Paul Thomas Anderson’s second feature, Boogie Nights, is a nostalgia trap in every imaginable way, combining an obsessively detailed vision of 1970s porn production with a hip, postmodern aesthetic that defined 90s indie cinema. Matt Christman of Chapo Trap House is a fellow Boogie Nights appreciator, and joins us for a conversation about the cultural context that produced auteurs like PTA and Tarantino, the endless (and endlessly awful) imitators that followed, and the ways in which Boogie Nights represents, in both form and content, ideas of authorship and art that are rapidly transforming. To hear the full episode go to patreon.com/nostalgiatrap.