Off-Ramp with John Rabe

First of all, my songs are basically co-dependent anthems. I write Ouch Mommy Pick Me Up and Love Me songs. -- Composer Paul Williams

Yeah, but Paul, they're great songs we can all sing (except maybe "Evergreen," written for Barbra) like "We've Only Just Begun," "An Old Fashioned Love Song," "Rainy Days and Mondays," and "The Rainbow Connection." They make us happy. Heck, "The Love Boat" theme may have been the best part about the show.

Paul Williams, a longtime Long Beacher, emceed the Grammy Museum's 2010 Songwriters Hall of Fame concert, so in the past few episodes, we've heard him talking with other musicians about music. Now, he gets to tell his stories and sing his songs. 

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Next up in our Summer of Song and excerpts from the stage of the Grammy Museum in 2010 is Ashford and Simpson. Valerie Simpson and her late husband Nick Ashford wrote "Ain't No Mountain High Enough," "You're All I Need to Get By," "Ain't Nothing Like the Real Thing," "Reach Out and Touch (Somebody's Hand)," and "I'm Every Woman," among many others.

They were awesome to see onstage, with Valerie at the piano vamping grandly as she and Nick told the stories behind their songs. 

Support for this podcast comes from Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

They told Elvis not to sing "In the Ghetto."

"It's too political." 

"You're a white guy singing about a black kid." 

Etc. Etc. 

They were wrong.

Who wrote it? Mac Davis, who is Part Two of Off-Ramp's Summer Songwriter Series, as we sample the 2010 inauguration of the Grammy Museum's Songwriter Hall of Fame.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Lamont Dozier, the middle of the celebrated Holland-Dozier-Holland team that wrote and produced “You Can’t Hurry Love,” “Heat Wave,” and dozens of other hits and helped make Motown an essential record company of the 1960s and beyond, died Monday at age 81.

Duke Fakir, a close friend and the last surviving member of the original Four Tops, said, “I like to call Holland-Dozier-Holland ‘tailors of music.' They could take any artist, call them into their office, talk to them, listen to them, and write them a Top Ten song.”

From 1963-1967, Dozier and brothers Brian and Eddie Holland crafted more than 25 Top Ten songs and mastered the blend of pop and rhythm and blues that allowed the Detroit label, and founder Berry Gordy, to defy boundaries between Black and white music and rival the Beatles on the airwaves.

For Off-Ramp, we're listening back to his appearance at the kickoff of the Songwriters Hall of Fame at the Grammy Museum at LA Live in 2010. Songwriter Paul Williams was the emcee for the event. 

And I have lots more tape from that event, featuring Williams, Ashford and Simpson, Mac Davis, and Hal David. We'll listen to that in coming weeks. 

 

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Whoa. There I was, sitting on the piano bench as he played the hits he was involved in. "I know that song. And that one. I played that one on the radio when I was a DJ!" 

Because if it was a hit, there's a good chance Clarence McDonald had a couple hands in  it - on the keyboard or as producer. James Taylor's "How Sweet It Is," Seals & Crofts' "Summer Breeze," Hall & Oates' "Sara Smile," Bill Withers' "Lovely Day," The Emotions' "Best of My Love." Plus Ray Charles, Nancy Wilson, Erykah Badu, The Jackson 5, Barbra Streisand, Aretha ... just read the liner notes and you'll find his name all over the place.

Clarence, who passed away last year at the age of 76, was an early guest on Off-Ramp, and I caught him at exactly the right time. He'd had a lung cancer scare, had met the love of his life Susan, and was feeling like he oughta get out of his shell and share some of his knowledge ... gained from luminaries like legendary LA music teacher Alma Hightower and Eubie Blake. I was honored he trusted me with his story. 

These two interviews debuted in 2009, and there are more to come.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

When I interviewed Norman Lear for Veterans Day in 2019, I asked for dibs on his 100th birthday interview. He immediately agreed, looked skyward, and said, "Hear that God? I've got a commitment!" 

Then Covid-19 happened. So as Lear turns 100 (on July 27), we'll have to make do with a rerun ... but if anybody should be okay with a rerun, it's Norman Lear, creator of so many groundbreaking TV shows - like "All in the Family," "The Jeffersons," and "Maude" -- that helped America confront its demons.

But mostly, in this interview done for KPCC's Take Two show, we talked about America, the Constitution, the Declaration of Independence and its promise of "the pursuit of happiness," and his service on a B-17 bomber in World War 2.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Did you you read Caitlin Hernandez's LAist longread about the history of LAX and how to keep it from driving you totally around the bend? This time on Off-Ramp we're digging into one of the most surprising and weirdest aspects of the airport's history ... when the airport created a ghost-town that today resembles what LA will look like a few months after the apocalypse. We'll drive there with author Denise Hamilton, who set a novel there, and a former resident.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

When the Grammy Museum honored Big Jay McNeely in 2017, when he was 90, they said:

McNeely is a true original and the last of a generation of blues/R&B musicians who inspired the early rock pioneers, and are still around to remind us where popular music came from.

As Off-Ramp jazz correspondent Sean J. O'Connell put it when he interviewed him for the show: 

"Big Jay McNeely was etched into pop music immortality in 1951. Photographer Bob Willoughby captured McNeely at a concert at Los Angeles's Olympic Auditorium 1951. In the photo, the Watts native is blasting his tenor sax on his back, the camera capturing the raised fists of post-war teenage hysteria seething in undershirts and pompadours at the foot of the stage. From Central Avenue with Charlie Parker and Art Tatum in the 1940s to the R&B circuit of the '50s and '60s, McNeely was there through a roller coaster of musical evolutions and had a good time along the way. His showmanship and soul are both youthful and timeless. He is rock & roll history, alive and well."

Big Jay died a year later, but not before our listeners got to hear his story, and now you do, too.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

Off-Ramp theme music by Fesliyan Studios.

Bob Willoughby photo used with permission from his estate.

There's something Kareem Abdul-Jabbar has loved as long as he's loved basketball: Sherlock Holmes. Like so many of us, he watched the old movies with Basil Rathbone and Nigel Bruce on TV and fell under Holmes' spell; he even thought Holmes was a real detective. In 2015, when Kareem published his well-regarded "Mycroft Holmes," a mystery-adventure about Sherlock's smarter brother, he joined me on Off-Ramp to talk about it.

Kareem is smart; there's little in Doyle's stories about Mycroft, leaving the field open to him and his co-author Anna Waterhouse to tell new stories, and not incidentally let Kareem explore his Trinidadian heritage, and paint a more accurate picture of the multi-cultural London of Victorian England.

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)

 

 

John Williams is so ubiquitous now, as former leader of the Boston Pops and the man behind the music for so many Lucas and Spielberg films; and old-fashioned lush orchestral scores are now so common, it's hard to believe they were endangered a few decades ago. But they were, and Alex Ross, the New Yorker music writer, says you can thank Williams. In a long Off-Ramp interview from 2016 with tons of musical examples, Alex makes the case for Williams, and debunks the notion that the maestro is any sort of plagiarist. He also gamely demonstrates how to properly hum the Star Wars theme.

 

Support for this podcast is made possible by Gordon and Dona Crawford, who believe that quality journalism makes Los Angeles a better place to live; and by the Corporation for Public Broadcasting, a private corporation funded by the American people.

(Off-Ramp theme music by Fesliyan Studios.)