My pal Brandon Burpee returns to the show for Off Panel's annual year in review episode. Burpee joins me to discuss the year that was in comics, the different flavors of comics, how we read these days, the appeal of micro lines, where the Big Two are, the From the Ashes era for the X-Men, surprise standout moments for us, and more, before we both count down our 20 favorite comics of the year.

In this week's episode of Off Panel, writers Scott Snyder, Kelly Thompson, and Jason Aaron join the show to talk about their work in the Absolute Universe at DC with Absolute Batman, Absolute Wonder Woman, and Absolute Superman respectively. Snyder kicks things off, as he discusses the roots of Absolute DC, events as the thing before the thing, the environment Absolute grew in, and the power of jumping on points, before Thompson and Aaron join to talk about taking on this type of project, the idea of competition, collaboration, figuring out how varying pieces fit, the "big" of it all, their favorite art so far, the most challenging part, trying to make something sustainable, and more.

In a special year end episode of Off Panel, we look at the defining themes of 2024 in comics with the help of retailer Steve Anderson from Third Eye Comics, The Beat’s Heidi MacDonald, and writer Joshua Williamson. Up first is Anderson (1:12), who talks about a time of struggle for Marvel in comic shops, the area of effect that can have on other publishers, what seems to be fueling those struggles, his hopes for the future, and more. After that is MacDonald (29:26), who discusses "The Big Lie," which is all about the intersection of comic publishers and media rights, the focus publishers have on media rights these days, the new publishers chasing IP plays, the impact that has on the rest of the industry, and more. And to close is Williamson (1:01:02), who talks a year defined by the phrase "go big or go home," varying examples of that thinking, why that's so important, the importance of big swings, how that affects creators and publishers alike, and more.

Writer Alex Segura joins the show to talk about his busy dance card and about how his different roles and mediums interact. Segura discusses his marketing brain, handling promotion, trend chasing, deciding on projects, prioritizing mediums, the origins of The Question: All Along the Watchtower, its cast, Renee Montoya's appeal, the core murder mystery, minis vs. ongoings, how Alter Ego came together, the power of IP, being character centric, advice for aspiring novelists, what Zestworld was, how he's managing the current environment, and more.

Cartoonist Jamie McKelvie joins the show to talk about his new DSTLRY series One for Sorrow and his journey to making it happen. McKelvie discusses the coloring process for One for Sorrow, figuring out new collaborations, how The Killing Horizon shaped him, his perception as a creator, going to DSTLRY, his story in The Devil's Cut, deciding which projects to take on, the origins of One for Sorrow, its different influences, pacing the story, research for the project, character design, its twist on the Sherlock Holmes mythos, what he wants for himself creatively, and more.

Writer Geoff Johns joins the show to talk about his career and his work at his Image Comics imprint, Ghost Machine. Johns discusses his average day, the appeal of collaboration, the advantages to doing your own thing, his art background, starting out hot in comics, the most influential people from his comic journey, the projects he learned the most from, the draw of characters who need love, Ghost Machine's appeal, its origins, how the group came together, what drives him creatively now, and more.

Retailer and distributor Christina Merkler joins the show to talk about the year at Discount Comic Book Service (or DCBS), In-Stock Trades, and Lunar Distribution. Merkler discusses her New York Comic Con experience, wearing multiple hats, the advantages of being a retailer and a distributor, the weird year at DCBS and In-Stock Trades, finding new customers, the timing of Ultimate and Absolute, the publisher mix, nostalgia comics, 2019 comparisons, readers versus collectors, DC's Compact Comics, manga, views from a distributor standpoint, the biggest things she's learned as a distributor, DC's return to Wednesday, relationship management, her outlook on the direct market, and more.

Writer Ryan North joins the show to talk about his career and relationship with comics, as well as his work on Fantastic Four and the upcoming The Rise of Emperor Doom. North discusses his busy travel schedule, balancing his life, how he got into comics, the origins of Dinosaur Comics, the advantages of constraints, the impact of his computer science brain, collaboration, how he chooses projects, Fantastic Four's structure, his approach to continuity, how he builds arcs, Johnny Storm's mustache, The Rise of Emperor Doom, the greatness of Doom, working at the center of Marvel, what keeps him coming back to comics, and more.

Designer Tim Leong joins the show to talk about his recently released book, Marvel Super Graphic: A Visual Guide to the Marvel Comics Universe. Leong discusses his comic origins, the lasting nature of comics, the comics that hooked him, how his Eisner-nominated comics magazine Comic Foundry came together, his journalism background, the design of magazines, the importance of having something for yourself, the origins of Super Graphic, the variety in that book, how comics have evolved, taking on the House of Ideas with Marvel Super Graphic, how he's evolved as a designer, the subjects he included in the book, the research process, his creative process, what excites him about the current state of comics, and more.

Artist Michael Allred joins the show to talk about his life and career in comics and his soon-to-be-Kickstarted art book, The Marvel Art of Michael Allred. Allred discusses the importance of having non-comic outlets, his early journey with comics and art, his quiet influences, the impact of his passions, time as a restricting factor, what goes into successful collaborations, the story behind Doop, why Madman has been home for him, the origins of The Marvel Art of Michael Allred, what went into the book, his art process, how he's perceived, the projects he leaned on for the book, keeping his original art, continuing to learn, and more.