Ryan and Corwin gossip about Tim Burton's semi-auto-biographical film, 1990's "Edward Scissorhands", discussing how it works as a fantasy and its deeper message about modernity.

Ryan, Corwin, and Dan are forced to watch the dismal romance flick "Serendipity" and write Funny Notes of their own to try and make Joey laugh.

Ryan and Corwin question time and reality with Christopher Nolan's "Interstellar", about a former pilot sent on a secret mission to save the human race--including his family.

Ryan and Corwin discuss Robert Zemeckis's technical marvel, in 1988's "Who Framed Roger Rabbit" and discuss how its techniques and story combine to create one of the most interesting genre meldings in cinema.

Ryan and Corwin go into the trenches of the first world war in 1930's "All Quiet on the Western Front", a film that spawned multiple remakes and created the framework for war films to come.

Ryan and Corwin survive Tobe Hooper's 1974 indie classic "The Texas Chainsaw Massacre", which changed the course of horror, and whose subtext proves it is more than just an exploitation film.

Ryan and Corwin investigate the 1991 detective thriller "Silence of the Lambs"--directed by Jonathan Demme, based on the 1988 novel of the same name by Thomas Harris--and explore not only its technical and artistic finesse but also its deeper more interesting perspective on women.

The Terminator--directed by James Cameron--takes the social fears of the computer age in the 1980s, and turns it into a genre blend of Sci-Fi, Action, and Horror creating a memorable character driven film, and iconic franchise.

American Psycho, directed by Mary Herron, is a wonderful critique of business and male culture, focusing on 1980s yuppie America, that shows as a slasher on the surface.

Ryan and Corwin accelerate head-first into Dutch cinematographer Jan Debont's directorial debut, 1994's "Speed", in which a young cop must disable a bomb put on a bus by a local terrorist, that will blow if the bus drops below 50 miles per hour.