Does this big idea to have low-income and higher income people living side-by-side really make a community better, safer, healthier? As The Promise comes to a close, we dig into the fundamental question driving this massive overhaul of Nashville’s public housing.  

The city’s housing agency is betting on mixed income, big time. But its only attempts have been on a much smaller scale than what’s envisioned for the James Cayce Homes. We explore one particular attempt, at a housing complex nearby known as John Henry Hale. And what we find reveals that building pretty homes, and putting people side-by-side doesn’t necessarily produce a flourishing community.

Music Credits: 
The Insider, Black Ant, and James Pants, all found through the Free Music Archive

Production Credits: 
Writing and reporting: Meribah Knight
Editing: Blake Farmer, Anita Bugg. With additional help from Tony Gonzalez
Sound Design: Tony Gonzalez

Part 6: The Future

A Peabody Award-winning series from Nashville Public Radio about inequality and the people trying to rise above it, with host and reporter Meribah Knight. In Season 1 of The Promise, we told the story of Nashville's largest public housing complex, smack in the middle of a city on the rise. In Season 2, we explore how that divide reveals itself in the classroom. One neighborhood, two schools — one black and poor, the other white and well-off, and the kids stuck in the middle.

Society & Culture

Personal Journals

History

Philosophy

Places & Travel

"Making Noise" is a four-part series by WPLN and WNXP about how the music promotion company Lovenoise has changed the music landscape of Nashville. The best way to listen is to subscribe to the WNXP Podcasts feed.

Preview: "Making Noise" from WPLN and WNXP

Karl Durr arrived in Rutherford County from Eugene, Oregon, in spring of 2016. He had been hired as the new police chief of Murfreesboro, the county’s largest city.

As an outsider, there was a chance he would shake some things up.

But less than two weeks after he started, while he was still furnishing his office and learning people’s names, officers from his department arrested 11 Black school children for not stepping in to stop a fight.

When Durr discovers what, and who, is behind the arrests, he takes swift action. But he also makes a political enemy in the process.

Bonus: How one police chief struggled to change the system

The lawyers settle with the County, which agrees to pay the kids who were wrongfully arrested and illegally jailed; the hard part is getting the kids paid.

Credits: “The Kids of Rutherford County” is a production of Serial, The New York Times, ProPublica and Nashville Public Radio. It was written and reported by Meribah Knight with additional reporting from Ken Armstrong at ProPublica.

The show was produced by Daniel Guillemette with additional production by Michelle Navarro. It was edited by Julie Snyder and Jen Guerra. Additional editing by Anita Badejo, Sarah Blustain, Tony Gonzalez, Ken Armstrong and Alex Kotlowitz. The Supervising Producer is Ndeye Thioubou; research and fact checking by Ben Phelan, with additional fact checking by Naomi Sharp. Music supervision, sound design, and mixing by Phoebe Wang. Our Standards Editor is Susan Wessling. Legal review from Dana Green and Al-Amyn Sumar. 

Original score by The Blasting Company. Additional production from Jenelle Pifer. Mack Miller is the Executive Assistant for Serial. Art by Pablo Delcan. Sam Dolnick is a Deputy Managing Editor of The New York Times.

Dedicated Public Servants | The Kids of Rutherford County

The Richard L. Bean Juvenile Service Center has been punishing kids with seclusion more than any other facility in Tennessee. And as the laws and rules on how to treat kids changed, the facility failed to keep up.

Bonus: Rutherford County is not alone. This youth detention center superintendent in Knoxville illegally locks kids alone in cells.

“Minimalist classic country with maximalist tendencies.” That’s one way to describe the musical scoring of The Kids of Rutherford County.

In this bonus conversation, Nashville Public Radio’s Meribah Knight and Celia Gregory talk about the multi-instrumental composing work of The Blasting Company.

Part 6: The Future

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