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He was dubbed the French Beethoven, and like Ludwig van, was famous as both a composer and a pianist. Camille Saint-Saëns was born in Paris in 1835, and died on today’s date, at 86, in 1921.
The death date seems rather fitting, in a macabre sort of way, since December 16 is also the date we celebrate as Beethoven’s birthday. And imagine, if you will, the 10-year-old Saint-Saëns making his formal debut as a pianist at the Salle Pleyel in Paris, first performing a concerto by Beethoven, then, as an encore, offering to play any one of Beethoven’s 32 piano sonatas — from memory!
Saint-Saëns’ keyboard skills were legendary. An early admirer of Wagner, he once amazed that composer by playing entire scores of his operas at sight. Berlioz, another admirer, once quipped he “knows everything but lacks inexperience.”
In addition to music, Saint-Saëns was fascinated by mathematics, astronomy, and the natural sciences. As a young boy he collected fossils that he dug out himself from the stone quarries at Meudon. Maybe that experience inspired him years later to add a movement titled Fossils to his Carnival of the Animals, a chamber work he wrote as a private joke in 1886. Saint-Saëns forbade its publication during his lifetime, and probably would have been appalled that this flippant work — and not his more serious symphonies or sonatas — has become his best-known and best-loved work.
Camille Saint-Saëns (1835-1921) Variations on a theme of Beethoven Philippe Corre and Edouard Exerjean, pianos Pierre Verany 790041
Camille Saint-Saëns (1835-1921) Fossils, from Carnival of the Animals Martha Argerich, Nelson Freire, pianos; Markus Steckeler, xylophone; ensemble Philips 446557
By American Public Media4.7
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He was dubbed the French Beethoven, and like Ludwig van, was famous as both a composer and a pianist. Camille Saint-Saëns was born in Paris in 1835, and died on today’s date, at 86, in 1921.
The death date seems rather fitting, in a macabre sort of way, since December 16 is also the date we celebrate as Beethoven’s birthday. And imagine, if you will, the 10-year-old Saint-Saëns making his formal debut as a pianist at the Salle Pleyel in Paris, first performing a concerto by Beethoven, then, as an encore, offering to play any one of Beethoven’s 32 piano sonatas — from memory!
Saint-Saëns’ keyboard skills were legendary. An early admirer of Wagner, he once amazed that composer by playing entire scores of his operas at sight. Berlioz, another admirer, once quipped he “knows everything but lacks inexperience.”
In addition to music, Saint-Saëns was fascinated by mathematics, astronomy, and the natural sciences. As a young boy he collected fossils that he dug out himself from the stone quarries at Meudon. Maybe that experience inspired him years later to add a movement titled Fossils to his Carnival of the Animals, a chamber work he wrote as a private joke in 1886. Saint-Saëns forbade its publication during his lifetime, and probably would have been appalled that this flippant work — and not his more serious symphonies or sonatas — has become his best-known and best-loved work.
Camille Saint-Saëns (1835-1921) Variations on a theme of Beethoven Philippe Corre and Edouard Exerjean, pianos Pierre Verany 790041
Camille Saint-Saëns (1835-1921) Fossils, from Carnival of the Animals Martha Argerich, Nelson Freire, pianos; Markus Steckeler, xylophone; ensemble Philips 446557

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