In some ways, I liked this “just put in whatever you got solo” but had to cut it.

Ever think you remember a song, then don't realize that you don't until you start playing it?

Imagine some dialogue about time crystals or something going on during this riff.

I think these chords are EmDim7+6, F#mDim7, G2, E4. But also it might not be worth naming them.

This keyboard solo is too busy, but it’s getting there, I think. Even though it’s far from improvisational, which he’d hate, I’m a little inspired by the Jan Hammer interview on Heavy Metal Bebop.

Via a bug, I accidentally generated this monotone, which I think has interesting textures. It's sort of like Taps, if it only had one long note.

The basement in the new place is all bare walls with barely anything in it. It really reflects a lot of high end, including the sound of right hand fingers scraping along the strings before plucking them. Annoying, but I feel there is some sort of potential with a sound environment like this.

This is Howling, a piece I made accidentally when I messed up an app that I'm using to make another piece. I somehow made all of the event lengths way too long, but it sounds great somehow, though very different from what I intended.

Pikmin and street crossings. There’s a lot of street noise in this one, I think. Hopefully, you can still hear the speech!

Not sure where I’m going with this, but I’m getting a lot out of this Dsus4 (with the 6th) chord. (I think that’s how Hard Day’s Night opens?)