NKATA: Dots of Thoughts

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Can the simple act of daily gratitude empower and transform your life? In this episode of Dots of Thoughts Podcast, recorded on-site at the Neue Berliner Kunstverein, host Emeka Okereke and guest, Alain Missala, explore the vibrant multicultural landscape of contemporary Berlin.

Alain delves into his pivotal work with Black Dads Germany and Zula, shedding light on how these initiatives are reimagining narratives and empowering children from multicultural backgrounds. Through personal anecdotes, Alain highlights the profound impact of role models and the daily practice of gratitude in enriching our lives and fostering resilience.

Breaking Stereotypes:

We take a hard look at the stereotypes surrounding Black fathers in Germany, challenging these misconceptions through the lens of community and solidarity. Alain shares the inspiring story of a proactive WhatsApp group consisting of over 200 Black fathers who support one another in their parenting journeys. This group aims to create a network that serves as a support system, emphasizing the mission to build safer, more inclusive spaces for Black families, where vulnerability is embraced and healing is possible through shared experiences.

Broader Themes:

Finally, we explore broader themes of activism, interconnectedness, and cultural identity in Berlin. What does it take to teach love and unity to our children amid societal challenges? Emeka poses the question: How do we raise our children to embody the beauty and wealth of differences in times of ideological divides and heightened racial tensions?

Reflections and Insights:

We reflect on creating meaningful dialogues, drawing inspiration from the African philosophy of Ubuntu, which emphasizes the importance of empathy and togetherness. Through stories of organic community-building, informal gatherings, and the proactive retention of cultural heritage, we showcase how everyday interactions can nurture a robust, empowered community.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

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In this episode, I discuss the book, "Photography and Political Aesthetics" with the author, art critic and professor, Jane Tormey. 

Our enlightening conversation traverses the landscape where artistry intersects with political fervour, dissecting how photographs can sway social movements and mould public opinion. We navigate the evolution of politically motivated photography, from its historical roots to contemporary schools of thought, probing the depth and breadth of visual politics. Jane argues for the need to reconsider how photography could be deployed "in a more focused way" to shape present-day political discourses and encourage critical engagement by the viewer. 

As with the book, our conversation touched on such key figures as Walter Benjamin, and how his work laid the premise for understanding the potency of photography in our time and the time to come. 

We reflect on the normative passivity with which photojournalism or politically-motivated images are often digested, advocating for a proactive stance that beckons photographs to be more than ephemeral snapshots—they must incite tangible change through how it is presented and disseminated. 

The session alludes to the pitfalls in the conflation of art and journalism while spotlighting African photographers who are reconstructing the narrative and calling for a conscientious, celebratory and playful portrayal of imagery that dares to defy the conventional. 

Yet, the overarching aim of this conversation is to draw attention to this cohesive and timely book that students of photography, media and cultural studies will find invaluable. 

Host: Emeka Okereke
Guest: Jane Tormey
Production: Atelier E.K Okereke

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

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This episode takes you on an auditory pilgrimage with the Berlin-based, musician, Batila,  weaving the essence of his Congolese and Angolan heritage into a rich narrative that dances between the notes of his latest album, "Tatamana." As Batila unpacks his life's journey from Germany to the cultural depths of his upbringing, we discover how a childhood migration shaped not only his reality but also the very music that he breathes into existence.

Batila's convictions resonate as he insists on music as a vessel for storytelling, a self-acclaimed Griot channelling his energy of crossroads between time and space that underscores his outlook in life. We explore his philosophy that songs must be born from significance, enveloped in the authenticity and depth of his artistry. His first album, a celebration of Black love and unity, stands as a testament to his craft, every carefully composed piece reflecting his dedication to delivering not just sound, but an experience. The high-resolution audio of "Tatamana" invites listeners to not just hear but feel the music, as we discuss how Batila's meticulous attention to detail crafts not only songs but a movement.

Join us for an inspiring session that transcends melody and tinkers with the realms of spirituality and healing. Batila shares his vision for his upcoming album "Mpeve," aiming to connect listeners in a collective trance of togetherness. We close with "Resurrection," a track symbolizing hope and peace, capturing the essence of our discussion. It's a fitting end to our journey with Batila, where each note is a step towards understanding the unbreakable bond between sound, identity, ideology and the eternal quest for inner peace.

Host: Emeka Okereke 
Guest: Batila
Production: Atelier E.K Okereke
Cover Photo: Natasha Morokhova

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

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During a three-week residency in Tangier, Morocco, my friend and colleague, anthropologist Mathangi Krishnamurthy, and I, Emeka Okereke, had the privilege of meeting Abdelmajid Hannoum, whose book "Living Tangier" served as a springboard for our research and thought processes during our residency in the city, organized and supported by The Minority Globe.

In this episode of Dots of Thoughts, Professor Hannoum shares his intellectual and creative process of translating fieldwork experiences into academic work. We dive deeper into the realities of migration and its impact on the city of Tangier. Hannoum, drawing from his personal experiences growing up around some of the Moroccan children he researched, enriches our understanding of Tangier's intricate history and changing demographics.

Furthermore, Hannoum elaborates on the phenomenon of death concerning the migrant body. This subject stems from his personal experience during his years of research for the book. But our narrative doesn't end there. We also delve into the realm of global cities, exploring how their manicured images often mask the disparities within them. Our observations led us to question the place of Tangier in this global context, discussing its complex identity and evolving narrative.

Join us as we peer through the curtains of this multifaceted city, exploring its various aspects and discussing its complex identity and evolving narrative. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

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This episode was inspired by my participation in the exhibition "Prussian Palaces. Colonial Histories", taking place at the Schloss Charlottenburg Berlin. 

 My guest, Carolin Alff, one of the exhibition's curators, guides us through the thoughts that inform the exhibition's making. We discuss the mystery of two statues, their damaged state, a testament to the inaccessible vignette shrouding Germany's deplorable colonial past.  The statue in question was the subject of my audiovisual intervention called "Tracing Presence(s)... of Place, Body, Time."

It is important to note that the relevance of this exhibition is not only in its attempt to reminisce about the past but also in how it asks pertinent questions about how the country and its people come to terms with the extent to which their past continues to inform their present where it has to do with white privilege and Western hegemony. 

We delve into the curatorial process and the complex decisions made behind the scenes of this exhibition. According to the organisers,  the aim was not only to showcase artefacts but to create a safe space for dialogue where history can be reimagined and considered from new perspectives.  Yet I ask: to what extent does the need to create a "safe space" come in the way of creating a space of new knowledge that offers an occasion for genuine self-reflection rather than a "glossing over" or latent gloating? 

With Carolin, we traverse the tricky territory of sensitive terminologies and challenging historical contexts, recognising the need for a transparent conversation that respects the histories of injustices and violence attached to these relics.

Join us as we grapple with the past, confront uncomfortable truths, and underscore the importance of understanding history to shape a better present and future. This episode should inspire you to visit the exhibition from the 4th of July to the 31st of October, 2023. 

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

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If you've ever found yourself lost in the labyrinth of existence or pondering the multiverse and the many layers of our identity, my recent chat with the talented filmmaker and fashion model You Kim is sure to resonate with you. We venture into a reflective analysis of the film, Everything Everywhere All At Once - a cinematic marvel that masterfully addresses the complexities of subjectivity, truth, and the human tendency to deconstruct our world. It's a film that bears a striking relevance to the contemporary times we live in, and You Kim's insights into the narrative's artful playfulness and cliches are eye-opening.

We don't just stop at analyzing the film's narrative structure. Our conversation delves, in earnest, into the symbolic aspects of the film. From its portrayal of double consciousness and paradoxes and how it paints human connection to its depiction of a younger generation grappling with the absence of collective values and religion. It's a lens through which to view the existential crises that this younger generation, born into a neoliberal world, faces. And the evolution of the mother's character in the film sparks a rich discussion on sublime love and the power of individual agency in a world full of existential uncertainties. 

As we close, our discussion turns reflective - the necessity of fostering a society that acknowledges the intricacies of love and relationships while nurturing the future of humanity. You Kim shares her experiences as an Asian filmmaker and how she connects with the film's depiction of the Asian diaspora. This is not just a film review but a journey of recognizing the power of stories to broaden our worldview. If you're seeking a thought-provoking conversation that challenges your perspective, join us for this riveting discussion.

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

You are listening to the sixteenth episode of "Dots of Thoughts" Podcast. Every episode of this podcast project originated from a thought, an idea, a persistent spark or maybe a poem. I follow the prompts, often leading to an encounter and a conversation.
Lately, I have been reflecting on the works of the critical thinkers Frantz Fanon and Edouard Glissant, rummaging through their thoughts for clues about the dialectics of the future. As such, I have been engrossed with the question of presence, consciousness, embodied knowledge and "re-membering".

As our world gets increasingly convoluted, it begs for new readings of Difference and new poetics of relation. An understanding of how, through our body and presence, we animate the social power of the places we traverse and the people, we meet along the way in this epic journey called life. How do we give form to the paradox(es) that makes up the contours of transitory spaces and voids of borders for which our bodies serve as delineators?

In my wanderings, I come across persons whose disposition is an embodiment of a chaos-world. Chaos, in this case, does not mean disorder. On the contrary, it means the flourishing of Difference divested of all inscription of violence. These individuals are imbued with what Glissant calls the "Poetic force", which cannot be tamed because this force is its own turbulence. This force is also the main component for creating new myths that leave the past where it belongs and points to the future shaped by the vibrancy of newness.

A few weeks ago, I visited the studio of the Berlin-based artist Dior Thiam. Our conversations about her work and her way of being and moving in the world sparked my interest. So it led me to want a more extensive discussion based on the abovementioned intention.

This episode is the outcome of our meandering yet synergic thoughts that continues my deliberation on the notion of movement, borders, being and motion. Think of it as a deliberate act of tiptoeing and floating across multiferous concepts that takes the body – specifically the Black body – as locational coordinates. 

Why Dior Thiam? The answer to that question is evident in her ability and willingness to follow, with fluttering words, all the signs of unravellings, fragmentation and collations that foregrounds the duality of her reality. Hers is a life that gives in to the porousness and osmotic tendencies animating sites of Difference within it. Art, in this case, is both the conduit and location for the interplay between notions of stability and instability that ensues. 

As with many of my podcast conversations, the gems of the discourse are scattered, like seeds, across the entire discussion. This approach intentionally borrows from the disposition of the hopeful gardener, who is often cognisant that the ground is fertile at disparate patches. The listener must find, for themselves, what part merits further nurturing and watering.

I wish you joyful and active listening.

– Emeka Okereke


Guest: Dior Thiam
Production: Atelier E.K Okereke
Music and Sound Effects: Epidemic Sound
Sonic Inserts: Dior Thiam
Host and Curator: Emeka Okereke

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

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In this episode of Dots of Thoughts, I am in conversation with Diana Mora. She is a ballet dancer. Her inclination to dance started from as early as the age of six, when she first watched Swan Lake. Supported by her mother, she studied and completed ballet dancing at the National Academy in her home country Bolivia. Dance became the incentive for her movement and consequent self-unravelling from then on. Finally, she moved to France to pursue her dreams as a ballet dancer. In the podcast, she takes us through the nature of the conflict she fought through in relation to her body.

"In France, I realised that Dance was not just ballet for me."

Diana Mora's is not an archetypal ballet-dance body. In France, she was shocked to realise that ballet has less to do with Dance and more with the objectification and stratification of bodies. The technicalities required to conform one's body into a form fit for ballet dancing is stretched to the point where the body is a tool with no soul. And as with every tool, value is ensured by separating the efficient from inefficient, with little room for acknowledging and valorising difference.

Since then, it has been a hard-fought journey towards reconciling the pulsating resolve to dance with the disparity of her atypical body type. This journey is also one of many border-crossings whereby, for every delimitation, self-unravelling paradoxes ensue.

Diana lives and works in Berlin today. In her first Instagram post of the year, she put forward a succinct recapitulation of her relationship with her body. It read like a manifesto for taking back one's body from the clutches of colonialism and refocusing it on the necessary work of making a home we carry with us.

- Emeka Okereke


Host: Emeka Okereke 
Guest: Diana Mora 
Cover Photo: Haze Kware (HKVisuals)
Production: Nkata Podcast Station/Atelier E.K Okereke

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

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In 2006, I remember photographing, in Paris, the protest against killings that then took place in Isreal and Palestine. In the photo, a father is clutching his little daughter on one hand, while with the other hand, waves a placard that reads “Le meme age que ma fille” (same age as my daughter). I remember feeling deeply struck by this double emphasis aimed at reiterating what should be so obvious: the trail and ensuing threads of human violence – like mitochondria – run and connect to us all. 

In this podcast conversation, I caught up with a longtime friend and fellow artist Bahaa Abudaya to discuss the most recent eruption of violence which took place in May 2021. 

Bahaa left Gaza when he was two years old. Since then, he has roamed the earth. Yet he claims: no matter where I go, I always consider myself a Palestinian even though I do not know, from lived experience, what Palestine is as a place. He goes on to explain that this deeply inward, yet unforced identification with Palestine is constitutive of his disposition as one who is in a state of permanent temporality. 

“I am never clear where I should be. I have developed a kind of personality through this kind of exile”. 

Here, we are presented with the paradox often a fixture of border-bodies: on one hand, a solace accompanies the feeling of never being beholden to a place. On the other hand, there is something about transience that denies one a sense of continuity. Rightfully so, Bahaa concludes that his life is floating somewhere in between these unresolvable polarities. 

His Palestine is one he anchors to a memory of displacement. He recalls an anecdotal event that took place when he was ten years old. His grandmother took him to the site where her home once stood before the occupation. The most indelible moment of the visit was witnessing his grandmother shed tears profusely. As a child, he could not understand why absence meant so much for her. Her tears became symbolic of an incomprehensible, ungraspable loss that he would carry with him as a placeholder for what it means to be Palestinian. “Every Palestinian makes his or her own Palestine for themselves”, he said in the podcast. They make their Palestine out of ruins and loss. That is why the picture of young Palestinian kids throwing pebbles at Israeli armoured tanks should be read beyond its photogenic attributes. 

The Israeli army, c

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com

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Eric Gyamfi (1990, Ghana) is a visual artist working with and within photography. This podcast conversation was induced by the inclusion of his work in the book, Africa State of Mind: Contemporary Photography Re-imagines A Continent “by Ekow Eshun. Rightfully so, the conversation build’s on Eshun’s central premise of focusing on photographers/works that fall within the 21st-century timeframe. Eric Gyamfi’s work, although beautifully photogenic, accounts for processes outside and beyond the frame. He considers the photographic medium as a space to be unravelled. Thus when, in the podcast, he says “beyond wanting to represent something, I have been more interested in what a photograph is composed of”, he offers what is invariably an accessible entry point into his fundamental approach to the medium. This assertion cuts through his various bodies of work from, “Just Like Us” (published in “Africa State of Mind”) to his recent work titled “The things that are left hanging, in the air like a rumour”.  

If Time is an indispensable component of photography, Gyamfi seems to be preoccupied with how space, materiality, organisms and human interactions collude to give rise to the techno-chemical reaction which becomes the photograph. “How can I organise a place (or space) as if it was a photograph?” is the question underlining his recent body of work. Yet what is unique to space if not an articulation of the crossroads between past, present and the future? What is referenced here is photography’s ability to make an event out of disparate and dispersed information, across time, some of which elude the grasp of known history and “hanging in the air like a rumour”. 

It is one thing to speak of a life-giving process and another to know how to bring such disposition into one’s artistic practice. When Gyamfi speaks of the intriguing possibility of non-human entities—enzymes, algae, bacteria—participating in his photosynthetic photographic process, my mind wanders off to many tangents of radiant connections between us and our world. I would think, for instance, of how allowing oneself to be preoccupied with such “little things”, as he called it, about the co-habitative nature of our world, helps our grasp of how seriously damaged our world has become. Another example comes to mind: John Akomfrah’s “Vertigo Sea” is a large scale, yet grisly, counterpart of Eric Gyamfi’s thoughts. I can’t he

Support the show

Hi, amazing listeners! Emeka Okereke here. I am the founder and host of this show. If you’ve enjoyed the stories, insights, and creativity we bring to this podcast series, I invite you to join my Patreon community at patreon.com/EmekaOkereke. 🎉

By becoming a patron, you’ll gain exclusive access to my artistic world, including:

• Behind-the-scenes content from my photography projects.

• Sneak peeks of upcoming films, vlogs, and video podcasts.

• Exclusive DJ playlists curated just for you.

• Bonus podcast episodes and a chance to contribute to future topics.

Whether you’re a fan of the podcast, my visual storytelling, or simply love art and creativity, there’s a tier for you. Your support helps me continue creating high-quality content, and it truly means the world to me.

Thank you for listening. Follow Nkata Podcast Station on Instagram @nkatapodcast and Twitter.

See the website for extensive materials: nkatapodcast.com