Part two on how to hide someone’s face in a video, this time we’re using Adobe Premiere Pro CS5. If you need to obscure an element in a video, like a face or unlicensed product, this episode will demonstrate how it’s done using a track matte key and Premiere Pro’s built-in effects.

Join Colin Smith as he talks about how the new HP workstations powered by Intel Xeon processors can super charge Adobe Audition.

This new effect gives you the ability to create the optical effect of a real camera lens blur. If you need to add depth to a scene, or obscure something in the frame, Camera Lens Blur will do that and make it look completely realistic. You also have complete control parameters like iris shape, blur maps, super whites, gain and threshold.

Are you looking for the Tasks that you’re used to in Soundbooth when you start using Adobe Audition 5.5? Colin will show you a step by step walkthrough between to the two applications, pointing out where the same operations are in Audition. He’ll also point out that Audition is much more powerful at all the tasks you’re used to using in Soundbooth, including Noise Reduction, Time Stretching, Automatic Click Remover, DeHummer, Looping and more. The fact that he’s demonstrating all this on his “wicked fast” HP Z800 workstation makes Audition all the more powerful.

Colin’s back showing off how fantastic his Z800 workstation performs with the new Adobe 5.5 software.  In this episode he shows you how to send a complete Premiere Pro sequence to a multitrack project in the new Adobe Audition 5.5. From there he shows how you can add effects to individual clips, or complete tracks with lots of built-in effects or support for VST and AU plug-ins. Once complete, this project can be send back to Premiere Pro CS5.5 or exported to OMF or Final Cut Pro XML.

Premiere Pro CS5.5 improves the speed with which you can render nested sequences. You can literally nest sequences into sequences and you’ll get the benefits of the Mercury Playback Engine using both the CPU and the GPU or Graphics Processing Unit on an Nvidia card with CUDA. Throw the HP Z800 workstation into the mix and you see rendering speeds like you have never seen before.

Colin takes advantage of the HP Z800’s massive horsepower combined with the raw speed of the 64-bit Adobe Media Encoder 5.5 to show you how you can output different versions of your comps using a combination of After Effects, Dynamic Link and Media Encoder, while working on new composites, without missing a beat.

Masking tools in Photoshop are very powerful, but there are times when you need to make manual adjustments. This tutorial gives you the tools you need to understand how to tweak and mask and paint in isolated areas.

This productivity tutorial will show you who to take advantage of Illustrator’s dynamic transform effects to instantly update multiple business cards in any layout.

It’s typical to design in Illustrator using multiple layers, but you can dramatically increase your productivity by using the Appearance panel and this tutorial will show you how to get started.