Now Hear This

By John Stix and Rock StambergMusic Music Commentary

Now Hear This episodes

April 26Spirits in The Night
Spirits in The Night
Tracklist:
Frank Zappa: “Theme from “Bonanza””
Manfred Mann’s Earth Band: “Spirits in the Night”
Electric Light Orchestra: “Boy Blue”
B.B. King: “How Blue Can You Get”
Rickie Lee Jones: “Danny’s All-Star Joint”
Richard Thompson: “1952 Vincent Black Lightning”
Steve Winwood: “What’s Goin’ On”
Paul Simon: “Diamonds on the Soles of Her Shoes (Live at the Beacon Theatre, NYC)”
John Mayall’s Blues Breakers: “Room to Move”
Alex Chilton: “Il Riebelle”
The Singing Nun (Soeur Sourire): “Dominique”
The Delta Rhythm Boys: “Allouette”
Paul Simon: “Surfer Girl”
Brian Wilson: “Wanderlust”
Paul and Linda McCartney: “The Back Seat of My Car”
Led Zeppelin: “Nobody’s Fault but Mine”
Juice Newton: “Queen of Hearts”
Led Zeppelin: “Living Loving Maid”
Please Leave a Comment!


Frank Zappa: “Theme from “Bonanza”” Play this track
A bit of cultural comedy with a wink from Frank and the band. -John Stix
And why not? -Rock Stamberg
Manfred Mann’s Earth Band: “Spirits in the Night” Play this track
I loved this take the first time I heard it back in the ‘70s. Manfred Mann’s Earth Band regularly commandeered decidedly non-rock songs and did their thing to ‘em, in this case by turning Bruce Springsteen’s early epic into a unique prog/rock/spacey jam with disparate elements abounding. Complicated, cool and fun. -RS
An early supporter of Springsteen, Manfred Mann turned up the drama and cinematic elements, dipping this track into a blues guitar meets Meat Loaf flavor. -JS
Electric Light Orchestra: “Boy Blue” Play this track
Early ELO were serious about the “Orchestra’ part. Who else would marry a bona-fide classical intro to a rockin’ Chuck Berry-esque barn burner? And it rocks, alright. -RS
Indicative of classic ELO, one bit classical, one bit pop, and two bits good old rock ‘n roll. -JS
B.B. King: “How Blue Can You Get” Play this track
The two Blues Brothers movies succeeded time and time again in presenting the originators of blues and soul in inspired settings to showcase their talents. This is just such a performance. I rate this the finest pass the mic performance on film. The guests in order of their performance/appearance include, Eric Clapton, Charlie Musselwhite, Erykah Badu, Jack DeJohnette, Travis Tritt, Jeff Baxter, Koko Taylor, Steve Winwood, Billy Preston, Lou Rawls, Grover Washington Jr, Clarence Clemmons, Joshua Redman, Jon Faddis, EC, Bo Diddley, Dr. John, Jimmy Vaughan. You can forget about who is playing and revel in the totality of the performance. Hats off to Jake and Elwood for their gift to us. -JS
Rickie Lee Jones: “Danny’s All-Star Joint” Play this track
Swinging, swaying, finger-poppin’ good music and an all-out sassy lyric and vocal from one of my favorite debut albums. -JS
Rickie Lee Jones’ eponymously titled debut album is a high-water mark of ‘70s L.A.-style record production and true artistic grit. There ain’t a weak song on it. -RS
Richard Thompson: “1952 Vincent Black Lightning” Play this track
This is really something. The story could break your heart. -RS
Thompson was rated #69 in a Rolling Stone top 100 Guitarists poll. They picked this song to represent his style. But the song is so good that the guitar is just there to support it. It’s Thompson’s talent and class that makes the guitar playing so great, if you care to give it your attention (which it doesn’t ask for). -JS
Steve Winwood: “What’s Goin’ On” Play this track
I’ve put this on a zillion mixed discs because it comes from my “Use This” file. So good, so NHT. -JS
Paul Simon: “Diamonds on the Soles of Her Shoes (Live at the Beacon Theatre, NYC)” Play this track
This comes from my “Best Performance” file. One of my fav PS songs. So, ride the vibe and dig those Steve Gadd drums at the end. -JS
John Mayall’s Blues Breakers: “Room to Move” Play this track
From the Turning Point album with Jon Mark (acoustic guitar) Johnny Almond (sax, flute) and Steve Thompson (bass). Who would have guessed that Mayall’s most famous song would be live from the Fillmore East and acoustic to boot! Great harmonica/voice percussive moments. Totally unique and deserving of our favor. -JS
Alex Chilton: “Il Riebelle” Play this track
Oh man. This is Alex Chilton at his most fun and boisterous, practically spitting out the Italian lyrics while playing some red-hot hot rock ‘n roll at the same time. MY feeling is he must have spoken Italian because he sure seems to know the words! -RS
Proof that music, in this case rock ‘n’ roll knows no language barrier. It communicates on a level we all understand. -JS
The Singing Nun (Soeur Sourire): “Dominique” Play this track
Remember when this was a hit? I do. -JS
The Delta Rhythm Boys: “Allouette” Play this track
The song I learned in grammar school, but never this cool. -JS
Paul Simon: “Surfer Girl” Play this track
I have been trying to get this into NHT since the first podcast. I love how he turned it into a Paul Simon song without losing Brian Wilson’s DNA. -JS
I was there for this recording and let me tell you, it sends chills it’s so good. -RS
Brian Wilson: “Wanderlust” Play this track
This version is every bit as good as Paul McCartney’s awesome original version from 1982’s Tug of War. -RS
Brian doing to McCartney music what Simon just did to Wilson’s. Lovely. -JS
Paul and Linda McCartney: “The Back Seat of My Car” Play this track
This is a spectacular opus, and the big ending to Paul & Linda McCartney’s majestic RAM album. Vilified at the time of its (pre-Wings) release in 1971, RAM has gone on to be considered one of McCartney’s very best albums. And it is. Really. -RS
A melodic pop suite that’s well worth the ride. -JS
Led Zeppelin: “Nobody’s Fault but Mine” Play this track
One of my top three favorite Led Zeppelin songs. I just love the off-the-wall counterpoint moves bassist John Paul Jones and drummer John Bonham play at several intervals … and Jimmy Page’s guitar parts? Whoa. -RS
A real stomper that’s too long been neglected. -JS
Juice Newton: “Queen of Hearts” Play this track
Swinging country that just sounds right. -JS
Led Zeppelin: “Living Loving Maid” Play this track
I used to play this in my bands. One of my favorite riffs. It’s got a one two punch and it’s over. -JS
Such a great riff. Another example of Led Zeppelin’s gift for different styles, this one’s so catchy it’s almost a pop song. I said “almost.” -RS
1 hr 27 min
November 12, 2025Slap and Tickle
Slap and Tickle
Tracklist:
Dire Straits: “Once Upon a Time in the West”
U2 & Bruce Springsteen: “I Still Haven’t Found What I’m Looking For”
Blues Project: “I Can’t Keep from Crying Sometimes”
Bob Dylan: “Duncan and Brady”
Squeeze: “Slap and Tickle (Live)”
John Sebastian: “Red Eye Express”
Harry Nilsson: “Turn on Your Radio”
Rufus Wainwright: “April Fools”
Loggins and Messina: “Nobody but You”
Jethro Tull: “My Sunday Feeling”
Stevie Ray Vaughan & Double Trouble: “Love Struck Baby”
Ten Years After: “Me and My Baby”
Buckingham/Nicks: “Races Are Run”
Chicago: “Mississippi Delta City Blues”
Black Crowes: “By Your Side”
Joe Walsh: “Funk #49 (from Late Show with David Letterman)”
The Everly Brothers: “The Price of Love”
Nick Lowe: “All Men Are Liars”
Steve Winwood: “Can’t Find My Way Home”
Please Leave a Comment!


Dire Straits: “Once Upon a Time in the West” Play this track
I’ve always had a soft spot for Dire Straits’ somewhat unheralded second album, 1979’s Communiqué. This tune kicks off the album and defines its vibe. —Rock Stamberg
This tune is filled with Dire Straits DNA. Mark Knopfler told me that, more than anything else, he is trying to create a mood with his songs. The song itself is unhurried and the languid Stratocaster guitar lines flow with the ease of gravity. Nothing is forced or pushed. This song screams because it whispers. -John Stix
U2 & Bruce Springsteen: “I Still Haven’t Found What I’m Looking For” Play this track
This could have been just a great picture. And while it is, the music is equally as great. Love the dynamics of the opening verse and the punch they land as the band comes in for the second verse. Springsteen knows the song and commits to it. He plays their song with his voice. Two of the greats showing you how good it can be together. NHT material indeed. -JS
Blues Project: “I Can’t Keep from Crying Sometimes” Play this track
The first album I wore out on my Garrard turntable was Blues Project Projections. It was rock, it was blues, it was the sound of 1966 FM radio. Al Kooper was my hero, and I followed the Blues Project around. If they were playing The Westchester County Center or the Palisades Amusement Park in Fort Lee, NJ, I was there. This is the opening track. I played it in my jam bands, sans Kooper’s Quarter Tone electronic keyboard (he called the Kooperphone). These are my roots in rock music. -JS
Bob Dylan: “Duncan and Brady” Play this track
Isn’t this a great Dylan track? This previously unreleased and jaunty rocker was recorded for a never completed record The Bard was recording with David Bromberg and his big band back in 1982. I wonder if there are any other long-lost recordings from those aborted sessions. Hmm … -RS
Dylan rocks out with another great story song. I didn’t know this one and suspect you don’t either. But we both love it yes? -JS
Squeeze: “Slap and Tickle (Live)” Play this track
One of my favorite vocal sounds, the distinction of these two voices in harmony or unison sucks me in every time. Melody forever and lyrics that rival Rundgren over smart guitar parts that always invite, and surprise makes Squeeze among my all-time favorite pop bands. And this song is one reason why. -JS
John Sebastian: “Red Eye Express” Play this track
This is the opening track from his 1970 debut solo album (John B Sebastian), which by the way is as good as anything we love by the Lovin’ Spoonful. Even if you’ve never heard it, you think you already know it. And you do! -JS
Harry Nilsson: “Turn on Your Radio” Play this track
This track is yet another example of Harry Nilsson’s outstretched musicality in fine form. He made it all sound so easy. -RS
When Rock played this for me the first time, I heard the opening guitar riff and said yes – this goes in. The rest of the song was just confirmation that he had picked a winner. -JS
Rufus Wainwright: “April Fools” Play this track
Rufus Wainwright caught my ear the first time I heard him in 1998. This was the song. He has developed into a master of far-flung musical genres in the years since, veering from pop and rock to classical to folk to opera to his penchant for covering Judy Garland albums in their entirety on stage. His first few records each remain stunning, however. -RS
Another Rock pick. Rufus Wainwright has a unique voice, great vocal phrasing, and casts a melody with hooks big enough to catch a whale. As Nick Lowe might say this is pure pop for now people. -JS
Loggins and Messina: “Nobody but You” Play this track
I had this idea for a theme where we play the opening tracks from a given band’s debut album. These were the first tracks on debut albums that listeners would hear. They had to have have something special about them. Loggins and Messina had a great duet vocal sound and a rock band with horns and a spitting Fender Telecaster. They rocked, they rolled and ushered in one of the finest musical collaborations of the 1970s. -JS
Jethro Tull: “My Sunday Feeling” Play this track
Jethro Tull started as a blues band, and this is their blues. It’s a shuffle that swings (at times). Mick Abrahams, he of the British Blues guitar lineage, would leave after this album and start Blodwyn Pig. With this opening track, Ian Anderson added flute to the rock lexicon of sounds. This holds up very well. -JS
Stevie Ray Vaughan & Double Trouble: “Love Struck Baby” Play this track
This rockin’ shuffle ushered in the era of the most celebrated modern bluesman of the 1980s. Not as aggressive as the album’s major keeper, “Pride and Joy,” but SRV does a good job of channeling Chuck Berry in this LP’s short and sweet opener. -JS
Ten Years After: “Me and My Baby” Play this track
Thanks to my buddy Pat Sbarra for turning me onto this, what would become my favorite Ten Years After track. Too many swinging shuffles? I think not. Tasty keys, with Chick Churchill dueling with himself on acoustic piano and a classic Alvin Lee guitar solo, no vibrato, no string bends, just stuttering melodies that skip over the propulsive rhythm section. Sweet. -JS
Buckingham/Nicks: “Races Are Run” Play this track
From Lindsey Buckingham and Stevie Nicks’ debut album from 1973, this was among the tunes Fleetwood Mac drummer heard that prompted him to seek out the duo. What a great song, what a fantastic performance. -RS
This (whole) recording was quite an audition and foreshadowing to the max. -JS
Chicago: “Mississippi Delta City Blues” Play this track
Chicago’s original guitarist, songwriter and vocalist, Terry Kath, was a monster talent. This almost out of control rave up features all his strengths in one place. This is a kick-ass rave up of the first degree. -RS
Surprised? I was. Who knew Chicago the horn band was also a great funk band. We knew they could rock, play outside, and play pop, but funk. Now we know. -JS
Black Crowes: “By Your Side” Play this track
This is the title track to Black Crowes’ unfairly unsung 1999 album, which is a hotbed of songs that show off the band’s influences in short order. Every track is a winner. -RS
I keep thinking it’s The Stones or The Faces but it’s the Black Crowes wearing their influences on their sleeves. Who cares when the song is this good? Rock on. -JS
Joe Walsh: “Funk #49 (from Late Show with David Letterman)” Play this track
This is a James Gang classic that has been played to death. Not quite. There is extra life in this version. Maybe it’s the horns, or the percussion or the acoustic piano. There’s an ease in execution I haven’t heard in other versions that puts this one in my “use this” folder. -JS
What a surprise this take on the Joe Walsh barn burner turned out to be. Too good to be a toss-off, even if it was just a TV timewaster for the audience during and after a commercial break. Doesn’t matter – John Stix heard it and now you do, too. -RS
The Everly Brothers: “The Price of Love” Play this track
The first song the brothers performed live together after a decade-long estrangement; this hearty rocker showed they still had it. As if there had ever been any doubt about that. -RS
They have a unique vocal blend that tells you immediately who’s singing. It’s the head-bobbing rhythm and chicken pickin’ guitar that brings it home for me. -JS
Nick Lowe: “All Men Are Liars” Play this track
Ah, Nick Lowe. The man never disappoints. Is this peppy (and pop-y) musing on the male species’ proclivity for fibbing tells it like it is. “And that’s the truth.” -RS
Just like Squeeze, I love almost everything Nick Lowe does. Melody, hooks, and clever lyrics nail me every time. I offer this song to make my point. Are we in agreement? Yes. -JS
Steve Winwood: “Can’t Find My Way Home” Play this track
You know the saying “Nobody doesn’t like Sarah Lee” The same holds true for Steve Winwood. This is my favorite version of one of his favorite songs. Here is the classic with just a warm acoustic guitar and a voice deeply invested in the song. Dig the crackles coming from the fireplace. NHT indeed. -JS
Whether performed by Blind Faith, latter-era Traffic, or Steve Winwood solo, this monumentally timeless track always delivers, which is a testament to its grandeur and thus its longevity. More proof a good song is always a good song, Winwood’s cozy take here – recorded with his fireplace’s crackles intact – defines timelessness. Great. -RS
1 hr 35 min
July 14, 2025A Tribute to Brian Wilson
A Tribute to Brian Wilson (1942-2025)
Tracklist:
Brian Wilson: “Meant For You”
Brian Wilson: “God Only Knows”
The Beach Boys: “Radio Jingle”
The Beach Boys: “Early Live Medley”
The Beach Boys: “Little Honda (Single Mix)”
The Beach Boys: “I Just Wasn’t Made For These Times”
Brian Wilson: “Child Is The Father Of The Man”
Brian Wilson: “Surf’s Up”
The Beach Boys: “’Til I Die (Long Version With Alternate lyrics)”
Brian Wilson and Van Dyke Parks: “Rhapsody In Blue (Outtake)”
The Beach Boys: “When I Grow Up (To Be A Man) (remastered)”
The Beach Boys: “Mama Says”
The Beach Boys: “California Girls (Session)”
The Beach Boys: “California Girls”
The Beach Boys: “Break Away”
The Beach Boys: “Darlin’”
The Beach Boys: “Our Team”
Brian Wilson: “Please Let Me Wonder”
The Beach Boys: “It’s OK”
Brian Wilson: “Your Imagination”
The Beach Boys: “Sail On, Sailor”
The Beach Boys: “Aren’t You Glad”
The Beach Boys: “Wouldn’t It Be Nice (Acapella)”
Beach Boys: “Beach Boys’ Medley (Single Verson)”
Brian Wilson: “Love & Mercy (Live)”
Please Leave a Comment!


Brian Wilson: “Meant For You” Play this track
Brian Wilson: “God Only Knows” Play this track
The Beach Boys: “Radio Jingle” Play this track
The Beach Boys: “Early Live Medley” Play this track
The Beach Boys: “Little Honda (Single Mix)” Play this track
The Beach Boys: “I Just Wasn’t Made For These Times” Play this track
Brian Wilson: “Child Is The Father Of The Man” Play this track
Brian Wilson: “Surf’s Up” Play this track
The Beach Boys: “’Til I Die (Long Version With Alternate lyrics” Play this track
The Beach Boys and Van Dyke Parks: “Rhapsody In Blue (Outtake)” Play this track
The Beach Boys: “When I Grow Up (To Be A Man) (remastered)” Play this track
The Beach Boys: “Mama Says” Play this track
The Beach Boys: “California Girls (Session)” Play this track
The Beach Boys: “California Girls” Play this track
The Beach Boys: “Break Away” Play this track
The Beach Boys: “Darlin’” Play this track
The Beach Boys: “Our Team” Play this track
Brian Wilson: “Please Let Me Wonder” Play this track
The Beach Boys: “It’s OK” Play this track
Brian Wilson: “Your Imagination” Play this track
The Beach Boys: “Sail On, Sailor” Play this track
The Beach Boys: “Aren’t You Glad” Play this track
The Beach Boys: “Wouldn’t It Be Nice (Acapella)” Play this track
The Beach Boys: “Beach Boys’ Medley (Single Verson)” Play this track
Brian Wilson: “Love & Mercy (Live)” Play this track
1 hr 8 min
April 09, 2025How Much Fun
How Much Fun
Tracklist:
Wings: “Got to Get You into My Life”
Commander Cody and the Lost Planet Airmen: “Too Much Fun”
10cc: “Good Morning Judge”
Trey Anastasio (Big Band): “Mozambique”
The Beatles: “I Saw Her Standing There (Take 6)”
Joe Jackson: “Poor Thing”
Lake Street Dive: “Godawful Things”
Chicago: “Make Me Smile (bass, drums, vocals, guitar solo)”
Harry Nilsson: “Daybreak”
Van Morrison: “Jackie Wilson Said (live)”
Bonnie Raitt: “You’ve Been in Love Too Long”
Jerry Lee Lewis: “It’ll Be Me”
Steely Dan: “Do It Again (live with Michael McDonald)”
R.E.M.: “Stand”
NRBQ: “RC Cola & A Moon Pie”
Robert Palmer: “How Much Fun”
Paul Carrack and Carlene Carter: “Oh How Happy You Have Made Me”
Pete Townshend: “The Sea Refuses No River (live”
Pete Townshend: “It’s a Boy”
Jerry Garcia & Merl Saunders: “Positively 4th Street”
Please Leave a Comment!


Wings: “Got to Get You into My Life” Play this track
This track is a good representation of Wings’ final, short-lived lineup performing live at The Concert for the People of Kampuchea benefit in 1979. This was right at the end of their only tour, so they were hot. As evidenced in this exciting version of Paul McCartney’s Beatles classic. -Rock Stamberg
One of my favorites from the Fab Four and this is “THE” live version. The band nails all the elements that make this a great song and then the vibe is just supercharged. You’ll find this in my folder of “Best Performances.” -John Stix
Commander Cody and the Lost Planet Airmen: “Too Much Fun” Play this track
This puppy is up-tempo and swinging right out of the box. Love that classic walking bass blues progression. The horns blare, the piano rocks the pedal steel sounds drunk. The lyric defines the whole song and Jerry Lee Lewis would be proud. -JS
10cc: “Good Morning Judge” Play this track
I love 10cc, especially late-era 10cc when they were down to a duo. Anyway, great song, excellent playing by Eric Stewart (guitar) and bassist Graham Gouldman. -RS
10cc are among the most creative bands in rock music. It’s comprised of top-notch musicians who aim to surprise with their sophisticated songwriting and sense of humor. This is a band that is much more than its hits. -JS
Trey Anastasio (Big Band): “Mozambique” Play this track
A joyful noise indeed. Uplifting, and engaging at the same time. It’s the recipe for any successful uptempo instrumental (think Jessica by the ABB) and can be heard on this horn heavy rhythm centric tune. It’s party time! -JS
Trey Anastasio’s big band is indeed a big band and this track, which he’s also performed with his main band, Phish, is an ever-evolving piece of music. This version really grabbed John … and *I’m* the Phish head around these parts. Go figure. -RS
The Beatles: “I Saw Her Standing There (Take 6)” Play this track
You hear this and realize just how good a band they were. I Love the mistakes and the talking that follows. -JS
The Beatles in their natural habitat working on what became a great recording. Let’s drop in on them, whaddaya say? -RS
Joe Jackson: “Poor Thing” Play this track
Great unknown track by a super talent. -RS
Joe Jackson is a serious melodicist who has something to say. And that’s what makes great music. Say it in a song that draws us in. And everyone loves a waltz. -JS
Lake Street Dive: “Godawful Things” Play this track
A distorted guitar with a cello. Can you think of a better way to start a pop song? LSD is one of the premier rock and pop bands in the country. They feature melodic hooks, smart lyrics, surprising arrangements, acoustic bass, and off the charts vocals. It’s all here for you to enjoy. -JS
Chicago: “Make Me Smile (bass, drums, vocals, guitar solo)” Play this track
This stripped mix of a major Chicago hit is illuminating in all the right ways. The rhythm section shines, the vocal rocks and the guitar rips. Terry Kath’s shredding guitar solo features Coltrane-like sheets of sound licks in a Billboard Top 10 record described as “soft rock.” So yes, this does shed a new light on an old classic. Very NHT wouldn’t you say? -JS
Harry Nilsson: “Daybreak” Play this track
From the little-known film, Son of Dracula, this was Harry Nilsson’s last hit. But boy, what a song. Catchy. -RS
This song reminds me of the “Put the lime in the coconut” vibe. -JS
Van Morrison: “Jackie Wilson Said (live)” Play this track
One of my fav’s from VM. This time it’s a swinging big band version that I found in my “Redo” folder of bands that rearrange their classics. -JS
Young(er) Van kickin’ up some dust. It helps that this song is one of his great ones. -RS
Bonnie Raitt: “You’ve Been in Love Too Long” Play this track
This is the opening track from Bonnie’s Takin’ My Time LP. There’s a heavy Little Feat sound overall and John Hall’s (Orleans) guitar solo is oh so tasty. The track is one of my favorite bump-in-the-night grooves, with all the puzzle pieces distinct unto themselves and perfectly in place. A great lesson in blues funk delivered with classic Bonnie Raitt swagger. -JS
Jerry Lee Lewis: “It’ll Be Me” Play this track
“It’ll be me, and I’ll be looking for you.” How great is that lyric? Timeless. -RS
I love me that train is a comin’ rhythm. This is just killer rock ‘n roll. -JS
Steely Dan: “Do It Again (live with Michael McDonald)” Play this track
In 1974, Steely Dan hit the road for the last time in their early years. During that tour there was discussion and a vote to have of Michael McDonald take over as the lead vocalist. Much to his chagrin, and probably against his own vote, Donald won. We can only wonder what it would have been like if the vote had gone the other way. In 2008, McDonald guested with the band for a while and gave us a glimpse of what it wouldn’t have sounded like it the vote had turned out differently. Also dig the guitar solo by Jon Herrington and the drum solo by Keith Carlock. -JS
I love it when John finds this stuff. Funky. -RS
R.E.M.: “Stand” Play this track
What a fantastically catchy song R.E.M. gifted us with. -RS
A straightforward pop rock song from R.E.M. Who’d have thunk it? -JS
NRBQ: “RC Cola & A Moon Pie” Play this track
God knows I love me some NRBQ. This is an NRBQ classic from way back. They still perform it regularly to this day. Essential listening. -RS
The style at the heart of the New Rhythm and Blues Quartet. A 1950’s rocker reborn. -JS
Robert Palmer: “How Much Fun” Play this track
How much soul, how much funk? Lots and lots. A beauty. -RS
This sounds like the son of Allen Toussaint had a party with Little Feat on the streets of London. How much fun? Lots! -JS
Paul Carrack and Carlene Carter: “Oh How Happy You Have Made Me” Play this track
A joyous cover (of a joyous song) of the 1966 top 12 hit by Shades of Blue. I can hear the smiles more in this cover, so I always go for this version. -JS
Pete Townshend: “The Sea Refuses No River (live” Play this track
For me, this is *the* version of a song I’ve always loved. Intense and striking. -RS
This is one of Townshend’s finest and under acknowledged songs. Great lyric, raging vocals and one of PT’s best melodies. I’d love to hear Roger sing this one. As is, this goes into the “Best Performances” folder. -JS
Pete Townshend: “It’s a Boy” Play this track
A Townshend demo from Tommy. -JS
Jerry Garcia & Merl Saunders: “Positively 4th Street” Play this track
This version of the Bob Dylan classic just may be definitive. It’s lopes along in a casually rockin’ way that belies the lyrics’ dark theme. Beautiful. -RS
This rolls like a lazy river. The vocal, bitter in lyric, is relaxed in delivery. Jerry’s solo sounds like an exhale as does David Grisman’s on mandolin. This cover is worth the time it takes to unfold. -JS
1 hr 30 min
January 05, 2025They’re Red Hot
They’re Red Hot
Tracklist:
Bruce Springsteen & The E Street Band featuring Sam Moore: “Hold On, I’m Coming > Soul Man”
Billy Preston: “Nothing from Nothing”
Doors: “The Crystal Ship (Isolated Vocal)”
Sparks: “Nothing Is as Good as They Say It Is”
Van Morrison: “Coney Island”
Van Morrison: “I’m Tired Joey Boy”
Paul McCartney: “Calico Skies (Remastered 2020)”
Three Fates Project: “The Endless Enigma Suite, Pt. 2”
Faces: “Stay With Me”
Leon Russell: “Roll Away the Stone”
Todd Rundgren: “A Dream Goes on Forever”
Ryan Adam’s: “New York, New York”
Eric Clapton: “They’re Red Hot”
Warren Zevon: “Werewolves of London”
Three Dog Night: “Shambala (Single Version)”
Simon & Garfunkel: “Mrs. Robinson (Demo)”
Ennio Morricone: “The Good, the Bad and the Ugly”
Ray Charles: “The ABC Song (edit)”
Grateful Dead: “Loose Lucy”
Keith Richard’s: “How I Wish”
Ben Kweller: “Walk on Me”
Elton John: “Take Me to The Pilot (Live)”
Please Leave a Comment!


Bruce Springsteen & The E Street Band featuring Sam Moore: “Hold On, I’m Coming > Soul Man” Play this track
One of a few spectacular performances at the 25th Anniversary concert for the Rock & Roll Hall of Fame. The band is on point and on fire. Bruce is successfully paying homage and letting it rip at the same time. Bravo! -John Stix
Pretty rockin’, I’d say. A good version of “Soul Man” is always welcome. -Rock Stamberg
Billy Preston: “Nothing from Nothing” Play this track
Billy Preston during his mega-hit days in the early-to-mid ‘70s. Still sounds great, too. -RS
Gospel rock at its best. Jerry Lee Lewis would be proud. This is a killer track. -JS
Doors: “The Crystal Ship (Isolated Vocal)” Play this track
All the mystery and danger are right here in the vocal. -JS
Sparks: “Nothing Is as Good as They Say It Is” Play this track
Trust me, this song *is* as good as I say it is. It’s good too. -RS
Up there with the best of a Zappa-like narrative for a song. The baby is born and almost immediately wants to return to the womb. It’s known that laughter is the best medicine. So, listen to the lyric and enjoy your medicine. -JS
Van Morrison: “Coney Island” Play this track
Van Morrison: “I’m Tired Joey Boy” Play this track
These two songs are inexorably tied together. Found on Van Morrison’s sublime Avalon Sunset album from 1989, these tracks define what’s beautiful about beautiful music. A+ stuff. -RS
Van the poet at his most commanding. It’s also the first appearance of the word “famished” on NHT. -JS
Paul McCartney: “Calico Skies (Remastered 2020)” Play this track
Melancholia made majestic. As good as any Beatles track. -RS
I didn’t follow the individual Beatles after the breakup. So, I didn’t know this song, nor its reason for being. A love song for the ages. I do hope you have someone to share this with. -JS
Three Fates Project: “The Endless Enigma Suite, Pt. 2” Play this track
I had the ELP album Trilogy, I just didn’t listen to it much. This orchestral version, I could barely hear KE anywhere, has all the drama, flourish and fanfare that made up the best of ELP. I am drawn the chorus melody and am stopped in my tracks every time it comes around. -JS
Faces: “Stay with Me” Play this track
Now *this* is great rock ‘n roll. Listen to how guitarist Ronnie Wood was already ready for The Rolling Stones three years prior to joining ‘em. -RS
The kind of raucous rock that rolls (because of that piano) that we heard in Joe Cocker’s Mad Dogs and Englishmen, and become the backbone sound of Delaney and Bonnie, Derek and the Dominoes, and now The Tedeschi Trucks Band. It could be argued that The Faces achieved this sound more successfully than the Stones. -JS
Leon Russell: “Roll Away the Stone” Play this track
The opening part has hints of the Stones “Stupid Girl.” And there is a 50 second piano intro before the song comes in. That acoustic piano drives the song throughout, with a Blues-Rock/Gospel stew that both simmers and rocks. Need we any more proof that Leon Russell was a first-rate songwriter? -JS
Todd Rundgren: “A Dream Goes on Forever” Play this track
Armed with just his always insightful lyrics, an acoustic piano, and a Rock of Gibraltar melody, I am enthralled. What about you? -JS
Ryan Adam’s: “New York, New York” Play this track
This song just makes me feel good. I love the acoustic guitar/Hammond organ bed married to vocal harmonies delivering nothing but melodic hooks. Then there is almost chaotic sax part that resolves in the end. -JS
Eric Clapton: “They’re Red Hot” Play this track
Clapton sans guitar swinging with a smile. I looked up the Robert Johnson recording, and his version was just as up and happy. I didn’t know that. -JS
Warren Zevon: “Werewolves of London” Play this track
Did you know this reached #21 in The Billboard Hot 100? That makes Warren Zevon a one-hit wonder. Guitarist Waddy Wachtel came up with the famous “aaaoooo” howl based on the song title. Did you notice the piano riff that beds this song just goes around and around without changing? -JS
Three Dog Night: “Shambala (Single Version)” Play this track
Three Dog Night made some good records in the early ‘70s and this is a good example of their song-based, harmony driven style. -RS
I never heard this song before Rock suggested it. But it feels good and the vocals, including another wolf howl, are a ray of sunshine. -JS
Simon & Garfunkel: “Mrs. Robinson (Demo)” Play this track
Here it is before it was. -JS
Ennio Morricone: “The Good, the Bad and the Ugly” Play this track
Everything you ever wanted in a song; flutes, trumpet, whistling, vocal grunts, tremolo guitar, tubular bells, a choir, military drums, scream singing and voices pretending to be a wah-wah effect. And it was a hit too! -JS
Ray Charles: “The ABC Song (edit)” Play this track
Some guys can sing anything. -JS
Grateful Dead: “Loose Lucy” Play this track
Taken from 1974’s Grateful Dead from the Mars Hotel album – a personal favorite of mine – this track is sure evidence that the Dead were always a song-based band. Even when they were delving into their explorations onstage, each song always had a definite and crisp ending. This studio track is one of their best. -RS
Keith Richard’s: “How I Wish” Play this track
Another favorite of mine, this catchy rocker shows Keith Richard’s composing a song the way he and Mick Jagger used to do. No riff-based tune here. From Keith’s excellent debut solo album, Talk is Cheap, released in 1988. -RS
Ben Kweller: “Walk on Me” Play this track
I love Ben Kweller. What a songwriter. This rollicking track is from his Sha-Sha album from 2002. -RS
Elton John: “Take Me to The Pilot (Live)” Play this track
This acoustic piano trio and song, absolutely live, just rocks! -JS
Early live Elton rocked. His original live trio was comprised of drummer Nigel Olsson and the late bassist Dee Murray, both of whom were also fantastic singers. Olsson remained in Elton’s live band right up until the end. -RS
1 hr 27 min
December 12, 2024Christmas 2024
Merry Christmas!
Tracklist:
Chuck Leavell: “Hey Santa”
Ryan Culwell: “It’s Christmastime, I Know (Ho Ho Ho)”
Ben Kweller: “Try to Love (Joy to the World)”
The Beach Boys: “Christmas Time Is Here Again”
Graham Gouldman: “A Christmas Affair (feat. Beth Nielsen Chapman)”
Lindsey Buckingham: “Holiday Road”
Chris Squire’s Swiss Choir: “Run with the Fox”
Al Jardine: “Big Sur Christmas”
Andy Partridge: “Cool Yule”
Cheap Trick: “Please Come Home for Christmas”
Keith Richards: “Run Rudolph Run”
The Rolling Stones: “Winter”
Emmylou Harris: “Light of the Stable”
Wings: “Wonderful Christmastime (Live)”
Yoko Ono & The Flaming Lips: “Happy Xmas (War Is Over)”
Robin Gibb: “Noel”
Rufus Wainwright: “Christmas Is for Kids”
The Beatles: “1967 Christmas Record”
Eagles: “Funky New Year (Live)”
The Beach Boys: “Auld Lang Syne”
Fleet Foxes: “White Winter Hymnal”
Mariah Carey/Queen: “Don’t Stop Christmas Now (Mashup)”
Liz Phair: “Winter Wonderland”
Vince Guaraldi Trio featuring Josh Turner on Guitar: “Charlie Brown Christmas Medley”
Please Leave a Comment!


Chuck Leavell: “Hey Santa” Play this track
Chuck Leavell’s Christmas album, What’s in That Bag? is loaded with more funky good cheer. —Rock Stamberg
Ryan Culwell: “It’s Christmastime, I Know (Ho Ho Ho)” Play this track
I heard it, I liked it, and here it is. —RS
Ben Kweller: “Try to Love (Joy to the World)” Play this track
A cool song that incorporates a well-known holiday standard. —RS
The Beach Boys: “Christmas Time Is Here Again” Play this track
The backing track is actually the Beach Boys playing Buddy Holly’s “Peggy Sue,” albeit with their own Christmas lyrics. Listen, you’ll hear it. -RS
Graham Gouldman: “A Christmas Affair (feat. Beth Nielsen Chapman)” Play this track
10cc’s Graham Goldman wrote this Christmas song and put it in the middle of his latest decidedly non-Christmas album, I Have Notes. —RS
Lindsey Buckingham: “Holiday Road” Play this track
An obvious choice, I know. But it’s a great song! —RS
Chris Squire’s Swiss Choir: “Run with the Fox” Play this track
The late, great Yes bassist added a choir to his 1981 Christmas single, beautifully enhancing the track. Voila! —RS
Al Jardine: “Big Sur Christmas” Play this track
A long lost online-only original Christmas song by The Beach Boys’ ageless Alan Jardine. —RS
Andy Partridge: “Cool Yule” Play this track
The XTC mastermind’s original Christmas song that was first performed by … wait for it … The Monkees. —RS
Cheap Trick: “Please Come Home for Christmas” Play this track
Cheap Trick’s hard rocking’ take on the venerable holiday blues classic. —RS
Keith Richards: “Run Rudolph Run” Play this track
Released as a single in 1978, this is also Keith Richards’ first solo record. —RS
The Rolling Stones: “Winter” Play this track
Though it’s not a holiday song, per se, it is a great seasonal track, nonetheless. —RS
Emmylou Harris: “Light of the Stable” Play this track
This has always been a favorite of mine. How come I didn’t use it in prior Christmas episode? —RS
Wings: “Wonderful Christmastime (Live)” Play this track
A live recording of the then new song performed at one of Wings’ final concerts in 1979. Better than the original? You decide. —RS
Yoko Ono & The Flaming Lips: “Happy Xmas (War Is Over)” Play this track
A very original take on John & Yoko’s holiday classic. And yes, that wonderful chorus is sung beautifully by Ms. Ono. Underrated. Listen! —RS
Robin Gibb: “Noel” Play this track
The late Bee Gees brother recorded a fantastic Christmas album shortly before his death. This is a good representation of what it’s all about. —RS
Rufus Wainwright: “Christmas Is for Kids” Play this track
A nice original song from the amazing Rufus Wainwright. —RS
The Beatles: “1967 Christmas Record” Play this track
Every year I add one of The Beatles’ Fan Club’s holiday offerings in chronological order. We’re up to 1967 now. Only two more Beatles Christmas records left to add to a NHT Christmas podcast. Then what’ll I do? —RS
Eagles: “Funky New Year (Live)” Play this track
A rare live version. —RS
The Beach Boys: “Auld Lang Syne” Play this track
How else to include a New Year’s song -RS
Fleet Foxes: “White Winter Hymnal” Play this track
It’s all about the sound of their voices. A winter choirs. It’s not from the Brian Wilson school, but it is in the classroom next door. —John Stix
Mariah Carey/Queen: “Don’t Stop Christmas Now (Mashup)” Play this track
When a mashup works, it just sounds like another song. This is just another Xmas song. —JS
Liz Phair: “Winter Wonderland” Play this track
The melody is sung straight. It’s the arrangement and instrumentation that makes it fresh. And in this case, that’s “organic and wooden.” —JS
Vince Guaraldi Trio featuring Josh Turner on Guitar: “Charlie Brown Christmas Medley” Play this track
Everyone’s favorite Xmas melodies presented in a jazz chord melody style, no improv, just great compositions. —JS
1 hr 24 min
October 16, 2024Listen To The Music
Listen To The Music
Tracklist:
Grateful Dead: “Let The Good Times Roll”
Santana: “Everybody’s Everything”
Kila: “An Tiománaí (Live)”
Steely Dan: “Parkers Band”
Tower Of Power: “What Is Hip?”
Van Morrison: “You Make Me Feel So Free”
Lake Street Dive with Lawerence: “Good Together (Live)”
Jeff Lynne: “Blown Away”
The Beach Boys: “You Still Believe In Me (Live)”
The Doobie Brothers: “Listen to The Music (Farewell Tour Live)”
U2: “Stuck in a Moment You Can’t Get Out Of”
Squeeze: “The Day I Get Home”
The Monkees: “Daydream Believer”
Aretha Franklin: “Coca-Cola Commercial”
Larry Carlton: “Put It Where You Want It”
The Clash: “London Calling”
John Fogerty with The Roots: “Lookin’ Out My Back Door”
Mountain: “Mississippi Queen”
James Taylor: “Rock ‘N’ Roll Is Music Now”
“Barney Miller Theme”
Please Leave a Comment!


Grateful Dead: “Let The Good Times Roll” Play this track
When they are on, one of the things the Grateful Dead do best is hit a rhythm that floats effortlessly like a river going downstream. I offer this song as my example. – John Stix
I’m a Grateful Dead fan who’s not crazy about their later era, from which this performance is drawn. I’m happy to say this is a rare exception for me. And John chose it! -Rock Stamberg
Santana: “Everybody’s Everything” Play this track
Propulsive rhythms, strong Gregg Rollie vocals, a wailing guitar, plus Tower of Power horns, helped to put this song on Santana’s Greatest Hits. -JS
Kila: “An Tiománaí (Live)” Play this track
African rhythms and Celtic singing propel you forward. But it’s the invisible segue way prepared by our buddy Mike Connelly that makes this a killer one-two punch. -JS
Steely Dan: “Parkers Band” Play this track
One of my faves from Steely Dan’s Pretzel Logic album. This is from a superb recording of a Dan show in Chicago, which featured Larry Carlton guesting. The killer guitar solo up front is by Jon Herrington, who I suspect was inspired by Carlton sitting in. Also check out the extra horn parts that weren’t in the original. Has there ever been a finer tribute to Charlie Parker by a rock band? -JS
Tower Of Power: “What Is Hip?” Play this track
This, their signature song, was never a hit. If you like a superglued funk rhythm section, soul vocals and horn parts that jab like Ali, this is your song, and they should be your band. -JS
Van Morrison: “You Make Me Feel So Free” Play this track
One of my favorite Van Morrison tracks. Irresistible. -RS
Wow, an up-tempo Van kicker that I had never heard until Rock said listen to this. I’m just paying it forward. -JS
Lake Street Dive with Lawerence: “Good Together (Live)” Play this track
People love Rachel Price’s voice, and I do too. But it’s the whole band that writes and plays together that generates that smile on your face. It’s “Pure Pop for Now people”, as Nick Lowe would say. This live performance has LSD joining with NYC’s finest band Lawrence. -JS
Jeff Lynne: “Blown Away” Play this track
Co-written with Tom Petty, this is, to me, a great song. Jeff Lynne’s wordless crooning during the song’s tag absolutely kills me every time. -RS
The Beach Boys: “You Still Believe In Me (Live)” Play this track
Recorded during The Beach Boys’ 1973 tour, Alan Jardine takes on MIA Brian Wilson’s lead vocal from Pet Sounds. And he nails it. The harmonies ain’t bad, either. -RS
The Doobie Brothers: “Listen to The Music (Farewell Tour Live)” Play this track
This is a surprise from The Doobie Brothers’ Farewell Tour album from 1983. Of course, the farewell tour wasn’t so farewell-y after all. -RS
A rare funk version with Michael McDonald on lead vocal. Totally classic and totally new. The track screams NHT. -JS
U2: “Stuck in a Moment You Can’t Get Out Of” Play this track
I’m not a big U2 fan but what I like of theirs I *really* like. This is probably my favorite U2 recording. -RS
Squeeze: “The Day I Get Home” Play this track
Another unknown gem from Squeeze. Slinky. -RS
Sounds to me a bit like the children’s song “This Old Man Came Rolling Home.” -JS
The Monkees: “Daydream Believer” Play this track
What can I say? A great song is always a great song. -RS
Aretha Franklin: “Coca-Cola Commercial” Play this track
She almost got me off my Hires Root Beer! -JS
Larry Carlton: “Put It Where You Want It” Play this track
Pure class and all finesse. This tune, written by Joe Sample and originally played by The Crusaders, of which LC was a longtime member, gives me goose bumps every time I hear it. -JS
The Clash: “ London Calling” Play this track
Rock gave me an assignment to pick a Clash song for NHT. The question remains, is this cheating? -JS
John Fogerty with The Roots: “Lookin’ Out My Back Door” Play this track
When rock music was also pop music … and just great music. I’m smiling again. Are you? -JS
Mountain: “Mississippi Queen” Play this track
This comes from my folder of best performances. It’s the piano that makes it along with the roar of the vocal and the stringing melodies from the guitar. Rockin’ music at its best. -JS
James Taylor: “Rock ‘N’ Roll Is Music Now” Play this track
From JT’s underrated Walking Man album. -RS
This is JT working with the cream of the NY session community. A few years later, Kiss’ Ace Frehley sang about being “back in the New York groove.” This is what he meant. -JS
“Barney Miller Theme” Play this track
I just had to put this after the James Taylor track. I had to. -RS
1 hr 26 min
July 04, 2024Ain’t Nice To Talk Like That
Ain’t Nice To Talk Like That
Tracklist:
The Allman Brothers Band: “Little Martha (Live at The Beacon Theatre, NYC)”
Brian Setzer Orchestra: “The Jets Song”
Laura Nyro: “Luckie”
Chuck Berry & Tom Jones: “Memphis / Roll Over Beethoven”
Gordon Goodwin Big Phat Band: “Cutey and the Dragon”
Joe Jackson: “Summer in The City”
Paul Carrack: “From Now On”
Todd Rundgren & Daryl Hall: “It Wouldn’t Have Made Any Difference”
Skeeter Davis & NRBQ: “Ain’t Nice to Talk Like That”
Billy Joel: “Only the Good Die Young (Alternate Version)”
John Hiatt: “Cry Love”
Steely Dan: “Time Out of Mind (Vocal-Keyboard-Guitar-Horn Mix)”
The Allman Brothers Band: “Blue Sky”
Paul McCartney And Eric Clapton: “Something”
Starlight Mints: “Submarine #3”
Elliot Smith: “Pretty (Ugly Before)”
Little Feat: “Feats Don’t Fail Me Now (Alternate Version)”
Emerson, Lake & Powell: “Touch and Go (2024 Remaster)”
Jefferson Airplane: “She Has Funny Cars”
Please Leave a Comment!


The Allman Brothers Band: “Little Martha (Live at The Beacon Theatre, NYC)” Play this track
“Somewhere in a burst of glory, sound becomes a song.” – Paul Simon.
That’s how this rendition of “Little Martha” arrives, courtesy of the Allman Brothers Band at The Beacon Theatre in New York. I was there. And now you are too. —John Stix
I never would’ve thought of “Little Martha” as lending itself to an electric guitar-based, full band arrangement … but here it is. And it’s cool. —Rock Stamberg
Brian Setzer Orchestra: “The Jets Song” Play this track
Rock meets Broadway on equal terms. —JS
I do? —RS
Laura Nyro: “Luckie” Play this track
The opening track from one of the greatest albums ever. As was once heard sang on Broadway, “Put on a happy face.” —JS
Chuck Berry & Tom Jones: “Memphis / Roll Over Beethoven” Play this track
TJ does it again. He can sing with anybody and bring out the best they’ve got. Here we are, on television, no less. Chuck is smiling and rockin’ and rollin’ and showing us why he is one of the pillars of music. And Tom Jones is right up there with him. —JS
Gordon Goodwin Big Phat Band: “Cutey and the Dragon” Play this track
Here we have a Grammy-nominated piece composed by Raymond Scott that, previously, had never been recorded. And there’s a bit of jazz thrown in for good measure. There was no cartoon to go along with this music but that doesn’t mean you can’t dream one up yourself. —JS
Joe Jackson: “Summer in The City” Play this track
Joe Jackson always delivers. —RS
Joe Jackson plays it straight and the song has never aged. —JS
Paul Carrack: “From Now On” Play this track
Another great song from Paul Carrack’s great Suburban Voodoo album. —RS
Todd Rundgren & Daryl Hall: “It Wouldn’t Have Made Any Difference” Play this track
Todd has performed this song for decades, but this version is THE ONE. —JS
Skeeter Davis & NRBQ: “Ain’t Nice to Talk Like That” Play this track
I just love that country trombone. —RS
A living, breathing, singing smile! —JS
Billy Joel: “Only the Good Die Young (Alternate Version)” Play this track
Dramatic proof that sometimes the first idea is not the best idea. Fun to discover, fun to listen to, and a song made for NHT. —JS
John Hiatt: “Cry Love” Play this track
As a songwriter, John Hiatt is a monster. Here’s one of his lesser-known songs as performed by Hiatt and his band. Simply amazing. —RS
Steely Dan: “Time Out of Mind (Vocal-Keyboard-Guitar-Horn Mix)” Play this track
A 5.1 mix using only certain tracks allows us to hear the subtle details in the track sans rhythm section. “Perfection and Grace” indeed. —JS
The Allman Brothers Band: “Blue Sky” Play this track
See the final sentence above. Here is Duane Allman earning his nickname “Skydog,” and Dickie Betts as the ultimate melodicist on a gem of a song he wrote for his then girlfriend, Blue Sky. —JS
This song is near perfect. So melodic. —RS
Paul McCartney And Eric Clapton: “Something” Play this track
How often is a beloved song played as the masterpiece it is? This is one of those times. The band includes Ringo Starr, Albert Lee, Jeff Lynne, Billy Preston, and an orchestra. —JS
What can I say? It’s beautiful and kinda haunting as well. —RS
Starlight Mints: “Submarine #3” Play this track
A quirky little song that’ll grab you before you know it. —RS
Elliot Smith: “Pretty (Ugly Before)” Play this track
Elliott Smith was sooo talented. A beautifully moody song here. —RS
Little Feat: “Feats Don’t Fail Me Now (Alternate Version)” Play this track
I love Little Feat. So does John. We also love hearing outtakes and alternate versions of great Feat tunes. This one’s slinky and sweet. —RS
Emerson, Lake & Powell: “Touch and Go (2024 Remaster)” Play this track
This song appeared on the self-titled album by a one-off version of ELP, this one with Cozy Powell, not Carl Palmer, as the “P.” I think “Touch and Go” is as good as anything the original ELP cooked up in their ‘70s heyday. Is “majestic” the word for this track? —RS
Jefferson Airplane: “She Has Funny Cars” Play this track
The opening track from one of my favorite albums. The drum intro grabs me immediately. What follows helped define the San Francisco sound and that of the band as well. —JS
1 hr 28 min
March 20, 2024So May We Start
So May We Start
Tracklist:
Sparks (featuring Adam Driver, Marion Cotillard, & Simon Helberg): “So May We Start”
NRBQ: “Boozoo, That’s Who!”
Traveling Wilburys: “Maxine”
Ringo Starr & His All-Starr Band featuring Levon Helm: “The Weight”
Ringo Starr & His All-Starr Band featuring Mark Farner: “Some Kind of Wonderful”
The Kinks: “Life on The Road”
The Monkees: “Listen to The Band”
Neil Young: “All Along the Watchtower”
The Rolling Stones & Stevie Wonder: “I Don’t Know Why”
The Doors: “People Are Strange”
Ringo Starr & His All-Starr Band featuring Dave Edmunds: “I Hear You Knocking”
Ringo Starr & His All-Starr Band featuring Gary Wright: “Dream Weaver”
Herbie Hancock, Susan Tedeschi & Derek Trucks: “Space Captain”
Crosby, Stills & Nash: “Taken at All”
Roger McGuinn with Richard Thompson: “Wild Mountain Thyme”
T. Rex: “20th Century Boy”
Bob Dylan & Grateful Dead: “Man of Peace”
Please Leave a Comment!


Sparks (featuring Adam Driver, Marion Cotillard, & Simon Helberg): “So May We Start” Play this track
This is such an unusual song … but not for Sparks. It’s catchy despite itself. Recorded for the soundtrack to the film “Annette,” those are indeed some of the actors singing along with Ron Mael. A great video was made for this song; The YouTube link is on our Web page for this podcast. Check it out. —Rock Stamberg
Unconventional song structure, minimal lyrics on a loop and Broadway vocals on top of pop hooks. What a treat. Reminds me of Todd Rundgren’s fascination with Gilbert and Sullivan. — John Stix
NRBQ: “Boozoo, That’s Who!” Play this track
Ahh, NRBQ. What can I say? Their self-described “Omnipop” is in fine fettle on this bouncy offering. —RS
A cartoon song with lyrics right out of Cat in the Hat and Merrie Melodies like we heard as kids on Saturday morning television, all played with a wink and a smile. — JS
Traveling Wilburys: “Maxine” Play this track
This outtake was included on the two-disc Traveling Wilburys Collection a few years back and I think it’s every bit as great as the songs the released in the albums themselves. This is really good stuff. —RS
A newly discovered George Harrison gem (at least for me). That 6/8 lilt gets me every time. — JS
Ringo Starr & His All-Starr Band featuring Levon Helm: “The Weight” Play this track
This track comes right out of my “best versions” folder and puts a great coat of fresh paint on a shop-worn classic. — JS
Ringo Starr & His All-Starr Band featuring Mark Farner: “Some Kind of Wonderful” Play this track
We talk about voice and guitar, and voice and piano being the true test of a great song. How about voice and bass? Now we’re thumpin’. John Entwistle and Mark Farner rock the joint without needing any help. — JS
Here’s what’s funny: Grand Funk’s original studio version featured drummer Don Brewer on lead vocals, not Mark Farner. Shows what a great song and arrangement can do no matter who’s singing it. —RS
The Kinks: “Life on The Road” Play this track
Simply put, this is one of my all-time favorite Kinks songs and it’s absolutely perfect, in my opinion. Perfect. —RS
The Monkees: “Listen to The Band” Play this track
There are several different versions of this song that were released around the same time (1969-1970), but this is the one. Believe it or not, this is what I’d call the stripped-down version of the song. What a beautiful melody. Good on you, Michael Nesmith. —RS
This sounds like it was pulled right from the ‘60s. Love that pop/rock country bounce. — JS
Neil Young: “All Along the Watchtower” Play this track
I was so inspired by this performance that when Neil toured with Booker T. & the MGs soon after the “BobFest” concerts I bought tickets. I also bought the bootleg recording! — JS
The Rolling Stones & Stevie Wonder: “I Don’t Know Why” Play this track
I did not know this Stevie Wonder composition but the juxtaposition of the bands in a call and response as the song goes along makes it NHT material of the first order. Who knew? Now you do. — JS
I’ve always loved the Stones’ version but had never heard Stevie Wonder’s original version. What a great song. —RS
The Doors: “People Are Strange” Play this track
Jim Morrison gets so much attention it’s easy to forget that the music of the Doors was made by the other band members. In this music bed you almost hear all the vocal lines and musical accompaniment because they’re so ingrained in our memories. It’s hard not to sing along. Duh, that’s Karaoke dummy. Sorry, I should have known. — JS
Ringo Starr & His All-Starr Band featuring Dave Edmunds: “I Hear You Knocking” Play this track
I asked Rock to pass on this version because I felt the recording was ragged, all guitars and voice, and parts of the solos are out of tune. It was not a fun listen for me in the car. I understand Rock’s almost out of control and out of tune take on guitar solos. To me it was just noisy. The song was a hit in England and deserved to be. — JS
Let’s rock! —RS
Ringo Starr & His All-Starr Band featuring Gary Wright: “Dream Weaver” Play this track
I’ve always had a real soft spot for this tune and the wonderful low, low bass tones Gary Wright achieved with the ARP keyboards he used. Ringo’s human touch makes this classic swing without losing any of its original mojo. —RS
Herbie Hancock, Susan Tedeschi & Derek Trucks: “Space Captain” Play this track
Killer performance, and it was on TV to boot! Tedeschi/Trucks do versions of Mad Dogs, Delaney and Bonnie and Derek and the Dominoes better than anyone else around. That Herbie Hancock was smart enough to bring them into his orbit with this song, reinforces his genius. — JS
Crosby, Stills & Nash: “Taken at All” Play this track
Thanks for the recommendation, Graham! He said this deserved more attention than it got. This version from the CSN Box Set sounds like it would sit nicely among the tunes on their first album. What do I love about this band? Whatever you’re hearing right here. — JS
Roger McGuinn with Richard Thompson: “Wild Mountain Thyme” Play this track
What a find. I have always enjoyed The Byrds take on this tune. Now, this one goes into that “best versions” folder. For me, it’s the kind of tune that screams NHT. — JS
This is a real surprise for me. Stunning. And I had no idea what a spellbinding supporting musician and singer Richard Thompson could be. —RS
T. Rex: “20th Century Boy” Play this track
Another perfect rock ‘n roll concoction. T. Rex rules. —RS
Bob Dylan & Grateful Dead: “Man of Peace” Play this track
According to the bard his-self, he walked out of rehearsals with the Grateful Dead and wasn’t going to go back because he felt he had lost it and was done. Like, done. It happens he had a change of heart after chancing upon a singer in a bar and the event transformed him, he has said. He went back to the rehearsal space where the members of the Grateful Dead routinely challenged him to play songs of his that were well off the beaten path … like this one, which was originally released in 1983’s Infidels album. —RS
I had heard on good advice that Dylan toured with the Dead because he would get all the money going to his share of the take. Not a great reason to tour with another band. The show I saw didn’t hold my attention, so I was thrilled when I discovered this performance from the rehearsals. This is a real NHT treat. — JS
1 hr 30 min
January 27, 2024Boom Bapa Boom
Boom Bapa Boom!
Tracklist:
Jimmie Vaughan: “Boom Bapa Boom”
Jackson Browne: “Boulevard”
Joan Armatrading: “Show Some Emotion”
Tex Williams: “Smoke That Cigarette”
Eric Clapton: “Swing Low Sweet Chariot”
Jeff Lynne: “Telephone Line (Acoustic)”
Randy Newman: “The Story of a Rock and Roll Band”
Vulfmon (Featuring Jacob Jeffries): “How Much Do You Love Me?”
Larkin Poe: “Sometimes”
10cc: “Rubber Bullets”
Michael Jackson & Ted Nugent: “Hey Baby Am I Black or White”
The Beatles: “If I Fell (a cappella)”
Elton John: “Better Off Dead”
U2: “Desire”
Fleetwood Mac: “Black Magic Woman”
The Black Crowes: “Diamond Ring”
Badfinger: “Day After Day”
Joni Mitchell: “Help Me (Demo)”
Beautiful People (Jimi Hendrix): “If ‘60s Were ‘90s”
Santana: “Song of The Wind (Quadrophonic Mix)”
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Jimmie Vaughan: “Boom Bapa Boom” Play this track
A cool groove and a cool song. Nonsense lyrics be damned! –Rock Stamberg
As a fan of brother Stevie Ray’s roar and conviction on the guitar, I found Jimmy Vaughan’s playing too tame for my taste. But upon hearing his Nile Rogers-produced debut solo album, Strange Pleasure, I pronounce myself a changed man. The guitar playing hadn’t changed, but the rhythm and feel of songs like this one won me over. Let’s just say I like a lot of roll with my rock. –John Stix
Jackson Browne: “Boulevard” Play this track
I was late in digging Jackson Browne, but his Running on Empty album changed that. This rocker from his follow-up album, Hold Out, sealed the deal. —RS
The guitar riff sounds like Keef to me. Jackson Browne wrote himself a cool Stones song. -JS
Joan Armatrading: “Show Some Emotion” Play this track
The music is slinky and moves like liquid over a flat surface. The vocal and overall performance are full of quirky hooks, making it destined to become one of her signature songs. -JS
Tex Williams: “Smoke That Cigarette” Play this track
Western Swing with a sense of humor. Novelty song, yes. But with Menthol. -JS
Eric Clapton: “Swing Low Sweet Chariot” Play this track
I love this version of the old gospel standard more than any other. The deep groove of Jamie Oldaker’s drums and the pseudo reggae patina just plain work together beautifully. —RS
Rock turned me onto this Reggae Gospel tune. Oh boy, this feels good. It quickly became one of my most shared songs of the year. Relax, enjoy, and let EC and the band carry you home. -JS
Jeff Lynne: “Telephone Line (Acoustic)” Play this track
Further proof that a good song’s always good if it can be played acoustically and get you excited. Jeff Lynne’s stripped-down take on one of ELO’s most cleverly produced hit songs does just that. -RS
As we’ve said many times before, a good song needs but a guitar (or a piano in this case) and a voice to make its point. Of course, it doesn’t hurt if you start with a song as good as this. -JS
Randy Newman: “The Story of a Rock and Roll Band” Play this track
Of course, Randy’s “history” of the Electric Light Orchestra as sung here is completely, absurdly fictional … but does that matter? Hell no. You can tell he really *does* “love that ELO.” – RS
Storytelling as only RN can. I laugh out loud every time I hear this one. And when I’m not laughing, I’m smiling. I’d say Randy’s sense of humor is Todd-esque on this ditty. -JS
Vulfmon (Featuring Jacob Jeffries): “How Much Do You Love Me?” Play this track
This is my song of the year and lyric of the year. The second time you hear it, the reaction will likely be, oh, I know this song. I sent it to my buddy Pat. He called and immediately sang the chorus back to me. The piano part and the simulated sound of the Fender Rhoads have that “Minute by Minute” vibe. The lyrics are silly and the vocal delivery on the whiny side. At 2:23 Jeffries cracks himself up. I smiled throughout and then pressed play again. -JS
Larkin Poe: “Sometimes” Play this track
Piano and voice can be foundational. Guitar and voice as well. In this case it’s handclaps and voice. Repetition as a mantra is no longer exclusively the realm of Van Morrison. Larkin Poe (Rebecca and Megan Lovell) start with a simple frame and build to a hot drumline Trombone Shorty vibe. -JS
10cc: “Rubber Bullets” Play this track
Jailhouse Rock with a sense of humor. I’m detecting a theme running through this part of NHT. It’s music that makes me smile. -JS
Michael Jackson & Ted Nugent: “Hey Baby Am I Black or White” Play this track
What we have here is a funky music bed by Ted Nugent and the vocals of Michael Jackson. Strange bedfellows making for some great music. -JS
The Beatles: “If I Fell (a cappella)” Play this track
Choral music of the first degree. -JS
Elton John: “Better Off Dead” Play this track
This is one of my all-time favorite Elton John songs from one of my favorite Elton John albums, Captain Fantastic and the Brown Dirt Cowboy. Everything about it makes me jubilant. My god … Those drums! -RS
U2: “Desire” Play this track
They channel the Sun Records vibe here. They recorded this at Sun Studio in Memphis. -RS
Son of Bo Diddley. -JS
Fleetwood Mac: “Black Magic Woman” Play this track
Peter Green in his prime as a songwriter, guitarist, and singer. Say no more. -RS
Here is a bit of a conversation John Stix had with Carlos Santana:
JS: When was the first time you heard “Black Magic Woman?”
CS: It was in Fresno, California, at a soundcheck. Gregg Rollie brought the cassette in and said, “You’ll really like this song.” He wanted to know if we could try it. I remember I liked the way he (Peter Green in Fleetwood Mac) did it, but I didn’t like it for us. He starts with a different kind of chord in the blues. Now when I listen to it, I like it. But back then I said, “Let’s do something different to it.” So, we started messing around with it and basically put more of a Calypso, African/Cuban thing on it.
JS: But the instrumental melody in the beginning is the same.
CS: The descending Wes Montgomery kind of (vocal) melody is just basically “All Your Love” by Otis Rush. If you take the line “Got a black magic woman” and put in the words “All your lovin’ is lovin’,” you can hear that he changed the chords and made it so it’s not ripping anybody off. It’s like taking a seed and making a different tree with it.
The Black Crowes: “Diamond Ring” Play this track
Badfinger: “Day After Day” Play this track
Badfinger were an excellent ‘70s rock band who were protégées of The Beatles and were signed to that band’s Apple Records label. At one point or another each of The Beatles took a turn producing, writing for, and/or playing with the group. “Day After Day” was Badfinger’s 1971 hit single and was produced by George Harrison, who also handled the trademark slide guitar solo heard here. This was one of several hit records Badfinger produced between 1969 and 1974. -RS
Joni Mitchell: “Help Me (Demo)” Play this track
From the Joni Mitchell Archives 3 collection, which is filled with gems like this. -JS
Beautiful People (Jimi Hendrix): “ If ’60s Were ’90s” Play this track
Swampy and filled with voodoo, this total ”If 6 Were 9” remix is worthy of the Hendrix name. Santana used to use this song to announce the band coming to the stage. -JS
Santana: “Song of The Wind (Quadrophonic Mix)” Play this track
Santana has three indelible guitar instrumentals, “Samba Pa Ti,” “Europa” and “Song of the Wind.” They all demand to be played as they were recorded. To most of us, including me, this sounds like some mighty fine soaring Santana. The fact is Neal Schon starts the tune, Santana does the middle and Neal finishes. I can guess when they switch, but really who cares. This is taken from a quadrophonic surround-sound remix and emphasizes the percussion. The guitar is tucked in just a little bit so you must reach for it. It’s interesting to note that Santana rarely plays the tune live. Perhaps it’s because he wants Neal to be there. Regardless of his absence, this song still soars in the wind. -JS
1 hr 36 min

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