An Introduction to “‘Should the Careerist Choose Love,...’”
When my father was considering retiring over thirty years ago, he asked a friend what he liked best about retirement. The friend succinctly responded, “Sunday nights.”
Before long Dad too was enjoying Sunday nights in a way he had never done before. At his retirement dinner, several people spoke of working with Dad for years, and yet little if any of what they said had anything to do with his work, as I remember it. Instead they spoke of his character and what a good man he was and how they had been blessed by knowing him. Two men who had worked under Dad for decades spoke of how they had often looked to him for advice on matters of faith, family, and home: on being good husbands and fathers, and on how best to tackle home remodeling projects. They wrestled with their emotions as they spoke and seemed loath to end their remarks, as if by continuing to speak they would not need to accept Dad’s leaving.
My six siblings and I were also invited to speak, and some of us did. The nature of the remarks made by the two men mentioned above, and all the other speakers, validated words from my own remarks that encapsulated all the rest of what I had to say: “And those of us who know Jim Ritzer know that he has never been a careerist. The happy accident of his fruitful career resulted indirectly from his life-choice for love.” I collected those words and all the rest of what I had to say that night into the article “‘Should the Careerist Choose Love.’” Catholic Digest published a version of it under the title “‘Be the Best Bum You Can Be’” in January 1995. I thought I would share that article here in the month in which my father would have turned ninety-five years old on 14 August 2026. This introduction has grown into its own article, so “‘Should the Careerist Choose Love, . . .’” should appear in the next post.
It was an unforeseen special time together for the three of us in the old house before they moved and I got married.
A few years into retirement, Dad and Mom, after years of unhurried looking, found a home with nine acres of wood and pasture north of Menomonie, Wisconsin. The house already had an offer on it, but Mom said, “That’s our house,” with no doubt that it would be. The offer fell through, and they bought their house.
Now remained detaching from and selling the nearly ninety-year-old Victorian house in south central Wisconsin, that had for thirty years been the home in which they had raised seven children and experienced countless changes, challenges, and celebrations. And to sell it, Dad would need to finish several remodeling projects. I was visiting from Texas at the time and could see that Dad was overwhelmed at the prospect of finishing all his projects according to requirements and timelines stipulated by their real-estate agent. He did not say much but just kind of looked off as if into the impossibility of it all. I had never seen him like that. He had always been industriously working on the house, tearing apart and building anew. But now, he was overwhelmed. It struck me that he really needed help, and it dawned on me that I was one of the very few people, if not the only one, whether justified or not, he would trust to do a job to his satisfaction.
That experience reoriented me to consider whether I could somehow help. I determined that I could take some time off from the project I was working on and stay and help Dad finish his projects. When I asked Dad if it would help if I would stay and finish up the projects with him, it was as if clouds broke from his mind and light shined through. Thereafter I heard him tell people that I would be helping him finish his projects, even though I had not yet decided to, and thus, I decided to.
His biggest unfinished project was the den (which years before had been the kitchen before Dad moved it to the back of the house). He had torn off the north wall and bayed out the new wall with windows on all three sides of the bay. Dad went to work on finishing the outside and I went to work on the inside. I hung sheetrock, taped, plastered, sanded, and painted the den, hung a new sheetrock ceiling in the long upstairs hall, put in light fixtures, patched plaster. In addition, we finished every other project, one after another, while Mom cleaned. It was an unforeseen special time together for the three of us in the old house before they moved and I got married. After a few weeks, the real-estate agent stepped into the house and said that if we had told her we could have got all of that work done in the amount of time we did, she would not have believed it. She raised the price of the house.
Dad’s retirement further demonstrated that he was no careerist. Rarely if ever idle, he would say of his retirement that he did not know how he had previously had time to work. Besides working on landscaping and remodeling projects at the old house, and after they moved, at their new home, Mom and Dad attended Mass and prayed their rosary, volunteered installing emergency call buttons for seniors (some younger than they were) and at their church, attended local plays and other events, hosted family and friends, took drives into the Wisconsin and Minnesota countryside, and stopped for coffee, pastries, and meals. Meaningful though their professional work had been, Dad and Mom did not miss it as they lived out the fullness of their lives.
“The prototype of all careerists is Judas,” according to Dom M. Eugene Boylan.
On the other hand, history presents us with the most tragic example of a careerist. “The prototype of all careerists is Judas,” according to Dom M. Eugene Boylan. Those words struck me, as I read a meditation on Judas conspiring with the chief priests to betray Jesus in exchange for thirty pieces of silver, and Jesus revealing to the Twelve that he knows one of them will betray him and, to Judas, that he knows it is he. The quotation is part of a longer passage from the Irish Cistercian, offered as the meditation on the gospel reading (Matthew 26:14-25) of the Mass of Wednesday, 1 April 2026, in the Magnificat.
Still, more of the Dom Boylan quotation offers a larger context:
It often happens in the service of God that those who are seemingly zealous for his service are really serving themselves. They are pursuing their own career. Their zeal is not so much for God’s glory as for their own. . . . They are living their own life—not the new life of union with Christ. . . .
And he had more to say about Judas specifically that might give us pause:
He seems to have been one of the ablest of the apostles, one who felt that he was sure to rise to high estate in the new kingdom which all the apostles understood Jesus was to found on earth. He was minister for finance in the apostolic college, a man of affairs and prudence. . . . He began to realize that our Lord’s policy was not going to lead to the temporal greatness on which he had counted. Christ was an impartial idealist! He was deliberately setting a course that would bring him in conflict with the authorities and openly spoke of his crucifixion. . . .
And so this prudent man decided to cut his losses. . . .
The story of Judas has a lesson for us all. God’s plans for our sanctification are never quite what we expect them to be; and are often quite contrary to our own ideas, no matter how well we are acquainted with God’s ways. He always hides his sanctifying work from our eyes, for he must preserve in us that humility and poverty of spirit which is essential for sanctity. Even though we avoid the error of Judas of expecting temporal success instead of eternal love, still we must not expect to see our plan for our own sanctification being realized instead of God’s plan. His plan for us is his secret—a lover’s secret—and we must trust his love. In fact, our trust in God, especially when we see our own unworthiness, is the greatest compliment we can pay him.
So Dom Boylan, in exposing Judas as the prototypical careerist also exposes the characteristics of a careerist. Selfishness prevails in delusions of self-importance, self-sufficiency, self-actualization, and self-glorification. While presenting himself as serving God, he serves himself, pursues his own career, is zealous to glorify himself, lives for himself. When temporal success is threatened by the plan of the omniscient God of eternal love, he “cut[s] his losses.” He will not trust—in essential “humility and poverty of spirit,” and in recognizing his own “unworthiness”—“God’s plans for our sanctification,” proudly preferring his own expectations and ideas. He is not a man who stays, who commits. Ever watchful for a better situation, when he does leave he does so dishonorably in betrayal.
Children were able to propel the structure to such a high state of rotation . . . that those who hung from the poles could achieve perfect perpendicularity before they were either flung from the device or were able to again gain terra firma with its slowing or stopping.
It should be no surprise then that it has long struck me that this careerist, Judas, was a communist, as relevant a consideration today as ever. He “who was to betray him,” is scandalized when Mary of Bethany anoints Jesus’ feet with “costly ointment of pure nard.” He blurts out, “‘Why was this ointment not sold for three hundred denarii and given to the poor?’” You may notice that for those on the Left, the problem is always about money. There is never enough money. And thus the solution to everything is more money (of which they are happy to take their abundant cut). How neatly it all fits into Marx’s historical materialism. So, it should be no surprise that the Bolsheviks, at the beginning of their takeover in Russia, built a statue to Judas Iscariot in Moscow, as Darryl Cooper revealed to Tucker Carlson. And that should be instructive for those of any age who would be seduced by communism.
But John, who for a good three years of following Jesus had lived with Judas as two of the Twelve, was not having it. John makes it clear, about Judas, that, “This he said, not that he cared for the poor but because he was a thief, and as he had the money box he used to take what was put into it.” And it must have galled Judas no end, as it would the communists of today, that Jesus responded: “‘Let her alone, let her keep it for the day of my burial. The poor you will always have with you, but you do not always have me.’” For the Lord, if anyone, knew that the real problem is not about money but about love: there is never enough love, and the solution is more love.
That makes me think of an experience I had in graduate school years ago. I was passing through the detectors on my way out of the the library, and for whatever reason, the security guard asked me how Catholics could accept all the wealth that the Catholic Church (I think he specifically mentioned the pope) had in the form of magnificent churches and art while people were starving in the world. In the vein of St. Mary of Bethany, Jesus, and St. John, I found myself almost speechless at the absurdity of the question. Three responses struck me, and I believe I gave voice to them in the abbreviated manner required by the inadequate amount of time allowed by the circumstances. One was that the Catholic Church was one of the, if not the, biggest charitable organizations in the world (with many of those in the consecrated life living out vows of poverty as they serve the poor). Another was that (as Mary anointed Jesus with costly nard), people will always, even in their want, build beautiful temples and make beautiful art, with what is available to them, to raise the human soul and honor God. [I discovered after posting this article that Bishop Barron has made a film about this very topic: “Heaven in Stone and Glass.”] Another was that people cannot eat stone, paint, canvases, in short, church buildings and art. These were created to enhance people’s worship of God. They could only be sold for money because people value them. And even if these were all sold, which could only be done once (or, as a friend concisely put it, “Then what?”), people could not eat the money raised. They need food. Money merely provides a medium of exchange. (Remember, for the Left, it is always about money.) (Beyond all that, Catholic church buildings range from grass huts to grand basilicas, based on what kind of temple the faithful of a parish are able to build. And unlike the multi-million-dollar mansions that house certain televangelists, the Vatican is not just the home of the pope, but the administrative center for the largest church on earth as well as for a country, housing many departments and individuals.) The young college woman, who overheard at least part of our conversation on her way through the detectors, appeared to take umbrage at my remarks, as she “humphed” and grabbed and threw her backpack over her shoulder and hurried off as if to, almost violently, remove herself from my presence. Pity, I would have enjoyed a civil discussion of the matter.
Additional context for “‘Should the Careerist Choose Love, . . .’” comes from the Western Shane, not the excellent movie but the classic novel. In a recent conversation about that work, it came out that a new reader of the story (a long-married and faithful husband and father) had expressed reservations about the relationship between Shane and Marian Starrett. And this revived latent misgivings that have stayed with me from my boyhood about that relationship.
For years thereafter, of course, dealing with the female of the species became ever more bewildering and complex.
Marian is the wife of Joe Starrett and the mother of young Bob Starrett, through whose voice the story is told. Though Shane and Marian never crossed physical boundaries, as I remember it, I still remember feeling uncomfortable with the blurring of emotional boundaries between them. And I was young when I read the book. At first I thought maybe I had read it in my late teens, but as I remember it, I had read it well before college, and I believe well before high school, and even before middle school. Like I say, I believe I read it while still pretty young. And that is relevant because the Marian/Shane relationship, and the memory of it, and its deeper and broader implications, made an impression upon me from a young age and made me aware of a certain temptation in dealing with members of the opposite sex.
“As I remember it,” I wrote above, and that is important, so much so that I do not intend to reread or check the story for the purpose of this article, because it is the memory of it that is important here, the memory of it that stayed with me and served as a reference. To set the stage, I must confess that the charms of the fairer sex made a deep impression on me from a young age. I recall being captivated before I was even in school by a girl who visited my sister on the farm, by a classmate’s mother in kindergarten, by a sweet eighth-grade blonde beauty when I was in first grade, and simultaneously by the incomparable Robin, a classmate of bobbed black hair and pure white smile that subtly suggested a bit of a wince, who had a propensity for flying off the merry-go-round and splitting open her knee.
Younger readers might wonder how such a thing was possible. I do not even know if playgrounds still have merry-go-rounds as they did in our day. The comedian Jeff Allen, in his standup special “I Can Laugh About it Now,” provides excellent context. After lamenting, “What happened to playgrounds!” he describes trying to help his granddaughter play on a slide only “five-feet high, made out of plastic. She would go four inches and stop, four inches and stop, four inches and stop. That’s not a slide; it’s a scoot!” Then he describes the slides of our day. “We had a six-storey high, solid-steel structure, by mid-July it would hit a temperature of about 285 degrees. You lose two layers of skin on the way down, another layer when you hit the ground like a flat rock on a pond.” Close enough. And what did we have to cushion our landing should we fall from its heights? Foam-rubber mulch? Synthetic turf? Wood chips? No. Asphalt.
And asphalt lay under and around the merry-go-rounds too. I use the plural because our school playground was graced by not one but two merry-go-rounds sure to excite horror in the parents of the present age. One was the fairly standard rig of thick steel arms radiating out from a hub to a hexagonal or octagonal frame that held wooden benches on which children were to sit facing inward holding onto the steel bar over their laps, as other children either ran inside the frame in between the radiating arms or outside the seats to push the thing round and round. I say “were to sit,” because veterans of the device may well remember that the manner in which students rode the centrifugal-child-chucker varied to the extent of children’s imaginations and their inclinations to wager life and limb on their ability to defy Newtonian physics. Were a child to be whirled from the apparatus or to fall while pushing in the space between seats and hub—with or without being struck by the steel arms or trampled by other pushers before he or she could roll or crawl out from the revolving mass—he or she would either return to action or be assisted into the school to triage by the home-room teacher. Substitution would then be effected by the next in line eager to test his or her lot, whether or not the spinning had been first slowed or terminated according to the individual inclination of the parent-volunteer supervisor, usually a seasoned mother, of several children, long immune to even a hint of squeamishness.
The other was a contraption unique to our midwestern Catholic school, or so it seemed, as I had never elsewhere beheld its like. Memory depicts it as a steel structure with a hub some eight feet high with arms radiating out from the top to an octagonal frame from the angles of which hung poles hinged top and bottom that connected to more steel framing which held wooden planks just above the ground, so that riders could either sit on the wooden planks and drag their feet or stand at full height on them and hold the hinged poles. Chains draped from the center to the outer frame to complete the assemblage and the terror-inducing image for modern parents. All the laws of physics operative with the first device were at play here too, but add to it the action of pushing and pulling the hinged poles so that, as the monstrosity spun, the poles and planks could zigzag back and forth testing young riders to the very limit of human tenacity. Children were able to propel the structure to such a high state of rotation—by either running and pushing against the chains inside the frame or by pushing it around running outside the frame—that those who hung from the poles could achieve perfect perpendicularity before they were either flung from the device or were able to again gain terra firma with its slowing or stopping. One can see how Robin, on more than one occasion, joined the ranks of the flung.
At the time, it seemed apparent to me that the author, Jack Schaefer, was presenting Shane, to a receptive audience, as the hero: the mystery man of few words, silent about his past, tough, resilient, dangerous to the unrighteous and impervious to their attacks, all but irresistible to women, even to a devoted wife and mother like Marian Starrett, and thus, who, to a young boy reading the book, was just plain cool.
After Robin experienced one such mishap, I entered the classroom and immediately felt the familiar pang of heart at the sight of her, as I was surprised to find her seated on a chair while a teacher or two fussed about her trying to mend her knee (again) and tend to a bump on her forehead. There she sat, with that enchanting demure smile, betraying none of the pain she must have been experiencing. Her response to whatever I said was to modestly make light of her condition. When next I saw her, she sported a cast on her knee so that the gash could heal, and no doubt so that she might be, to some degree, less able to split it open again. One day she appeared at school no more, and we learned that her family had moved to Chicago. She took a part of my young heart with her. But the rest of my heart remained, and its crushes settled upon one girl after another in the ensuing years. Tom Sawyer would have undoubtedly appreciated that it was in the fourth grade, within the chalk-dust ambience of a romantic eraser-clapping interlude, that I first proposed marriage to a girl, who accepted me. The seriousness of the affair impressed itself upon me when she asked about a ring before we were forced to return to the classroom. As fickle fate would have it though, the engagement just faded away. For years thereafter, of course, dealing with the female of the species became ever more bewildering and complex.
Now it is within that context that I read Shane for the first (and maybe the only) time, I am guessing some time before middle school. And, of course, especially at that age, the manly chopping-out-the-stump scene touched something in my heart and soul, as did the fight scenes, whether of fist or gun. Still, as indicated above, the relationship between Shane and Marian made me uncomfortable, but it was more than just their straining appropriate emotional boundaries. That was just part of the whole tension I felt about who was the real hero. At the time, it seemed apparent to me that the author, Jack Schaefer, was presenting Shane, to a receptive audience, as the hero: the mystery man of few words, silent about his past, tough, resilient, dangerous to the unrighteous and impervious to their attacks, all but irresistible to women, even to a devoted wife and mother like Marian Starrett, and thus, who, to a young boy reading the book, was just plain cool.
But was Shane a good role model for boys, especially in regard to relations with girls and, later, women? I remember being consciously aware, even at that young age, that the ride-off-into-the-sunset motif of the Western, and in particular of Shane, held a certain fascination for a boy, as crushes on girls became increasingly more interactive. How tempting was it to be the man who loves and leaves: the flawless man, ever attractive, ever cool, ever withdrawn, impenetrable, inscrutable, invulnerable, unassailable, ever memorable? Tempting enough that books, shows, and films are replete with examples of such characters. On the other hand, how perilous was the alternative? To let a girl see your imperfections, your weaknesses, your failings, your vulnerabilities, your blemishes, your wounds? How frightening was it to stay?
And the truth nagged at me throughout my youth—even as I wrestled with, to some degree or other, the allurement of the Shane persona—that though Shane was certainly the romantic hero in risking his life and removing a ponderable threat and riding on when it was appropriate to do so, perhaps the more authentic hero was the one who stayed, the one who shouldered the risk of vulnerability and commitment. And though boys would witness time and again examples of the disturbing and destructive phenomenon of girls inexplicably falling for the bad boy, in time they would see that the mature girls, the real women, valued the men who stayed.
Now, I am not saying that men should not leave relationships. In fact, Shane was right to leave. Of course, saving the settlers and gunplay and killing and all of that also figured into his decision to ride on, but all of that also coincided with his recognizing that he could not remain in the relationship he had cultivated with the Starrett family he had come to love, given the feelings that had developed between Marian and him and the inappropriateness of those feelings in respect to Marian, Joe, Bob, and the Starrett marriage and family. In fact, more men should follow Shane’s lead and leave more relationships. Men, and women, should move on and on, even though each time they may be required to courageously bear the pain of broken hearts, until they come to the relationships they know in their souls to be the right ones, the ones that will result in the life-long Sacrament of Matrimony, from which they only move on by death. But that has been made all the more difficult since the sexual revolution and the normalization of extramarital sex and contraception, and the assault on the appropriate boundaries of chastity.
Shane may have proven almost irresistible to Marian Starrett in the imaginations of Jack Schaefer, adolescent boys, and romantic-minded men, but to authentic women in the real world, the true day-in-and-day-out heroes look a lot more like Joe Starrett.
Since the fall of man, the sexual union of man and woman has been under attack by the devil, the world, and the self: by sin and evil. Thus, the Sacrament of Matrimony is required to order, protect, and sanctify the union. Eroding the boundaries of chastity and engaging in the union without the Sacrament while rejecting its procreative essence is a profound affront to God, man, and nature, and therefore throws those engaging in the union into grave sin and its concomitant confusion. In such a state, they are in no condition to discern whether or not their partners are the right ones, or to enter into the lifelong commitment of the Sacrament. Throw in the hormonal upheaval caused by contraception, and the divinely designed intricate interplay of mind, body, and soul—that makes up the attraction between those who would commit their lives to entering into the Sacrament and thereby creating a family, which is already compromised by original sin—is thrown completely off.
So Shane was right to leave, and all men should leave before they enter deeper into a relationship than they should. Still, there was something about Shane’s leaving and the whole ride-into-the-sunset theme that I recognized, even in my young age, as dangerously alluring even as it was oft glamorized in literature and on screens large and small. It was the heartbreaking. Now when a couple separates, there will often, if not always, be heartbreak, whether of both or one. Normally, that heartbreak will heal, especially if the couple has stayed within the bounds of chastity. Such, did it appear, was the heartbreak in Shane. But it is another thing altogether for a man to intend to break a woman’s heart or even to just enjoy it. Far worse is it for a man to enter into a relationship, however long or short, with the intention of breaking the woman’s heart, whether consciously or subconsciously. How tempting is it to be the invulnerable heartbreaker, to be the man who leaves the woman behind broken hearted, infatuated with him, insensible of his weaknesses, failings, and faults? How tempting is such an ego trip? How tempting is it to glamorize all of that? How tempting and, thus, how dangerous?
How dangerous is it to so objectify a woman, to so inflate the ego, to so deceive oneself and others? Indeed, when even good men leave because it is the right thing to do, as probably more men ought to do more often, they may well leave the woman behind broken hearted, but that ought to be for the man a regrettable result of a righteous act not an end in itself or an enjoyable ego trip, even if the leaving was righteous. For the ego trip, whether intentional or engaged in even after a righteous breakup, is hollow. In the end, the authentic woman loves the man who stays. She may have had her heart broken, even by good men acting righteously, but her heart will heal and be fully given to the man who stays.
So even though Jack Schaefer portrays Shane as the hero—the dangerous mystery man of character who befriends and works for the settler Starrett, captivates his wife and son, stands up for the settlers, fights and kills the bad men, and rides honorably off into the sunset—he has nothing on Joe Starrett. Shane may have proven almost irresistible to Marian Starrett in the imaginations of Jack Schaefer, adolescent boys, and romantic-minded men, but to authentic women in the real world, the true day-in-and-day-out heroes look a lot more like Joe Starrett. Because in the end, there is only the man who stays, the man who marries the woman, all else leave, for better or worse. Starrett is that man who stays, the man who commits in marriage, the man who shoulders the regular drudgery, dirt, discipline, tedium, battles, injuries, uncertainties, weariness, and emotion. The man who shoulders the responsibility. Of course, in Starrett’s case, you can add his taking on the regular life-threatening challenges of frontier life like weather, floods, drought, disease, accidents, armed conflict, predators, and famine. Regardless, he is the man who stays, who courageously gives his very self, who risks opening himself to the vulnerability of being known with all his flaws and fallibility and to staying when flaws and fallibility are exposed. Ultimately, he takes on, along with all its joys, all the risks and demands of real love. And thus, he stands in stark contradiction to the treacherous careerist, and in some degree of communion with the “sign of contradiction,” the One who stayed, to be hung stripped bare, fully exposed, in all the suffering of perfect sacrificial love, due to the careerist’s betrayal, and the betrayal of us all.
Of another staying man, who was no careerist, who gave himself in sacrificial love, who I was blessed to have as a father, I wrote “Should the Careerist Choose Love, . . .” which should appear as the next podcast.
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Thank you,
P. A. Ritzer
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