In this special edition episode, Poppy Reid chats to future-pop act Cloves and singer-songwriter and screen composer Jed Kurzel. The conversation took place at London's RAK Studios in front of a live audience, the morning after the Global APRA Music Awards.

In this episode, Poppy Reid chats to hitmaker Phil Barton, who signed a co-publishing deal with Liz Rose Music (Taylor Swift, Bonnie Raitt) in June 2018.

The discussion takes place in London, a few days after Barton's Songwriter of the Year win at the APRA Global Music Awards in Nashville.

In this episode, Poppy Reid chats to Jordan Rakei, who released his critically acclaimed album Origin last year. The discussion takes place at Lomond Rooms studio in London, two days after Rakei's win at the APRA Global Music Awards.

Welcome to One Year Later, an Industry Observer podcast, presented by APRA AMCOS, where we revisit career changing moments, one year on.

In this episode, Poppy Reid chats to Mallrat, who last year released her third EP Driving Music. The conversation takes place in LA, the day after she took out the Breakthrough Artist Of the Year APRA Global Music Award.

It's been over a year since Rachel Kelly launched Downtown Music Publishing in Australia and New Zealand. The publishing firm behind Hans Zimmer, Little Mix, Ryan Tedder has doubled its international footprint since then, and Kelly has been busy growing its local roster.

In this episode, Poppy Reid chats to Rachel Kelly about DMP's local acts like The Teskey Brothers and Stella Donnelly, what it was like as a new player in the market, Australia's publishing landscape, her A&R process, and the bravest thing she's ever had to do.

Welcome to One Year Later, an Industry Observer podcast, presented by APRA AMCOS, where we revisit career changing moments, one year on.

In this episode, Poppy Reid chats to Elliot and Sam from The Rubens, who have had a banner year since releasing their ARIA #3-charting album, Lo La Ru.

This is One Year Later, an Industry Observer podcast, presented by APRA AMCOS, where we revisit career changing moments, one year on.

In this episode, Poppy Reid chats to Holly Rankin, better known as Jack River, an Australian musician, entrepreneur, and the driving force between festivals and initiatives such as Electric Lady and Grow Your Own.

One year on from the release of her debut album, Jack River discusses the existence of the tall poppy syndrome in Australia, along with the importance of achieving goals by surrounding herself with those that can help support her vision.

This is One Year Later, an Industry Observer podcast, presented by APRA AMCOS, where we revisit career changing moments, one year on.

In this episode, Poppy Reid chats to Adam Briggs, Australian rapper, record label owner, producer, comedy writer, and actor. As one half of A.B. Original with Trials, Briggs took out the prestigious Songwriter of the Year Award at last year's ceremony.

Ahead of the 2019 APRA Awards, Briggs chats about why he uses his voice to speak up on Indigenous rights, his Netflix series alongside The Simpsons creators, why US will never be a focus for his music, and why he's not a fan of Australia's 'Welcome to Country' ceremonies.

Maggie Collins, industry veteran, triple j presenter, label services company founder, and artist manager to DZ Deathrays, programmed the mammoth BIGSOUND conference and festival in 2017, she did it all again this year, and she's planning next year's too.

We caught up with Maggie Collins on ground at BIGSOUND 2018, a year after her first stint as programmer, to discuss the importance of conference diversity, the story behind her signing of DZ Deathrays, the 2019 programme, her favourite new manager in the biz, and more.

Welcome to One Year Later, an Industry Observer podcast, presented by APRA AMCOS, where we revisit career changing moments, one year on.

In this episode, Poppy Reid chats to triple j Music Director Nick Findlay. At the helm of Australia's national youth broadcaster, Findlay helps to break artists internationally and put Australian music in the spotlight, far eclipsing commercial radio's local content quotas every day.