
Sign up to save your podcasts
Or


Listen here Listen on Spotify Subscribe here Buy us a pint here
In the second of their David Tennant and Catherine Tate specials, Ben and Mark turn their attentions to Wild Blue Yonder, and pair it with both Big Finish’s Scherzo, written by Rob Shearman, and Underworld, written by Bob Baker and Dave Martin.
Ben and Mark discuss Doctor Who’s changing relationship with technology, from the primitive virtual sets of Underworld to the more advanced virtual sets of Wild Blue Yonder. But was the REDACTED marketing the downfall of an otherwise terrific story? And could Big Finish release something like Scherzo today?
Also: Mark gets out the good china and the Dalek napkin rings, while Ben finds out how many cupcakes you can fit inside a Dalek.
Listen here Listen on Spotify Subscribe here Buy us a pint
Ben, Mark and the Degsestial Funmaker return for a very special On the Time Lash miniseries focused on 2023’s Tennant and Tate specials. Up first is The Star Beast, which Ben and Mark pair with the original Doctor Who and the Star Beast comic and its 2019 Big Finish adaptation. Which Beast is Best? And is there such a thing as too much Star Beast?
Also: Mark learns watercolours with Peter Davison, Ben reminisces about Frazer Hines’ fridge freezer and we ask the questions –
Is RTD a hard-left agitator or centrist dad apologist?
What separates Miriam Margoyles from John Barrowman?
And what Doctor Who related clothing item can Ben guess in just 2 questions?
Listen here Subscribe here Listen on Spotify Buy us a pint here
“Get some f***ing perspective!”
Mark invites Strangers in Space‘s benevolent overseer, J.R. Southall to submit his five choices for the Tinsel Tunnel. Their discussion takes in the cultural milieu that led to the decline of Doctor Who, showrunner sectarianism, green goo, how we watch The One Show, and whether the Doctor should always have a British accent.
Also: Which book of J.R’s is too hot for publishing? Why wasn’t Philip Hinchcliffe doing Parkinson? And does Doctor Who really live on Saturdays? And what is the Love and Monsters of podcasts?
From the publisher's feed