Codi, Kyle and Ken rejoice at the successful Thanksgiving weekend as it leads to speculation that maybe the movie theater industry is returning to an older formula. They also question if movie theaters are relying too much on Aquaman 2 when evidence shows the superhero genre is not what it once was.

In typical Looney Tunes fashion, they caused quite a stir between Hollywood and the US Government. Codi, Kyle and Ken discuss how a finished Looney Tunes movie nearly became unreleased due to Hollywood accounting, and the ethical merits surrounding the ordeal. There is also good news about Dune Part II, and healthy debates over today's action stars and how The Holdovers will perform.

The actors strike has ended, which leads our hosts into a discussion about the 2024 release calendar and how actors are better protected from A.I. They also discuss an interesting development with Sony Pictures and Universal Pictures involving a Legend Of Zelda movie. Plus, a heated debate about Ghostbusters as a franchise.

Codi, Kyle and Ken discuss the opening success of Five Nights At Freddy's and wonder if it'll continue into a crowded November. They also discuss Disney animators unionizing and what that means for future animated theatrical releases. The hosts also give more insight into the intermission debate after Paramount strikes down on theaters for adding them to Killers Of The Flower Moon.

Codi, Kyle and Ken discuss whether it is okay for theaters to add their own intermission to movies due to the complaints of Killers Of The Flower Moon's run time. They also discuss the release change for Mission Impossible 8 and what it means for the summer of 2024 and Tom Cruise's career.

The group gets to celebrate the massive opening success of The Eras Tour opening in theaters. They also get more excited for theaters as Killers Of The Flower Moon is about to open to discuss its potential in a very dry October. AMC CEO Adam Aron also makes headlines for an unpleasant reason.

Beyonce is trying to follow in Taylor Swift's footsteps by releasing her new documentary to theaters in December. But will it spark the same excitement that Taylor's announcement did, and is the Christmas season the best time to release it? Other discussions also include if Warner Bros. releasing a new Kevin Costner western in two parts is wise and the state of standees and physical one sheets.

The hosts all breathe a sigh of relief after the announcement of the Writer's Strike coming to a close, with the Actor's Strike not far behind. Codi and Ken gush over their amazing time at the Rocky Mountain NATO convention, and describe what it's like to attend it. They also bring up a burning question circling the industry: how to convince younger generations to become theater managers?

Are studios moving around their releases because the Eras Tour is gonna take all of the money, OR are they doing this to punish AMC for partnering with Taylor Swift? The hosts also discuss how the idea of movie theaters not being able to be flexible for the industry is entirely false.

A new article from Vulture tries to play gotcha with Rotten Tomatoes about how their rating system works, but the real culprit might be PR firms hired by studios. Does this have any bearing on theaters or is it a lot of nothing? Codi, Kyle and Ken also have a discussion about Comscore and its definition of PLFs (Preferred Large Format).