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A six-wheel Ferrari Testarossa with 1,200 horsepower sounds like a stunt until you hear how Richard Rawlings actually thinks about building it. We’re at Gas Monkey Garage in Dallas talking through the newest “nobody else would do it” project, why trial and error is part of real fabrication, and how the team moves fast without letting the work turn sloppy. Richard also shares what it takes to finish show-level builds in 40 to 50 days and why committing to one project at a time is the only way to ship anything ambitious.

From there, we zoom out to the collector car market and the business side of car culture. Richard explains why the glory days of trading 50s classics and early Fords as a broad market are fading, why 80s and 90s cars are climbing, and how “investment grade” vehicles fit into his long-term plan. He gives a rule that every car flipper should steal: if your first instinct is to sell it the second it arrives, take the loss and move on before you throw good money after bad.

We also get into building a brand tied to your face, creating community with the Beer Me coin, and diversifying Gas Monkey beyond TV into products, bars, and more. To close it out, we go full watch nerd: what Richard wears daily (Rolex Deepsea Challenge), how he matches watches to cars, and the hilarious “bad juju” story of a Quorum Lucifer that nobody can stand to keep. Subscribe for more conversations at the intersection of cars, watches, collecting, and business, then share this one with a friend and leave a review: what’s the boldest build you’d actually drive?

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You’ve seen the orange dial. You’ve heard the name. But do you actually know why Doxa has such a devoted following and why it keeps converting first-time buyers into lifelong collectors? We sit down in the Doxa Suite in Geneva with Jacqueline, aka the Queen of Doxa, for a fast-moving, story-rich look at one of the most distinctive Swiss dive watch brands in modern watch culture. 

We go all the way back to 1889, when Georges Ducommun founded Doxa after starting watchmaking at just 12 years old. From early military timepieces to the later diving legacy tied to serious underwater use, we unpack the DNA that makes Doxa feel different: practical design, real heritage, and an obsession with delivering strong value. Along the way, we talk about why Doxa can feel like a “Loch Ness monster” brand in the US, how distribution shifted after Cousteau, and what it takes to make a watch brand feel approachable in a space that can get weirdly gatekeepy. 

Then we get into the details enthusiasts love: desk divers versus real divers, why water resistance specs become a pointless argument for most buyers, and the true function-first story behind Doxa orange and Aquamarine. We also cover what’s new right now, including the T Graph 2 chronograph and updates across the Sub 200T lineup, plus how events, dealers, and community meetups are helping more people try Doxa on wrist instead of only seeing it online. 

If you enjoy dive watch history, Swiss mechanical watches, and the human side of collecting, hit play, then subscribe, share the episode with a watch friend, and leave us a review. What’s the one spec you think the watch world obsessses over too much?

Checkout Doxa

http://doxawatches.com

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A guitar can be wall art, a time capsule, and a creative partner all at once, but only if you know what you’re looking at. We’re in Nashville at Gruhn Guitars with legendary dealer and author George Gruhn, digging into what separates a truly great vintage instrument from something that just looks expensive. Along the way we talk about rarity, workmanship, and why some of the most valuable pieces are not flashy at all, including jaw-dropping examples from early Gibson mandolins and pre-war Martin acoustics. 

George explains his “forensic” approach to guitar collecting, shaped by a childhood obsession with taxonomy and close observation. We get into how experts identify maker and model quickly, why the real test happens in your hands, and why playing a great instrument is a totally different experience than listening from the sidelines. If you care about tone, feel, and responsiveness, you’ll hear why the best instruments can seem to “suggest” ideas and feel alive in a way cheaper gear simply does not. 

We also go deep on the business and risk side of vintage guitars: flipping early finds to fund the collection, the rising price ceiling for historically important instruments, and the uncomfortable truth about modern forgeries. When stakes hit six figures, spending $20,000 to $30,000 to build a convincing fake can make financial sense, which is why authentication and forensic testing matter more than ever. We close with George’s philosophy of stewardship: collectors are custodians of cultural history, not just owners. 

If you enjoyed this conversation, subscribe, share it with a gear-obsessed friend, and leave us a review. What is the one instrument you would never let go of?

Checkout George's Store:

Gruhn Guitars
2120 8th Av S
Nashville, TN 37204
or online at https://guitars.com/

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A Rolex Batman for a Pokémon card sounds like a joke until you hear how it happened. We’re hanging out with creator and collector Nathan Kessel, a guy who’s built a massive online community around the thrill of the hunt, whether that hunt ends with a rare pull, a graded PSA 10, or the call from an authorized dealer.

We start with what’s on Nathan’s wrist: an Audemars Piguet Royal Oak Chronograph and the long, messy, very real “AD journey” it took to get there. From Watches and Wonders Geneva to the brands we love to debate, we dig into what makes a watch feel special beyond the price tag. Then we go deeper on marketing and virality, including why Red Bull-style storytelling might be the blueprint luxury watch brands need if they want Gen Z and younger collectors to care.

Nathan also shares his path from professional opera singer to full-time content creator after the pandemic, and why the only job that matters is making people feel something. We talk alternative investments in plain language too: locking money up in watches and Pokémon cards, understanding timing and grading, and staying grounded so collecting stays fun, not frantic.

If you’re into watch collecting, Pokémon card investing, or building a creator-led community, hit play, then subscribe, share this with a friend who loves the hunt, and leave a review with your hottest take: watches or Pokémon, which would you keep forever?

Check out Nathan on Instagram:

https://www.instagram.com/kessel_nathan/

https://www.instagram.com/the.kessel.collection/

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A hit song can take years of chaos to earn and sometimes only a few hours to record. From Nashville, we sit down with Lincoln Parish, writer, guitarist, and producer known for his work with Cage The Elephant, to unpack what those moments really feel like from the inside and why it can take a decade to realize how big it all was.

We talk about the early grind and building momentum overseas, the strange reality of success feeling like another workday, and the producer mindset that avoids templates in favor of putting the artist’s DNA on the record. Lincoln shares a vivid studio memory of hearing “Ain’t No Rest For The Wicked” back for the first time and knowing it would connect, plus his philosophy on making albums that can actually be played live without smoke and mirrors.

Then we pivot into watch collecting and the deeper reason so many creative people obsess over mechanical timepieces. Lincoln walks us through a Rolex-heavy collection, the choices behind pieces like the Daytona, Day-Date, and GMT, and the long-game patience of waitlists and grail hunting. We also hit what’s next on his radar, from Zenith to Cartier to a dream meteorite dial, and why the watch community can bring unlikely people to the same table. If you enjoy Rolex, luxury watches, music production, and creative career stories, this one delivers. Subscribe, share it with a friend, and leave a review with your current daily watch and your grail.

Follow Lincoln on Instagram:

https://www.instagram.com/lincolnparish90/

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He built a global reputation around air-cooled Porsches and a one-of-one sense of style, but Magnus Walker keeps bringing the conversation back to something simpler: the story matters more than the spec sheet. We met him in his downtown Los Angeles garage and dug into the real origins of his taste, from working class Sheffield and childhood car posters to arriving at Union Station with nothing and finding momentum through pure hustle and creative obsession.

We talk about why vintage cars feel alive in a way modern “appliances” rarely do, why high mileage beats low-mile bragging, and how patina becomes proof that a machine has actually been loved. Magnus shares how he thinks about collecting as a goal-oriented pursuit, why no two “same” cars ever drive the same, and what he’s really buying when he brings another car home: memorable moments and smiles per mile.

The watch side gets just as personal. We get into vintage Omega Speedmasters, Porsche Design chronographs, Heuer, and the surprisingly strict “feels right” rule that guides what he actually wears. Magnus explains how he sold off a pile of watches he never touched, kept only the pieces that mattered, and why that mindset now extends to a major RM Sotheby’s no reserve auction of 18 personal cars. We also get into the cultural pull of Rolex, what makes it an “I made it” symbol, and what happens when Magnus tries on a Rolex for the first time.

Subscribe for more conversations at the intersection of watches, cars, collecting, and craft, then share this with a friend who geeks out on old things and leave a review with your favorite takeaway.

Check out Magnus Walker's Instagram:

https://www.instagram.com/magnuswalker/

Try to snag one of Magnus's cars here:

https://rmsothebys.com/auctions/mw26/lots/