Michael Mercil and students from the Department of Art Embodied Knowledge Ensemble and Volunteer Corps read selected Art Manifestos both historical and contemporary:How to write a Manifesto by Nicole Debrabandere, What is Art For? by Tom Marioni, Instructions for reading an Srt Manifesto (in public and aloud) by Paula Gaetano Adi, Karawane by Hugo Ball (1916), No Manifesto by Yvonne Rainer (1965) The Advantage of Being a Woman Artist by Guerilla Girls, Statement by the International Faction of Constructivists (1922), 15 Lines of Words on Art Statement by Ad Reinhardt, The Future of Music - Credo by John Cage (1937), Manifesto by Group BMPT, Bruce Nauman, Does Money Manipulate Art? by The Art Workers Coalition (1969).