Rock and drum icon Stewart Copeland talks early influences and recent compositions — including Police Deranged, an orchestral survey of Copeland’s career and his many years with The Police.

Revered pianist Mitsuko Uchida reminisces with fondness on the familial nature of her decades-long relationship with The Cleveland Orchestra.

After several artist cancellations irrevocably altered plans to perform Haydn’s The Seasons, soprano Golda Schultz was the last soloist standing. Not only did the show go on, it became a defining moment.

In January 2018, The Cleveland Orchestra planned to perform Haydn’s choral masterpiece The Seasons. One soloist fell ill. Then another. What resulted is one of the most unusual and memorable performances in Cleveland Orchestra history.

Cellist Paul Kushious reflects on the works of Richard Strauss as he traces the composer’s path on an unforgettable and perfectly planned trip from Austria to Switzerland.

Bassoonist Jonathan Sherwin discusses the existential meaning behind Gustav Mahler's Second Symphony - Resurrection; “Why am I here, what am I doing, and what gives my life meaning…”

From music conductors to visiting artists to her own family ties, board member Clara Rankin thinks back on the people and performances that define The Cleveland Orchestra.

(Interview conducted by André Gremillet, President & CEO of The Cleveland Orchestra.)

Pianist and Violinist Carolyn Gadiel Warner reflects on falling in love—with her husband of 40 years, Bruckner symphonies and her profession.

Principal Percussionist Marc Damoulakis talks about feeling the rhythm from an early age and what it means to keep time for The Cleveland Orchestra.

Assistant Principal Trombone Shachar Israel talks about overcoming adversity — and how Mahler’s Second Symphony provided a sense of belonging when he needed it most.