Lucy Fischer (English and Film Studies, University of Pittsburgh) joins Carsey-Wolf Center Director Patrice Petro for a post-screening discussion of Alain Resnais’ 1959 film Hiroshima Mon Amour. Fischer places the film, which features a screenplay by the French novelist Marguerite Duras, in the context of other French New Wave cinema; drawing attention in particular to the juxtaposition of images that are simultaneously fictional and documentary, and to the ways in which Duras’s influence is felt throughout the finished film. Fischer and Petro discuss the critical reaction to the film, as well as its meditation on the nature of memory as one of the first major post-WW II art films. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 34843]