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Many of you wondered what would happen when Vic Michaelis (they/she) and I don't have technical difficulties to overcome. Well, here's your answer: We turn into villainous sellouts. Minute Maid: We're waiting.
Carlos Luna (he/him), the head of series production at Dimension 20, chatted with me about how he got his start with D20, what it's like working with Brennan and Aabria, and how he feels about Burrow's End (spoiler: He thinks it's good).
Art Director for Dimension 20, KC McGeorge (they/them), and I talked about what it's like building a massive miniature like Pauley the Bear, and how overseeing the art process on D20 works. Plus, a 3D model of the final fight of Burrow's End!
I sat down with Andrew Rosas (he/him) to talk about what it's like working in comedy, writing for shows like Make Some Noise and Game Changer, and why his laugh is so joyous to listen to.
Technical difficulties are back with a vengeance as Vic Michaelis (they/she) and I attempt to discuss the most recent episode of Very Important People (the living French dolls). Will the challenges in filming this make us spiral into madness? Find out!
Aabria Iyengar (she/her) and I develop our mortal enemyship, chat Burrow's End, World's Beyond Number, and more in truly the wildest energy interview you can imagine.
After Vic Michaelis (they/she) experienced Lisa Gilroy's Nana on Very Important People, naturally I simply had to talk to them again. Watch our friendship blossom.
When Vic Michaelis (they/she) and I sat down to talk about Very Important People, I certainly didn't expect us to become best friends. But let me tell you, gang, that is exactly what happened. Enjoy our journey!
The legendary Krystina Arielle (she/her), of Barbarella Sasparilla Gainglynn fame, sat down with me to talk Pirates, Um, Actually, and so so so much Real Housewives.
Shane Brockway (he/him) has been building and painting minis for Dimension 20 since the corn cuties. We chatted about Meat Wolf, being a trash wizard, and what it's like to be a professional butthole sculptor.
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