As they try to catch up with Kamala in 1947 India, Emily and Andrew find themselves in a multiverse where ONESIES episodes are incredibly short. (There's a connected but detached prologue flashback and like two scenes after it... three. It's such a quick episode). Tune in and get ready for next week's season finale and Emily's announcement of the new amazing!

Emily and Andrew follow the show to modern day (and historical) Pakistan (which, in the MCU, has the street layout of Bangkok), where Kamala and her mother both bond with Grandma, Kamala learns about her power, there's tragedy, joy, and action sequences. And both hosts independently decided to research to talk about the things they like so much in the show! Weird.

Emily and Andrew find themselves in the middle of another good television program and have to re-orient themselves. They find nice things to talk about--again a re-orientation--such as strong performances and thoughtful integration of culture and history, while also having a very cool action scene!

Emily and Andrew head back into the Marvel Cinematic Universe where Andrew starts the mansplain early--they missed the end credits tag from last episode, kicking off a discussion of Marvel watching ettiquette. Or something along those lines. They also lose track when they've got a series with so much intentional character development, though they are able to get on familar footing regarding a pecularily timed late afternoon "snack" and its implications regarding family dinner. Tune in for this and other MARVELLOUS insights!

Emily and Andrew are off to the Marvel Cinematic Universe, albeit with some confusion about what exactly that setting will entail. Listen as they discuss young adult targeted ficton, competent--and, dare we say it--engaging storytelling, and... good acting? What are they in for?!? (Specifically Emily, who unfortunately finds herself in the fields of mansplaining). Tune in and find out!

In this very special double-length season finale (so they could get the show done), Emily and Andrew's adventure through modern streaming series comes to an end (though stay tuned for a not dissimilar announcement for next season), as they no longer have any questions why THE BONDSMAN didn't get a second season. They get to talk about "pointed" characterizations, plot holes, bad acting, bad special effects, bad writing, and egregious ineptitude.

The show makes some particularly bad moves, while giving Damon Herriman his best episode (truly surprising), and Emily and Andrew valiantly attempt to recount its goings on. They don't always succeed but they do make it to the ending, which is setting up a show they could've set up in the first place. After making everyone unlikable, lil' bit ick, or a combination. Joy.

Once again, for their sins, Emily and Andrew ask for a feature episode about a character they think they'll like, and for their sins, they get one. But it makes for interesting conversation, even though the cliffhanger and the series's "new normal" are the pits.

Another thirty minutes or less, another set of new questions, and another episode of backhanded compliments from Emily and Andrew. Our intrepid hosts agree it's the best of the show so far (saying what exactly) and, darned if the show's basically just wrapping it's "pilot" proposal. Halfway through.

Well, another episode, another twenty minutes of reasons not to like the characters on THE BONDSMAN. Emily and Andrew do find some other things to talk about, such as men's fashion, implied better programs (i.e. with Kevin Bacon not around), and horror action on a budget.