This week we pick a Canuck classic that's two songs in one - "No Sugar Tonight/New Mother Nature" by The Guess Who. The lyrics are faux-profound, but Burton Cummings' pipes and scattin' will spike your blood sugar. We scoured the record bins for our second version - a dirtbag bubblegum version by Steel Wool. They bring the song back to perfect popsong length by axing "New Mother Nature", but the guitar stings might be too long. The third in the pack definitely isn't sugar-free - The Shirelles and their 1971 version is "so sweet" and superfunky. For dessert, an Italian confection by the amazing Mia Martini. She gives BC a run for his money, sounding like a vampire fronting Led Zeppelin - a real Saskatoon-to-Sicily transformation! She's gettin' us all!!!

This week we pick a Canuck classic that's two songs in one - "No Sugar Tonight/New Mother Nature" by The Guess Who. The lyrics are faux-profound, but Burton Cummings' pipes and scattin' will spike your blood sugar. We scoured the record bins for our second version - a dirtbag bubblegum version by Steel Wool. They bring the song back to perfect popsong length by axing "New Mother Nature", but the guitar stings might be too long. The third in the pack definitely isn't sugar-free - The Shirelles and their 1971 version is "so sweet" and superfunky. For dessert, an Italian confection by the amazing Mia Martini. She gives BC a run for his money, sounding like a vampire fronting Led Zeppelin - a real Saskatoon-to-Sicily transformation! She's gettin' us all!!!

No Sugar Tonight

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&amp;B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

Music

Music Commentary

Music History

The usual format is this: we pick a song from the 1950s or 1960s (genres range from garage, R&B, Girl Groups, Motown and Doo-Wop), and discuss three versions of that song, or sometimes we just play a song we haven’t heard before and react to it. We’ve covered classics like “Little Bit o’ Soul” and “Psychotic Reaction” to rarities like “Jump and Dance” by the Carnaby, and “Ringo I Love You” by Bonnie Jo Mason (aka Cher). Our aim is to discuss what makes these songs interesting, ineffable, or even intolerable. We place special emphasis on the “moments” in these songs where, perhaps, a new interpretation will emerge from. A close look at song structure is also present in our discussions. If that sounds academic, maybe it is a little bit, but we like to keep the analysis in the spirit of the songs we speak of – which means we drink some spirits (for Erik, it’s bourbon, for Weldon, it’s Stambecco) – and that means by the third song, things can get a little wild. Basically, we talk about rock!

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No Sugar Tonight

No Sugar Tonight

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