Jennifer Steil is a British-American writer currently living in France. She’s the author of the novel Exile Music, which won Grand Prize in the Eyelands 2020 Book Awards and the Multicultural and Historical International Book Awards. It was also a finalist for the Lambda Literary Lesbian Fiction Award. Previous books include the novel The Ambassador’s Wife and the memoir The Woman Who Fell From the Sky. Her work has appeared in the New York Times, New Orleans Review, Kenyon Review, World Policy Journal, Mslexia’s Best Women’s Short Fiction 2023, Gay & Lesbian Review, Time, Life, The Washington Times, and Vogue UK. She writes a weekly Substack newsletter called Liminal, about living between cultures, languages, and illness and health. In this interview, she talks with Tanya about her journey from reporting in New York to becoming the editor of a newspaper in Yemen, how being held hostage when she was six months pregnant inspired her first novel, and the seeds of inspiration for her second novel, about Jewish Holocaust refugees in Bolivia.

Laurie Wagner has been publishing books and essays and teaching writing for the last 25 years. In her Wild Writing classes, she helps people unzip what’s inside them and get ink on the page. Laurie teaches online and takes people around the world to places like Kathmandu; San Miguel de Allende and Oaxaca, Mexico; and Taos, New Mexico. Her books include Living Happily Ever After: Couples Talk about Lasting Love, and Expectations: 30 Women Talk about Becoming a Mother. She was also a writer on the Oscar-nominated documentary For Better or For Worse. Laurie was a teacher and mentor of Off-Leash Arts host, Tanya Shaffer. In this conversation, the two women talk about the trajectory that led Laurie from journalism to work in the publishing industry to leading Wild Writing workshops, her strategy of “lowering our gaze,” and the transformational power of naming things exactly as they are.

Mara Faye Lethem has received numerous international awards for her translations of contemporary Catalan authors, including the inaugural 2022 Spain-USA Foundation Translation Award for Max Besora’s The Adventures and Misadventures of Joan Orpí and the 2022 Joan Baptiste Cendrós International Prize for her contributions to Catalan literature. Her translation of Irene Solà’s When I Sing, Mountains Dance was shortlisted for the 2022 National Book Critics Circle Barrios Book in Translation Prize, and is currently longlisted for the 2023 Oxford-Weidenfeld Prize. In addition to many novels, she has translated shorter works that have appeared in The Guardian, Best American Non-Required Reading 2010, Granta, The Paris Review, Tin House, A Public Space, McSweeney’s and more. She’s also the author of the novel, A Person’s A Person, No Matter How Small. In this conversation, she discusses with Tanya how became a literary translator, the different ways people approach the task, the particular challenges of the translator’s job and the lessons they hold for all creative endeavors.

If you enjoyed this episode, you might also enjoy, Author Steve Phillips: How We Win the Civil War, Poet-Playwright-Essayist Allison Luterman: Where My Hope Is, and Writer-Editor Carol Lloyd: Creating a Life Worth LIving.

Mara Faye Lethem has received numerous international awards for her translations of contemporary Catalan authors, including the inaugural 2022 Spain-USA Foundation Translation Award for Max Besora’s The Adventures and Misadventures of Joan Orpí and the 2022 Joan Baptiste Cendrós International Prize for her contributions to Catalan literature. Her translation of Irene Solà’s When I Sing, Mountains Dance was shortlisted for the 2022 National Book Critics Circle Barrios Book in Translation Prize, and is currently longlisted for the 2023 Oxford-Weidenfeld Prize. In addition to many novels, she has translated shorter works that have appeared in The Guardian, Best American Non-Required Reading 2010, Granta, The Paris Review, Tin House, A Public Space, McSweeney’s and more. She’s also the author of the novel, A Person’s A Person, No Matter How Small. In this conversation, she discusses with host Tanya Shaffer how became a literary translator, the different ways people approach the task, the particular challenges of the translator’s job and the lessons they hold for all creative endeavors.

Photo by Sam Godlewski

Kelly AuCoin is best known for playing cult favorite “Dollar Bill” Stearn on Showtime’s Billions and Pastor Tim (known to fans as Pastor Groovyhair) on FX’s iconic drama The Americans. Last year he starred in Hulu’s The Girl from Plainville and AppleTV+’s WeCrashed and is currently filming the FX limited series The Sterling Affairs. He has a host of other television, film and theater credits, including playing Octavius Caesar in Julius Caesar on Broadway opposite Denzel Washington. In this episode, Kelly talks with Tanya about his process of developing a character, his “tortoise-like” career path, the intersection between art and activism, what it’s like to work with Denzel Washington (“He’s got gravitational pull”) and the moments that truly thrill him as an actor.

If you enjoyed this episode, you might also enjoy my conversation with Playwright-Performer Visual Artist Hebert Sigüenza, White Jesus Was the Original Fake News; my conversation with Actor-Writer-Filmmaker Shruti Tewari, Think Amorphous; or my conversation with Writer-Actor-Director Michael Gene Sullivan, Never Shoot for Compromise.

“Dollar Bill” Stearn (Kelly AuCoin) gets cheered at the office in Billions.

Kelly AuCoin is best known for playing cult favorite “Dollar Bill” Stearn on Showtime’s Billions and Pastor Tim (known to fans as Pastor Groovyhair) on FX’s iconic drama The Americans. Last year he starred in Hulu’s The Girl from Plainville and AppleTV+’s WeCrashed and is currently filming the FX limited series The Sterling Affairs. He has a host of other television, film and theater credits, including playing Octavius Caesar in Julius Caesar on Broadway opposite Denzel Washington. In this episode, Kelly talks with Tanya about his process of developing a character, his “tortoise-like” career path, the intersection between art and activism, what it’s like to work with Denzel Washington (“He’s got gravitational pull”) and the moments that truly thrill him as an actor.

If you enjoyed this episode, you might also enjoy my conversation with Playwright-Performer Visual Artist Hebert Sigüenza, White Jesus Was the Original Fake News; my conversation with Actor-Writer-Filmmaker Shruti Tewari, Think Amorphous; or my conversation with Writer-Actor-Director Michael Gene Sullivan, Never Shoot for Compromise.

Steve Phillips suspected there would be no “red wave” in November. One of the most astute political thinkers of our time, he showed us, in his book Brown is the New White: How the Demographic Revolution Created a New American Majority, that people of color in combination with progressive whites comprise the majority in this country, a majority that put a Black president in the White House twice. In his new book, How We Win the Civil War: Securing a Multiracial Democracy and Ending White Supremacy Forever, he sheds light on the forces that seek to undermine our democracy, drawing a straight line from the Confederacy to Donald Trump, and illuminates the path forward by highlighting the organizations and individuals whose sustained efforts have transformed the political landscape in Georgia, Arizona, and beyond. In this conversation, Steve shares his core motivation for writing this book, which he describes as a culmination of his life’s work up to this point. We also discuss his writing routine, the surprises he uncovered in his research, and the examples, past and present, that inspire him to continue the fight.

Steve Phillips suspected there would be no “red wave” in November. One of the most astute political thinkers of our time, he showed us, in his book Brown is the New White: How the Demographic Revolution Created a New American Majority, that people of color in combination with progressive whites comprise the majority in this country, a majority that put a Black president in the White House twice. In his new book, How We Win the Civil War: Securing a Multiracial Democracy and Ending White Supremacy Forever, he sheds light on the forces that seek to undermine our democracy, drawing a straight line from the Confederacy to Donald Trump, and illuminates the path forward by highlighting the organizations and individuals whose sustained efforts have transformed the political landscape in Georgia, Arizona, and beyond. In this conversation, Steve shares his core motivation for writing this book, which he describes as a culmination of his life’s work up to this point. We also discuss his writing routine, the surprises he uncovered in his research, and the examples, past and present, that inspire him to continue the fight.

If you enjoyed this conversation, you might also enjoy Singer-Songwriter Activist Holly Near: I Am Open and I Am Willing; Dancer-Choreographer Tonya Marie Amos: Dance for the Revolution; Writer-Director-Activist Michael Gene Sullivan: Never Shoot for Compromise; and Playwright-Performer-Visual Artist Herbert Sigüenza: White Jesus Was the Original Fake News.

Artist and art therapist Donna Alena Hrabčáková has dedicated her life to the healing capacities of art. She has lived and worked in Ohio, California, Slovakia, and the Red Lake Nation Reservation in Northern Minnesota. Her exquisitely colorful paintings are dreamlike, vivid, and profoundly moving, often evoking joy, sorrow and hope within a single canvas. Her work has been exhibited in many places throughout the US and Eastern Europe. She had recently relocated from the US to her ancestral village of Gigloce, Slovakia, 27 miles from the Ukrainian border, when the pandemic struck. She weathered much of it there, creating extraordinary new work both on canvas and on the walls of her great-grandfather’s home. She then returned to the U.S. to manage her visa when the war in Ukraine broke out. This led her to create a series of paintings titled Guardians of the Border, which have been widely shared all over the world. Here she talks with host Tanya Shaffer about her childhood, her dreams, her connection to her ancestors, and her belief in art’s transcendent power to heal.

Artist and art therapist Donna Alena Hrabčáková has dedicated her life to the healing capacities of art. She has lived and worked in Ohio, California, Slovakia, and the Red Lake Nation Reservation in Northern Minnesota. Her exquisitely colorful paintings are dreamlike, vivid, and profoundly moving, often evoking joy, sorrow and hope within a single canvas. Her work has been exhibited in many places throughout the US and Eastern Europe. She had recently relocated from the US to her ancestral village of Gigloce, Slovakia, 27 miles from the Ukrainian border, when the pandemic struck. She weathered much of it there, creating extraordinary new work both on canvas and on the walls of her great-grandfather’s home. She then returned to the U.S. to manage her visa when the war in Ukraine broke out. This led her to create a series of paintings titled Guardians of the Border, which have been widely shared all over the world. Here she talks with host Tanya Shaffer about her childhood, her dreams, her connection to her ancestors, and her belief in art’s transcendent power to heal.

Visit Donna Alena’s Facebook page, New Ancients, to see more of her work.

If you enjoyed this episode, you might also enjoy my interviews with visual artists Marjorie Morgan, titled The Landscape of Dreams; and with Mia Risberg, titled The Viewer Makes the Narrative.

All paintings copyright Donna Alena Hrabcakova. Off-Leash Arts theme music by Asher Witkin.