Andy and Zach discuss Cinemark's recent announcement to ban theatergoers with large bags and Joss Whedon's exit from DC-Warner Bros. 'Batgirl' before digging into the art of the unknown in Alex Garland's 'Annihilation', revealing their 2018 Oscar Picks in anticipation of Sunday night's awards, and breaking down cultural identity in 2017's Best Picture winner 'Moonlight'.

Andy and Zach break down Ryan Coogler's box office comic book smash hit 'Black Panther' and dissect the difference between smart and stupid comedy in Steven Soderbergh's 'Logan Lucky' before reviewing acclaimed film critic Leonard Maltin's latest stumble into the spotlight and giving a quick tip of the hat to films that are better than they deserve to be with Jake Kasdan's 'Jumanji: Welcome to the Jungle'.

Andy and Zach return from their weeklong hiatus to talk about disruptive marketing and the power of paradox in Netflix's new film 'The Cloverfield Paradox' before revisiting one of this year's Best Picture nominees (and Jordan Peele's directorial debut) 'Get Out' and dissecting the art of clumsy, hamfisted horror in 'Winchester'.

Andy and Zach talk about the subtleties of emotional depth in Martin McDonagh's new film 'Three Billboards Outside Ebbing, Missouri' and Andy gives an honest review of Paul Thomas Anderson's new film (and supposed finale for Daniel Day Lewis) 'Phantom Thread'.

Andy makes a case for what might be 2018's Best Picture winner in Luca Guadagnino's 'Call Me By Your Name' and Zach reviews the first animated feature film from Studio Ghibli spiritual successor Studio Ponoc's 'Mary and the Witches' Flower'.

Andy and Zach talk about the recent Tom Hanks/Meryl Streep Steven Spielberg film (that's sure to be a hit) 'The Post' and Andy makes a case for the Oscars with his review of this years Margot Robbie-driven Tonya Harding biopic 'I, Tonya'.

Andy and Zach break from their traditional format this week to talk about a recent slew of cinematic period pieces with a conversation about Guillermo Del Toro's latest award nominee 'The Shape of Water' before Andy reviews his recent screening of Scott Cooper's 'Hostiles' and Zach recalls his small-town screening of the new Gary Oldman vehicle 'Darkest Hour'.