-blue marble, his father's favorite color, out of his garden soil moments after remembering a childhood memory about an identical marble. He describes a later dream of a ship tearing open the sky before a white craft intervened, accompanied by a pulsing vibration and a wom-wom sound he says matches what Shelley Reef described earlier. Riggs then recounts a real encounter on his farm, the same day his beloved Irish Wolfhound, Barbas, died, when a large pulsing white light near Arcturus emitted red glows and then crackling blue static sparks, split into two orbs, and vanished and reappeared over a ridge. Riggs credits his dog, frozen and watching nearby, with snapping him out of tunnel vision and fear, and frames the whole episode as evidence that humanity is moving toward coherence between the physical and spiritual self.
Music, The Buga Sphere, And A Hopeful Close
Classically trained guitarist John Martin describes playing music nightly on his deck to send love into the universe, recalling a purple plasma craft with a rotating pink ring that appeared soon after he began, followed by metallic cross- and crescent-shaped craft and recurring heart-shaped clouds he says the beings create deliberately. Reverend Jeffrey then raises the Buga sphere, an anomalous, gravity-defying object recovered in Colombia that researchers describe as sentient and telepathic, though its age is disputed within the conversation. Tim Spelly introduces UAPedia, a new open-source, fact-checked reference site he is building with colleagues, and previews a January 25th online academic conference on the phenomenon. The group then watches a trailer for an upcoming Steven Spielberg film and debates whether its channeling imagery will reinforce fear or, as most hope, echo Close Encounters and E.T. in shifting public perception toward love. Alan Steinfeld closes with a clip from Danny Sheehan's New Paradigm Institute, and Scott Catamas thanks every presenter before inviting listeners to join the Global Peace Tribe's weekly broadcasts.