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The suicide bomb attack that killed around 40 CRPF jawans in Pulwama is easily one of the most serious attacks the security forces have faced in Jammu & Kashmir since the beginning of insurgency in 1990.
Comparisons are being made with the J&K Legislative Assembly attack in 2001 that led to the killing of 38 people. Both attacks seem to have used the same modus operandi – having a suicide bomber ram an SUV loaded with explosives on to the target.
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The media has given saturated coverage to the Pulwama terrorist attack. This is not unnatural because it was the deadliest single action against the security forces in almost three decades of Pakistani sponsored terrorism in Jammu and Kashmir.
But the way the media is running the terrorist action once again raises the question of how such grievous actions should be covered. Are there golden rules that should ideally be observed while reporting such events and in commentaries, including talk shows? And are these being observed in the constant flow of “Breaking News” on TV and updates in newspapers and digital news websites?
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Till last week it was the sniping war at the LoC which was live, with casualties on both the sides. Even as we were discussing the new Indian Army sniper rifles under induction, it was certain that a change in character of the proxy war in Kashmir would take place sooner than later. Pakistan’s deep state masterminding the actions of terrorists in the Valley had already experimented with targeting of local policemen and soldiers on leave.
For long, analysts were anticipating the return of one of the most effective weapons of sub-conventional conflicts: the improvised explosive device or the IED and its derivative, the car bomb. It returned in Pulwama with the addition of an even more potent weapon, the suicide bomber.
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Gully Boy is here and RJ Stutee has the beans on the movie! So, stop waiting and listen to Stutee’s review.
Gully Boy from its onset gets us into the mood. We unthinkingly nod our heads and tap our feet in a synchronised fashion. The infectious tempo slowly grows on us as Zoya Akhter and Reema Kagti’s screenplay plunges headlong into the lives of Murad (Ranveer Singh) and Safeena (Alia Bhatt).
Listen to the podcast for the full review!
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