
Sign up to save your podcasts
Or


On today’s date in 1862, the front page of The New York Times offered some encouraging news to the Northern side in the American Civil War: Union troops had captured Norfolk, Virginia, and there were other advances being made by General McClellan’s troops.
Under “Amusements” on the inner pages of that same edition could be found an announcement of a Grand Vocal and Orchestral Concert at Irving Hall to be conducted by 27-year-old musician Theodore Thomas.
Thomas had been a major figure on the New York music scene since 1855, performing as the principal violinist in that city’s first ensemble giving a regular series of chamber concerts. That chamber group presented hot-off-the-press works by Brahms and other ultra-modern composers of the day. This big orchestral concert, which marked Thomas’ debut as a conductor, was no different.
The Times noted, “We have never before had so much musical novelty presented to us. Such plentiful instrumental music equally new to our musical world, under the capable conductorship of the young musician, must insure a crowded audience of the more critical as well as the more fashionable portion of our public.”
Tickets were $1 each — quite a lot of money in 1862 — and the program offered the American premieres of orchestral pieces by Wagner, Meyerbeer and Liszt’s flashy orchestration of Schubert’s Wanderer Fantasy.
Franz Schubert (1797-1828) arr. Franz Liszt (1811-1896): Wanderer Fantasy; Leslie Howard, piano; Budapest Symphony; Karl Anton Rickenbacher, conductor; Hyperion 67403
By American Public Media4.7
176176 ratings
On today’s date in 1862, the front page of The New York Times offered some encouraging news to the Northern side in the American Civil War: Union troops had captured Norfolk, Virginia, and there were other advances being made by General McClellan’s troops.
Under “Amusements” on the inner pages of that same edition could be found an announcement of a Grand Vocal and Orchestral Concert at Irving Hall to be conducted by 27-year-old musician Theodore Thomas.
Thomas had been a major figure on the New York music scene since 1855, performing as the principal violinist in that city’s first ensemble giving a regular series of chamber concerts. That chamber group presented hot-off-the-press works by Brahms and other ultra-modern composers of the day. This big orchestral concert, which marked Thomas’ debut as a conductor, was no different.
The Times noted, “We have never before had so much musical novelty presented to us. Such plentiful instrumental music equally new to our musical world, under the capable conductorship of the young musician, must insure a crowded audience of the more critical as well as the more fashionable portion of our public.”
Tickets were $1 each — quite a lot of money in 1862 — and the program offered the American premieres of orchestral pieces by Wagner, Meyerbeer and Liszt’s flashy orchestration of Schubert’s Wanderer Fantasy.
Franz Schubert (1797-1828) arr. Franz Liszt (1811-1896): Wanderer Fantasy; Leslie Howard, piano; Budapest Symphony; Karl Anton Rickenbacher, conductor; Hyperion 67403

6,836 Listeners

38,846 Listeners

8,785 Listeners

9,242 Listeners

5,805 Listeners

930 Listeners

1,388 Listeners

1,290 Listeners

3,148 Listeners

1,976 Listeners

528 Listeners

182 Listeners

13,752 Listeners

3,069 Listeners

246 Listeners

28,189 Listeners

434 Listeners

5,494 Listeners

2,188 Listeners

14,130 Listeners

6,426 Listeners

2,514 Listeners

4,839 Listeners

578 Listeners

254 Listeners