Notebook on Cities and Culture

Colin Marshall talks to Lee Gutkind, founder and editor of Creative Nonfiction, the premiere journal of the eponymous genre of writing that combines the literary techniques of fiction with the reality of life itself. With its spring 2010 issue, it's undergone a radical revision in look, feel and sensibility, shifting from academic journal to wider-interest magazine. He's also the author of many books that fall under the creative nonfiction heading, exploring subjects like baseball, transplant surgeries and robotics. His latest, the father-son memoir Truckin' with Sam: A Father and Son, The Mick and The Dyl, Rockin' and Rollin', On the Road, comes out this summer.

Colin Marshall talks to David Shields, professor of English at the University of Washington and author of fiction, nonfiction and various hybrids thereof about sports, autobiography, celebrity and death. His new book, Reality Hunger: A Manifesto, uses collage writing to challenge preconceived ideas about form and genre in art, especially as they pertain to literature. Shields advocates disregarding these hardened constraints, a move which will allow art to use more of and become more like life itself.

Colin Marshall talks to musicologist, writer, microtonal composer and educator Kyle Gann, author of No Such Thing as Silence: John Cage’s 4′33″. The former new music critic at the Village Voice, Gann turns his eye and ear in the book to Cage’s most well-known composition, four minutes and 33 seconds in which no notes are played. Famous and infamous in equal measure, 4′33″ has been variously considered a work of genius, a game-changing musical revelation and a charlatan’s publicity stunt.

Colin Marshall talks to Peter Brunette, Reynolds Professor of Film Studies and director of the Film Studies program at Wake Forest University. The author of books on such beloved filmmakers as Michelangelo Antonioni, Wong Kar-Wai and Roberto Rossellini, Brunette has now written a book on Austrian cinematic provocateur Michael Haneke. The latest published entry in the University of Illinois Press’ “Contemporary Film Directors” series, Michael Haneke examines in depth the art of and the ideas behind the auteur’s theatrical releases, from late-1980s and early-1990s works such as The Seventh Continent and Benny’s Video through his newest and best-known pictures Caché and The White Ribbon.

Colin Marshall talks to speaker, writer, blogger and entrepreneur Seth Godin. Having already built a large body of published work on the nature of ideas, how they’re conceived, how they’re spread and how they’re executed, Godin has expanded his intellectual purview with his new book Linchpin. Extending the thoughts and observations he applied to marketing in books like Purple Cow and All Marketers are Liars, his latest work examines how individual human beings, not corporations or organizations, can most fruitfully practice their art in the transforming information economy.

Colin Marshall talks to Chris Bohn, editor of London-based monthly music magazine The Wire. Subtitled “Adventures in Modern Music”, the magazine has covered the alternative, the underground, the experimental, the avant-garde and the generally non-mainstream since 1982, featuring a span of artists from Ornette Coleman to Björk to David Sylvian to Jim O’Rourke to field recordists like Lee Patterson to emerging Chinese sounds artists like Yun Jun. The magazine is also well known as a rarity in its industry for both its profitability and its loyal, growing readership.

Colin Marshall talks to James Donelan, lecturer and Program Coordinator in the English department and College of Creative Studies at UC Santa Barbara. He's also the author of Poetry and the Romantic Musical Aesthetic a study of composer Ludwig van Beethoven, poet William Wordsworth, philosopher Georg Wilhelm Friedrich Hegel and poet/philosopher Friedrich Hölderlin and what their work reveals about the development of the idea of the autonomous mind and its interaction with the external world, especially its works of art.