No Set Path: Entertainment Break-In Stories

No Set Path: Entertainment Break-In Stories

By Rebecca DoyleTV & FilmFilm Interviews
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No Set Path: Entertainment Break-In Stories episodes

  • 28 - 5 First-Year Podcasting Mistakes to Avoid (Recap!)

    BREAKDOWN:

    3:29 - Overview Recap: Ideating, buying gear, launch, frequency/release cadence, top 5 episodes

    6:05 - Finding guests - do guests’ audiences matter?

    8:56 - Analytics: Gender split!

    9:10 - How to get on the charts worldwide as a small podcast

    11:30 - Spotify Labs

    12:29 - Getting monetized through Spotify for Podcasters’ Ad Ambassador program

    14:13 - Going viral on TikTok with a podcast clip

    16:35 - Top 5 Mistakes to Avoid in First Year of Podcasting - #1: Not having clear goals

    18:10 - #2 Not seeing out advice from people actually executing at your level 

    25:54 - #3 Not finding the balance of researching/preparing and starting/executing

    28:17 - Avoiding tech issues + what gear I use

    30:50 - Picking a hosting platform

    31:35 - Total gear cost

    35:19 - #4 Having unrealistic expectations about growing listenership 

    38:00 - how to optimize other platforms to get listens on your podcast

    39:20 - hot take: maybe don’t start a podcast

    42:47 - #5 Not having realistic expectations for podcasting as a networking tool 

    45:50 - Episode recap

    CONNECT WITH THE SHOW:

    All platforms: @NoSetPathShow

    www.NoSetPathShow.com

    48 min
  • 27 - From 1st AD to Director with David Gutel (Forty-Seven Days with Jesus, Ginger Root)

    David Gutel’s theatrical directorial debut “Forty-Seven Days with Jesus” hits over 900 theaters this March! In this episode, we get into how David set his feature up for success through casting from similar popular series “The Chosen”, distribution resources and tips for independent films, how he used real estate tech to pre-viz musical numbers, why he decided to do a faith-based film after initially being hesitant and how he transitioned to directing after 8 years as a 1st Assistant Director.

    BREAKDOWN:

    6:00 - Pre-viz for a musical: Lidar mapping (real estate tools?!)

    13:34 - Challenges: strikes, Texas heat, mechanical failures of picture vehicles (sinking boat!)

    18:08 - Getting theatrical distribution partly through casting actors from “The Chosen” 

    24:10 - Distribution resources - Fathom Events & Pinnacle Peak as a resource for independent films, getting distribution abroad through hitting minimums at home

    26:30 - Getting distribution tips recap + David’s initial connection to distributors 

    29:10 - Market festivals vs. competition film festivals

    30:25 - From 1st AD to director

    41:03 - First job as second unit director

    45:19 - Challenging shoots: When to rise to a challenge vs. abandon impending disaster

    55:30 - Recap of David’s path in the industry

    58:30 - Is film school worth it? David’s experience paying $24k for CSULB

    1:04:00 - TIME CAPSULE

    CONNECT WITH DAVID: Instagram @davidmgutel / @fortysevendaysfilm 

    Etsy: https://www.etsy.com/shop/DeadMediaStore

    CONNECT WITH THE SHOW

    All platforms: @NoSetPathShow 

    www.NoSetPathShow.com / bio.site/nosetpath 


    1 hr 17 min
  • 26 - Directing Your First Feature After Shorts with Michael Lukk Litwak (Molli & Max in the Future, SXSW 2023)

    MICHAEL LUKK LITWAK is a Brooklyn-based filmmaker and cartoonist that was born and raised in Los Angeles. His first feature was ‘MOLLI AND MAX IN THE FUTURE’ a sci-fi Romantic-Comedy starring Zosia Mamet and Aristotle Athari and is often described as ‘When Harry Met Sally’ meets ‘Futurama.’ ‘MOLLI AND MAX’ had its world premiere at SXSW 2023, played at BFI London, Sitges, and Fantasia before its theatrical distribution in February 2024 and is currently sitting at 97% on Rotten Tomatoes.

    2:21 - Molli & Max in the Future

    4:31 - Admission to SXSW - getting in as a director on the 12th try

    6:51 - The strategic side of top festival admissions

    12:41 - What film festivals are worth it?

    14:21 - Getting theatrical distribution for a first feature 

    15:21 - Additional benefits of theatrical release: NYT review, Late Night exposure

    16:11 - Shooting with new tech - virtual production, volume stages, LED stages & green screen

    18:01 - Creative solves to making sci-fi on a budget

    26:59 - The Life and Death of Tommy Chaos & Stacey Danger - how Michael’s short that got rejected from every major film festival went viral and landed him representation

    29:51 - Landing a $2.5 million Warner Bros show - only to have it scrapped with the shutdown of Go90

    38:21 - navigating agents & managers as a director

    44:21 - Impact of the strikes

    47:07 - Cartoons

    49:41 - Being featured on Humans of New York

    51:21 - Support & understanding when married to another creative in film 

    53:25 - Things are not stepping stones and people won’t rescue you

    56:16 - Getting inspired again after low points

    58:21 - TIME CAPSULE

    CONNECT WITH MICHAEL:

    IG: @michaellitwak / @molliandmax

    https://www.michaellitwak.com/

    CONNECT WITH THE SHOW:

    All Platforms: @NoSetPathShow

    www.NoSetPathShow.com


    1 hr 20 min
  • 25 - Sundance on the Street (Handling the Undead, Welcome to the Enclave, Abbott Elementary)

    This special episode takes you to Park City, Utah to talk to filmmakers, staff, and attendees of the 2024 Sundance and Slamdance Film Festivals.

    BREAKDOWN:

    2:08 Guri Neby - Producer, Handling the Undead (Sundance 2024) 

    5:00 Ken Wittingham, Director & Sundance Comedy Panelist (Abbott Elementary, Parks & Recreation, Black-ish)

    7:33 Sarah Lasley [Director & Writer] & Brenna Palughi [Actress/Co-Writer], Welcome to the Enclave (Slamdance 2024)

    17:09 Lindsay Compton, Sundance Staff

    20:45 Chris Jai Alex, Director / Festival Attendee

    25:16 Justin Knoepfel, Filmmaker / Festival Attendee

    29:56 Desiree Breise, Film Lover / Festival Attendee


    CONNECT WITH THE GUESTS:

    Guri Neby - Einar Film IG @einarfilm 

    Ken Wittingham - www.imdb.com/name/nm0926526/

    Brenna Palughi - IG @brenna__pal

    Sarah Lasley - IG @sarah_lasley / sarahlasley.com 

    Lindsay Compton - IG @lindsayycompton / Letterboxd @lcomp

    Chris Jai Alex IG - @chrisjaialex https://tubitv.com/movies/100012918/get-the-girl

    Justin Knoepfel IG - @justinknoepfel  


    CONNECT WITH THE SHOW:

    All platforms @NoSetPathShow

    33 min
  • 24 - Attracting an Executive Producer w/ Emily Ruhl (We Strangers SXSW 2024, Playland Tribeca 2023)
    Emily Ruhl is a model, actress, producer, writer, and director. She has been the face of brands like Smashbox, KKW and MAC; acted in films like Newness (Sundance 2017), and Executive Produced We Strangers (SXSW 2024) and Playland (Tribeca 2023). Her directorial writing, directing, and producing debut, short Blue Moon, played at 100+ festivals and landed her 4 awards for Best Director. Emily is a Lister on the Forbes 30 Under 30 List 2024.
    BREAKDOWN:
    2:57 - EPing We Strangers (SXSW 2024)
    3:52 - What an EP does
    4:54 - Blue Moon - lessons in making your first film
    9:08 - EPing Playland (Tribeca 2023)
    10:43 - What attracted Emily to projects as an EP
    13:30 - Working with Jim Cummings
    16:28 - Upcoming projects
    25:10 - How to learn about how to develop & pitch TV
    28:04 - Addiction & recovery shows - the good, the bad, and the ugly 
    31:48 - Founding Public School Pictures
    33:50 - Making Forbes 30 Under 30 & tips for next year’s list
    40:00 - Finding financing for your own projects
    43:50 - Building a production company staff
    47:50 - Modeling in Tokyo & NYC
    51:54 - Purpose & motivation fueled by passion & rejection
    55:25 - Lessons in management
    56:50 - "Rejection" vs. “adapting to a ‘no’"
    57:40 - TIME CAPSULE
    CONNECT WITH EMILY:
    @emilyruhl
    www.publicschoolpictures.com
    CONNECT WITH THE SHOW:
    All Platforms: @NoSetPathShow
    www.NoSetPathShow.com
    1 hr 9 min
  • 23 - Motivation Mix for Filmmakers 2024 (Listen to get inspired)
    This motivation mix was created for directors, writers, producers, cinematographers, editors, makeup artists, entrepreneurs, and filmmakers from previous episodes of No Set Path.
    TOPIC BREAKDOWN:
    0:12 - Overcoming tough times
    10:08 - You were born to do this 
    13:23 - Form your own taste, set your own path
    17:58 - Comparison + imposter syndrome
    25:40 - Overcoming tough financial times
    26:22 - Build your community
    35:03 - How you do it is more important than what you do
    41:59 - Make the prototype
    44:49 - Bad movies don’t exist
    46:10 - Learn & let go
    50:41 - Prioritize values alignment
    53:01 - Discipline sets you free
    56:54 - Enjoy your life
    The speakers are:
    Brian Tang (Ep. 01)
    Kristen Brancaccio (Ep. 02)
    Alessandra Conti (Ep. 03)
    Nina Sadowsky (Ep. 04)
    Jenine Pastores (Ep. 05 & 06)
    Josh Jackson (Ep. 05 & 06)
    YB Chang (Ep. 07)
    Peri Segel (Ep. 08)
    Mike Grimm (Ep. 09)
    Emilia Werynska (Ep. 10)
    Alex O’Keefe (Ep. 11)
    David Weddle (Ep. 11)
    Ryan Lee (Ep. 11)
    Megan Rees (Ep. 11)
    Clay Savage (Ep. 12)
    Jack Powers (Ep. 12)
    Matthew Jensen (Ep. 13)
    Noah Schecter (Ep. 14)
    Becca Mann (Ep. 14)
    Leiah Yvonne Kwong (Ep. 15)
    Katrina Kudlick (Ep. 17)
    Matt McClung (Ep. 18)
    Mark J. Matthews (Ep. 19)
    Michael Ritter (Ep. 21)
    John Burd (Ep. 22)
    CONNECT WITH THE SHOW:
    All Platforms: @NoSetPathShow
    www.NoSetPathShow.com
    1 hr 1 min
  • 22 - Writing TV Movies w/John Burd (Love at the Christmas Contest, Christmas with the Andersons)
    John Burd is a writer, producer and director specializing in TV movies. John has worked on projects for networks including Hallmark, Lifetime, Syfy, Disney Channel, Nickelodeon, UpTV, and Ion.  He made his directorial debut in 2021 with his script Love at the Christmas Contest.
    BREAKDOWN:
    4:00 - Acquiring rights to a book for script adaptation
    5:57 - Upcoming movies: Nana’s Here, Stalked by My Stepsister (Lifetime)
    11:19 - Hired to direct first feature, financing first feature
    13:50 - Christmas movie horror stories + TikTok virality
    27:50 - Not compromising your values for a project
    35:03 - Upcoming - Christmas Keepsake (Great American Family), Her Deadly Letters
    36:20 - Balancing working in development at MarVista with screenwriting
    43:10 - Creating opportunities during covid, strikes, dry spells in work
    45:20 - How to build good industry relationships
    47:00 - Moving to Tulsa
    53:00 - Law school transferable skills for screenwriting
    57:00 - Advice for writers who want to work in TV movies or Christmas space
    1:03:50 - TIME CAPSULE
    1:16:16 - Takeaways
    CONNECT WITH John:
    https://www.imdb.com/name/nm4719650/
    www.burdhousepost.com 
    CONNECT WITH THE SHOW:
    All Platforms: @NoSetPathShow
    www.NoSetPathShow.com
    1 hr 19 min
  • 21 - From Assistant to VP Development with Michael Ritter (Moonfall, Those About to Die)
    Michael Ritter is a film producer and executive named on the 2024 Forbes 30 Under 30 list for Hollywood & Entertainment. He was pivotal in closing over $280 million in financing for films such as Lionsgate’s “Moonfall” and TV shows such as Peacock’s upcoming historical epic “Those About to Die.”
    We dive into the entire process of getting on Forbes 30 Under 30 - - - alongside names like Jenna Ortega and Noah Schnapp - from nomination to final round questions, how to overcome rejection, and the one key factor to truly measure success.
    BREAKDOWN:
    2:51 - Making Forbes 30 Under 30, from surprise nomination to final round questions
    9:36 - Rejection from job, Moonfall, Midway
    10:31 - Forbes Under 30 Summit 2023
    15:06 - Receiving the Under 30 news + reactions from others
    20:26 - Tips for aspiring Listers
    22:59 - Founding Kairon Studios
    27:14 - Appealing USC rejection + being a spring admit
    31:37 - Producing first feature, “Samir” (2019) through USC & Warner Bros.
    39:23 - First jobs - burnout, bartending, assistant to TV director, freelancing in production & photography
    47:01 - From producing first feature to working the front desk at Equinox
    49:21 - Working as an assistant to producer Harald Kloser and meeting JP Pettinato on Midway (2019) to Lionsgate with JP Pettinato
    58:16 - Associate producer on Moonfall (2022) & covid shutdown in 2020
    1:06:09 - Advice for overcoming low moments
    1:16:36 - TIME CAPSULE
    CONNECT WITH MICHAEL
    Instagram: @mkritter / @29goingonbreakdown
    LinkedIn: https://www.linkedin.com/in/michael-ritter-filmmaker
    IMDb: https://www.imdb.com/name/nm5778236/
    CONNECT WITH THE SHOW:
    All Platforms: @NoSetPathShow
    www.NoSetPathShow.com
    1 hr 36 min
  • 20 - Is Film School Worth It? 5 Questions Before You Decide

    As we approach college application season, it's time to explore the 5 questions you should ask yourself before choosing film school.


    3:21 - Finding the Right Role in Film

    10:57 - A School's Comprehensive Offerings

    17:11 - Content of the Degree's Classes

    24:18 - Making Your Own Opportunities

    32:16 - Student Loans for a Film Degree


    CONNECT WITH THE SHOW:

    All Platforms: @NoSetPathShow
    www.NoSetPathShow.com

    45 min
  • 19 - How to Deal with A.I. with Mark J. Matthews (Trolls, How to Train Your Dragon)
    Mark J. Matthews is an LA-based engineer specializing in A.I. research. His work was key in character movement in films including Kung Fu Panda, Shrek Forever After, Madagascar, and installments of franchises Trolls and How to Train Your Dragon. He has multiple patents and two DreamWorks Technical Achievement Awards.
    Today we’re getting into the realistic future of AI, how to protect yourself from it as a writer, actor or filmmaker; what Mark did proactively step by step to land a dream job at DreamWorks even after DreamWorks rescinded a first job offer, and the one trait that every person who did land a job at DreamWorks had in common.
    2:22 - Mark’s work in AI, tech, and at DreamWorks
    7:07 - can AI ever fully replace screenwriters or VFX artists?
    8:32 - historical patterns of opposition to technological replacements
    16:22 - Mark’s patents and awards for AI techniques in movies 
    25:07 - Exact steps Mark took to land a job at Dreamworks
    30:07 - Canada -> US immigration
    35:57 - Decision to drop out of PhD
    37:57 - Work on How to Train Your Dragon, Trollz, Kung Fu Panda, Madagascar
    41:17 - The thing people hired by Dreamworks had in common
    44:18 - TIME CAPSULE
    CONNECT WITH MARK
    Instagram: www.markjmatthews.com
    CONNECT WITH THE SHOW:
    All Platforms: @NoSetPathShow
    www.NoSetPathShow.com
    1 hr 1 min

About No Set Path: Entertainment Break-In Stories

From the publisher's feed

No Set Path is a biweekly podcast exploring how to succeed in film & TV by talking to people who have actually done it.