ODD EVEN PRESENTS

Nima is an integral and important part of Swedens Techno Scene. Not without reason. His sensitive feeling for intense and powerful soundcapes and grooves made him to one of todays cornerstones of Stockholms and worldwide Techno nights.

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Joton is synonymous with dark techno, iron, futuristic and sensitive, all mixed with the precision and speed of a surgeon. His powerful personality and marked charisma, as DJ and producer, is based on a stylistic maturity, a professional serenity and a well-founded artistic criterion, always in constant and restless progression, through which everything that he pricks and produces is identified. His sound is industrial, analog and mechanical.

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UKs West Country Dubspeeka. After his powerful and driven "Contras EP" he shows again why he stance since many years in the international Techno scene. Odd Even presents: Dubspeeka. No more words! Just listen.

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An artist originally from Oporto in Portugal. He is driven by consistence, vision and passion. This two hours of pure energy shows his unbelievable sense how to create a dark and powerful mood.

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An affection to vinyl at an early stage is most probably the best precondition to become somebody finally ending up playing those vinyls for people. somebody with a musical background. somebody serving and educating people at the same time. somebody being called dj.

this is exactly what happened to alex back then in the very early 90`s. he acquired a musical background. he was asked to play records in front of people. he became a dj.

even at that early stage, when still buying loads of records out of several genres, from 70´s disco via lots of 80`s pop, synthiepop, wave, ebm, gothic rock to 90`s independent, grunge, even hip hop and again the more darker side of synthie-based popmusic, alex already was very much into this new upcoming style called techno. like a lot of fellows at this early ravedays, the first contacts were slightly commercial. these techno trax cd compilations have not really been digging into the underground back in those days, but they have been good enough to become curious on what could be below this superficial surface. quite soon alex discovered a universe of new sounds, new music and styles, ranging from basicchannel, which is the "soul of techno" for alex, to the frankfurt school of techno with its very own sound, defined by labels like eye q and harthouse, but at the same time also early stuff from the berlin-based tresor label or u.s. based artists like jeff mills and his axis label were part of the first open to close sets during his first residency at libella, altenmarkt between 1994 and 1998. a small, dreamy spot close to the alps, but very innovative, alternative and step ahead by pure open mindness. by the way, also on of the first spots the famous dj hell got to dj in the late 80ies. versatility was the key back then to keep people in the club until the end, something he preserved until today. alex became addicted.

though the medium to play music has changed to a pretty complex digital dj-setup, the approach is still the same. touring the world from buenos aires to tokyo or sydney to new york, having played and still playing clubs like u60311, lehmann, tresor, berghain and festivals like loveparade, rave on snow, nature one, almost countless releases on numerous labels, including some of the biggest within the techno cosmos like clr or also cocoon plus running his very own label credo for years alex is not about to expect himself to be the superstar dj or the product to be marketed. though the techno he is playing is straight, powerful, bassy and modern, in this respect alex is very oldschool. it`s still the music that has to speak for itself and the vibe created by the selection of music he is presenting which are the dominant factors on how a night goes. of course building a relation to the crowd is as important as the music and the place where it is played, but in the end it is as simple as he tells: "expect the whole party to be like a movie, and while the people on the dancefloor are the main actors i´m just delivering the soundtrack...".

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If you ask anyone in the music industry how they started their sonic journey of discovery, many will cite the radio or a certain DJ or band. For Jonas Kopp, that magical moment occurred as he began his teenage years with a piece of music that would shape his life: Kraftwerk’s seminal album, Trans Europa Express. “From that moment nothing was the same.” he recalls. “My father had seen I was interested in music and bought me a turntable and some vinyl.” Gaining all the skills needed to be a DJ, he burst on to the scene in the mid ’00s working as a resident DJ at a local radio station in his hometown of Buenos Aires. Aged 19, as Area 64, he had already made his first full length CD.

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Originally from Detroit, Kris is a producer with a vast catalogue of inimitable Ep’s. He is a regular figure at some of the best nightclubs and discerning parties in the world. Kris Wadsworth is a name you know. Any major player has a few Wadsworth tracks or remixes, and any serious club or promoter has his name on the tip of their tongue. He's one of the most consistent and innovative artists who is always working to further his unmistakable sound, whether behind the decks or in the studio.

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Mikeal Jonasson build his own intricate sound and characterised by an unique sound design and big attention to details. Hard struggle in the studio and behind the decks, in combination with being a highly sought after producer in the international techno-scene has resulted in a variety of high quality releases. His episode of „Odd Even presents“ is an absolute exclamation mark of his sound.

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Directly after the "Continuum EP" on ODD / EVEN he now shows his long-standing experience again. The mix embodies a clear and honest interpretation of techno. His tracks, while audibly open to new and exciting musical influences, always remain true to that typical, inimitable Search-sound.

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When you tell a story you explain something which has engaged you, something which has moved you. Telling good stories is certainly not easy, particularly if you don’t use words. Just like a good DJ set, storytelling is all about creating an arc, putting listeners under a spell and giving the feeling that this story doesn’t have to come to an end. Telling a story with these attributes without using words? How it’s possible is demonstrated by DJ and producer Markus Suckut.

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