As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Iain Sharp looks at the books on display from Shakespeare’s contemporaries. These are The workes of Benjamin Jonson, London: W. Standsby, 1616, and Comedies and tragedies written by Francis Beaumont and John Fletcher Gentlemen, London: Humphrey Mosely and Humphrey Robinson, 1647.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Iain Sharp looks at the books on display from Shakespeare’s contemporaries. These are The workes of Benjamin Jonson, London: W. Standsby, 1616, and Comedies and tragedies written by Francis Beaumont and John Fletcher Gentlemen, London: Humphrey Mosely and Humphrey Robinson, 1647.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Iain Sharp looks at the books on display from Shakespeare’s contemporaries. These are The workes of Benjamin Jonson, London: W. Standsby, 1616, and Comedies and tragedies written by Francis Beaumont and John Fletcher Gentlemen, London: Humphrey Mosely and Humphrey Robinson, 1647.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Georgia Prince looks at A true and perfect relation of the whole proceedings against the late most barbarous traitors, London: Robert Barker, 1606. Discussing the significance of the gunpowder plot both then and now, and how close Shakespeare might have been to it.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Georgia Prince looks at A true and perfect relation of the whole proceedings against the late most barbarous traitors, London: Robert Barker, 1606. Discussing the significance of the gunpowder plot both then and now, and how close Shakespeare might have been to it.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Georgia Prince looks at A true and perfect relation of the whole proceedings against the late most barbarous traitors, London: Robert Barker, 1606. Discussing the significance of the gunpowder plot both then and now, and how close Shakespeare might have been to it.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Georgia Prince looks at A true and perfect relation of the whole proceedings against the late most barbarous traitors, London: Robert Barker, 1606. Discussing the significance of the gunpowder plot both then and now, and how close Shakespeare might have been to it.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Georgia Prince discusses the Geneva Bible; what it is, its significance and whether Shakespeare would have read it.

The Newe Testament of our Lord Iesus Christ, London: Christopher Barker, 1583.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Georgia Prince discusses the Geneva Bible; what it is, its significance and whether Shakespeare would have read it.

The Newe Testament of our Lord Iesus Christ, London: Christopher Barker, 1583.

As part of the exhibition ‘Shakespeare in his time’ on at Sir George Grey Special Collections, Curator Georgia Prince discusses the Geneva Bible; what it is, its significance and whether Shakespeare would have read it.

The Newe Testament of our Lord Iesus Christ, London: Christopher Barker, 1583.