ONE SHOW. TWO MEN. NO RULES..

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July 2009: Epstein is released from jail. For the next decade, multiple women who say they are Epstein’s victims wage a legal fight to get his federal non-prosecution agreement voided, and hold him and others liable for the abuse. One of Epstein’s accusers, Virginia Giuffre, says in her lawsuits that, starting when she was 17, Epstein and his girlfriend, Ghislaine Maxwell, set up sexual encounters with royalty, politicians, academicians, businessmen and other rich and powerful men, including Britain’s Prince Andrew. All of those men deny the allegations.

November 2018: The Miami Herald revisits the handling of Epstein’s case in a series of stories focusing partly on the role of Acosta — who by this point is President Donald Trump’s labor secretary — in arranging his unusual plea deal. The coverage renews public interest in the case.

July 6, 2019: Epstein is arrested on federal sex trafficking charges after federal prosecutors in New York conclude that they weren’t bound by the terms of the earlier non-prosecution deal. Days later, Acosta resigns as labor secretary amid public outrage over his role in the initial investigation.

SUSIE MAE MCC OY (AKA) SWEET GEORGIA BROWN

South Carolina’s Susie Mae McCoy was a bright eyed girl with dreams of becoming a big time wrestling star when the 19-year old started training with The Fabulous Moolah and her then husband Buddy Lee in 1957. Moolah was one of the biggest female stars in America at the time and had started a stranglehold on booking women within the NWA and other territories following the decline of Billy Wolfe‘s monopoly. Renamed as Sweet Georgia Brown, McCoy made her pro wrestling debut a year later, in 1958, at the age of 20. Sweet Georgia Brown was Moolah’s first African-American student in her school and Moolah and Lee had high hopes for the emerging fad in pro wrestling “Negro Women Wrestlers”.

But despite her fame and rise on the women’s wrestling circuit, Sweet Georgia Brown lived in fear for much of career. At first, it was from the rampant racism of the south – at some venues, she was smuggled in in the trunk of a car so that the KKK or other extremists wouldn’t be tipped off to a black women entering the arenas or hotel rooms.

But sadly, the most real terror was the clear and present danger of her trainer and manager, Moolah and Buddy Lee. Moolah and Lee would take a whopping 25% of their booking fees off the top (sometimes even more), often pocketing much more, leaving the wrestlers with barely enough to survive. In order to secure better booking for herself (or her girls to get better pay for herself), she would systematically prostitute her trainees to other promoters or even wrestlers. Sweet Georgia Brown was not immune to these heinous practices.

At only 19-years old, Susie Mae McCoy became South Carolina’s first black female wrestler. In 1957, she went to train under one of wrestling’s biggest names, The Fabulous Moolah and her husband, Buddy Lee. She chose the name “Sweet Georgia Brown” and by the time she was 20, she was one of Moolah’s most successful wrestlers.

Even though she was incredibly talented, she was still taken advantage of due to her age and race. Throughout her career in the deep south, she had to hide in the trunks of cars to avoid the KKK, who would protest the thought of a black woman being allowed in arenas and hotels. On top of that, Moolah and Buddy Lee took 25% of all of her profits, leaving McCoy with little to support herself. In the Vice documentary Dark Side of the Ring, it was finally revealed that Buddy Lee himself was the father of one of McCoy’s children, confirming long held rumors that Lee forced his trainees to sleep with him in exchange for better bookings.

Despite these challenges, McCoy remained strong and by 1963, she was chosen to beat the very white and very blonde Nell Stewart for the NWA Texas Women’s title. This would make her the first black woman to ever win the belt in one of the NWA’s largest territories.

Sweet Georgia Brown retired in 1972. According to her family, she could no longer endure the abuse of Lee and Moolah. She died in 1989 from breast cancer at 51. Her successful 15-year career in one of the most racist, toughest and sexist industries around is truly badass.

Remember on the pilot episode of The Suite Life of Zack and Cody when that popular kid called the Sprouse twins "the clones"?  Well, identical twin jokes aren't what we're going for here. We're referring to the celebrities whom conspiracy theories believe have either been cloned and/or are being impersonated.

Many of these theories posit celebs have died and their replicas are walking among us. Disney's Alice better be thankful she never fell down this twisted rabbit hole. Check out these crazy theories below.

Not gonna lie, they do actually sound alike.

Even more bizarre, one YouTube video claims Miley is a Reptilian Shapeshifter Hybrid and that she blinks sideways.

TAYLOR SWIFT AND ZEENA LA VEY

AVRIL LEVINE

Of course, the person behind the Brazilian fan site admitted he made everything up to show how you can get anyone to believe anything they read online.

The DJs claimed Britney died and Justin was comatose, prompting a plethora of concerned phone calls to the LAPD. Kramer and Twitch were later fired for making the false report, but that didn't stop the conspiracy theorists from chiming in.

People believe the Britney we've been loving since the "car crash" is actually a clone, and the real Britney actually died.

Brian retired from volleyball in 2004 and moved to Los Angeles to pursue acting full time. He spent 11 years working in Hollywood, racking up a number of TV and Film credits ...

In 2015, Brian's career shifted to the east coast and his current home city of Pittsburgh, and he has since worked on numerous films, television shows and stage productions.

In late 2019 early 2020, Brian co-founded RedSlate Films and has taken on the additional roles of producer, director, editor and writer.

Otis was trained in Portland, Oregon, by Sandy Barr.[1][2] She feuded with another of Barr's trainees, Velvet McIntyre. The two women competed against each other in singles and tag team matches in Vancouver All Star Wrestling.

Both women continued their feud while working for NWA Pacific Northwest under promoter Don Owen. They eventually ended their feud and formed a tag team. The duo won the WWF Women's Tag Team Championship on May 13, 1984, in Calgary, Alberta.[3]

In 1983, the World Wrestling Federation withdrew from the National Wrestling Alliance, and when McIntyre and Victoria rejoined the promotion in 1984, they were immediately recognized as holding the WWF Women's Tag Team Championship. The duo defended the championship against the team of Wendi Richter and Peggy Lee multiple times, including a match on April 23, 1984, in Madison Square Garden.[3][4] On September 1, 1984, Otis suffered a career-ending neck injury defending the tag team titles in Philadelphia.[5] The title she held was retired shortly thereafter. Desiree Petersen later replaced Victoria when she was let go from the WWF in 1984.

While in the WWF, she also wrestled in singles matches as a challenger against WWF Women's Champion The Fabulous Moolah who was also responsible for training her, and booking her, which she discussed in detail while appearing on The Fabulous Moolah episode of Dark Side of the Ring.

In 2012, Desiree Peterson and Princess Victoria managed pro-wrestler Rescue 911 (Christopher Annino) and Lady Liberty (Nikki Moccia) at a Showcase Pro Wrestling event in Clinton, Connecticut for Cystic Fibrosis awareness. Prior to her move to Washington Victoria lived in Virginia and volunteered her time at South Hampton County Animal Shelter. Otis is retired from professional wrestling and now resides in Washington.[6]

In July 2016, Otis was named part of a class action lawsuit filed against WWE which alleged that wrestlers incurred traumatic brain injuries during their tenure and that the company concealed the risks of injury. The suit was litigated by attorney Konstantine Kyros, who has been involved in a number of other lawsuits against WWE.[7] According to her, due to WWE’s lack of medical attention, she is fully disabled and sometimes has to use a wheelchair.[8] In September 2018, the lawsuit was dismissed by US District Judge Vanessa Lynne Bryant.[9]

W.O.K.E.- "WILLINGLY OVERLOOKING KNOWN EVIL"

The definition of "woke" changes depending on who you ask.

The term has recently been used by some conservatives as an insult against progressive values.

The term, however, was originally coined by progressive Black Americans and used in racial justice movements in the early to mid-1900s.

To be "woke" politically in the Black community means that someone is informed, educated and conscious of social injustice and racial inequality, Merriam-Webster Dictionary states.

One of its earliest uses was in a historical recording of the protest song "Scottsboro Boys" by Lead Belly. In that recording, it was used as a term about staying aware of the potential for racist violence as a Black person in America.

ean Durkin’s first two features, “Martha Marcy May Marlene” and “The Nest,” have a manner that I’d describe as apologetic realism: there’s something he’s bursting to say, but he forces it into the confines of tightly crafted dramas. Those films have a tamped-down melancholy that hint at how much he’s holding in check. He doesn’t lay his voice on the line, but, by forcing his characters into frameworks with a too-clear point, he never seems to explore their lives fully, either. His third feature, “The Iron Claw” (which opens December 22nd), is different. In this group bio-pic of the Von Erich family of professional wrestlers, Durkin’s brand of realism is even more rigorous, yet unapologetic. He still has plenty to say, but this time his characters do more than fit his ideas—they inspire his imagination, largely because they themselves are creators of fantasy.

As presented by Durkin, the patriarch, Fritz Von Erich (Holt McCallany), has a chip on his shoulder the size of a sequoia, and he matches it with colossal dreams of vengeful success that overwhelm everyone in his life. The story starts in the nineteen-sixties, when Fritz, a struggling wrestler, splurges on a Cadillac to foster an illusion of success, while imbuing his two young sons, Kevin and David, with a gospel of fanatical self-reliance that’s also an imperative to be the “toughest” and the “strongest.” The movie’s protagonist, and its occasional narrator, is the grownup Kevin (Zac Efron, imposingly muscled), the family’s oldest surviving son. Kevin’s older brother, Jack, Jr., died in an accident at the age of six. Jack’s death is one of the key reversals that shadows the family, leading to the pervasive, publicity-fuelled notion—one that the Von Erichs take grimly seriously—of a family curse. The heart of the drama begins in 1979, when Kevin is making a name for himself in the ring—namely, the Sportatorium, a small Dallas arena that Fritz owns and operates. “We loved wrestling,” Kevin reminisces in voice-over, and it shows, even as the rest of the movie depicts how that love was lost, along with many of the people he loved.

“The Iron Claw” is as exuberant as it is mournful, and the high spirits of performance and achievement are inseparable from the price that they exact. Kevin is disciplined, focussed, and grounded; he’s a vigorous and enthusiastic performer, leaping from the ropes, raging, slamming, punching, and putting on a show with the maneuver—the skull-squeezing Iron Claw—that made his father famous. But for Fritz it isn’t enough that Kevin is locally successful; Fritz, who believes that he was wrongly denied the sport’s heavyweight championship, lives for the day that one of his four sons—and, indeed, preferably all of them, in succession—will win that belt. (In real life, there were five at the time; Durkin cuts one, Chris, the youngest, out of the story.) But what does it mean for a pro wrestler to win? The movie makes the matter apparent, by way of a bit of dialogue that’s dropped into the movie sweetly and aptly—in the sequence in which Kevin connects with Pam (Lily James), a determined and self-aware young autograph seeker with an ulterior motive. The scene of their meeting is one of the most charmingly written and performed romantic encounters of the year in movies (up there with the elevator encounter in “Pinball: The Man Who Saved the Game,” which started the year in romance), and the date that follows is similarly witty, wry, and tender.

HORROR FILM DIRECTOR GLENN MARTIN

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Glenn Martin has achieved cult status as the director of such macabre classic as "Kampout", "Cemeteries: Curse of  The Hanging Judge", "When Night Comes", "The Searching" &  In The Shadows . He is my special guest and joining him tonight is the principal cast of his latest 2 films . Ladies & Gentlemen Mr. Glenn Martin ..... (Ask about the status of Scacred Grounds: Forbidden)

Michael Pare  (Both Eddie & The Cruisers, Streets of Fire, The Philadelphia Experiment, May Day, Wrongful Death & The Virgin Suicides) 200 plus films

Robert "Bob" Romanus  (Fast Times at Ridgemnt High  ... "Mike Damone") 80 plus films

Beverly Randolph  (The Return of the Living Dead,  Freaks of Nature)

Jennifer Banko    ("Friday the 13th Part VII: The New Blood")

Brian Ceponis      (In The Shadows, The Searching, Upcoming Films "Grind", "Cabrini" & "Wolf Hollow")

Julia Reilly   (Tammy-TV's "Stranger Things" & TV Movie "The Secrets She Keeps")

Georgia Simmons - (The Searching, Wig'd Out & The Secret Life of Amy Benson - Possum Trot)

actors on cell phones who are more interested in selling movies than making them. sean penn

PARE' QUOTE

I've been playing heroes, and heroes are not normal people. You can't find a leading man doing a nine-to-five job on Wall Street. And that hurt because they said, "You can't play a regular person, Tom Cody was also bigger than life. And in The Philadelphia Experiment, I'm a time traveler for god's sake. So for a long time, all I played was cops, heroes and soldiers.[2]

—Paré on being typecast as a macho man.

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Glenn Martin has achieved cult status as the director of such macabre classic  Americana as "Cemeteries: Curse of  The Hanging Judge", "When Night Comes", "The Searching" &  In The Shadows . He is my special guest and joining him tonight is the entire cast of his latest 2 films . Ladies & Gentlemen Mr. Glenn Martin ..... (Ask about the status of Scacred Grounds: Forbidden)

Michael Pare  (Both Eddie & The Cruisers, Streets of Fire, The Philadelphia Experiment, May Day, Wrongful Death & The Virgin Suicides) 200 plus films

Robert "Bob" Romanus  (Fast Times at Ridgemnt High  ... "Mike Damone") 80 plus films

Beverly Randolph  (The Return of the Living Dead,  Freaks of Nature)

Jennifer Banko    ("Friday the 13th Part VII: The New Blood")

Brian Ceponis      (In The Shadows, The Searching, Upcoming Films "Grind", "Cabrini" & "Wolf Hollow")

Julia Reilly   (Tammy-TV's "Stranger Things" & TV Movie "The Secrets She Keeps")

Georgia Simmons - (The Searching, Wig'd Out & The Secret Life of Amy Benson - Possum Trot)

actors on cell phones who are more interested in selling movies than making them. sean penn

MICHAEL PARE' QUOTE

"I've been playing heroes, and heroes are not normal people. You can't find a leading man doing a nine-to-five job on Wall Street. And that hurt because they said, "You can't play a regular person, Tom Cody was also bigger than life. And in The Philadelphia Experiment, I'm a time traveler for god's sake. So for a long time, all I played was cops, heroes and soldiers."

—Paré on being typecast as a macho man.