The Promise

In this one-hour special from WPLN and the Tennessee Lookout: What happens when government funding is withheld from a public university that's served generations of Black Tennesseans? And what could be possible if that debt were finally paid?

Credits:

This story was co-reported and co-produced by Camellia Burris and Emily Siner. Story editing by Meribah Knight and Miriam Kramer. Additional editing by Tony Gonzalez, Holly McCall, Joshua Moore, LaTonya Turner and Nina Cardona. Sound design by Joshua Moore. Fact-checking by Daniel Potter. Digital buildout by Mack Linebaugh and Megan Jones. Engineering by Liv Lombardi.

The Debt is a production of Nashville Public Radio and The Tennessee Lookout, with additional support from the Pulitzer Center and the Education Writers’ Association.

Episode 1 of WPLN’s new series “The Country In Our Hearts” is out now! We travel from a market in South Nashville to the mountains of Iraqi Kurdistan to discover what happened on one terrible, pivotal day in 1988.

Supermajority is a new podcast from NPR’s Embedded, in partnership with WPLN News, exploring what happens when one political party has near-complete control. In this four-episode series, hosted by Meribah Knight, we follow the story of three conservative women challenging their own party.

As Americans focus on national politics this election year, NPR's Embedded takes an up-close look at one state – Tennessee – where Republicans hold a powerful majority. We ask: What does that power mean to lawmakers, who are the constituents pushing back, and what might it all reveal about the fragility of our democracy?

"Making Noise" is a four-part series by WPLN and WNXP about how the music promotion company Lovenoise has changed the music landscape of Nashville. The best way to listen is to subscribe to the WNXP Podcasts feed.

Karl Durr arrived in Rutherford County from Eugene, Oregon, in spring of 2016. He had been hired as the new police chief of Murfreesboro, the county’s largest city.

As an outsider, there was a chance he would shake some things up.

But less than two weeks after he started, while he was still furnishing his office and learning people’s names, officers from his department arrested 11 Black school children for not stepping in to stop a fight.

When Durr discovers what, and who, is behind the arrests, he takes swift action. But he also makes a political enemy in the process.

The lawyers settle with the County, which agrees to pay the kids who were wrongfully arrested and illegally jailed; the hard part is getting the kids paid.

Credits: “The Kids of Rutherford County” is a production of Serial, The New York Times, ProPublica and Nashville Public Radio. It was written and reported by Meribah Knight with additional reporting from Ken Armstrong at ProPublica.

The show was produced by Daniel Guillemette with additional production by Michelle Navarro. It was edited by Julie Snyder and Jen Guerra. Additional editing by Anita Badejo, Sarah Blustain, Tony Gonzalez, Ken Armstrong and Alex Kotlowitz. The Supervising Producer is Ndeye Thioubou; research and fact checking by Ben Phelan, with additional fact checking by Naomi Sharp. Music supervision, sound design, and mixing by Phoebe Wang. Our Standards Editor is Susan Wessling. Legal review from Dana Green and Al-Amyn Sumar.

Original score by The Blasting Company. Additional production from Jenelle Pifer. Mack Miller is the Executive Assistant for Serial. Art by Pablo Delcan. Sam Dolnick is a Deputy Managing Editor of The New York Times.

The Richard L. Bean Juvenile Service Center has been punishing kids with seclusion more than any other facility in Tennessee. And as the laws and rules on how to treat kids changed, the facility failed to keep up.

“Minimalist classic country with maximalist tendencies.” That’s one way to describe the musical scoring of The Kids of Rutherford County.

In this bonus conversation, Nashville Public Radio’s Meribah Knight and Celia Gregory talk about the multi-instrumental composing work of The Blasting Company.

Wes Clark reads a telling line in a police report about how Rutherford County’s juvenile justice system really works. He and his law partner Mark Downton realize they have a massive class action on their hands.

Credits: “The Kids of Rutherford County” is a production of Serial, The New York Times, ProPublica and Nashville Public Radio. It was written and reported by Meribah Knight with additional reporting from Ken Armstrong at ProPublica.

The show was produced by Daniel Guillemette with additional production by Michelle Navarro. It was edited by Julie Snyder and Jen Guerra. Additional editing by Anita Badejo, Sarah Blustain, Tony Gonzalez, Ken Armstrong and Alex Kotlowitz. The Supervising Producer is Ndeye Thioubou; research and fact checking by Ben Phelan, with additional fact checking by Naomi Sharp. Music supervision, sound design, and mixing by Phoebe Wang. Our Standards Editor is Susan Wessling. Legal review from Dana Green and Al-Amyn Sumar.

Original score by The Blasting Company. Additional production from Jenelle Pifer. Mack Miller is the Executive Assistant for Serial. Art by Pablo Delcan. Sam Dolnick is a Deputy Managing Editor of The New York Times.

A young lawyer named Wes Clark can’t get the Rutherford County juvenile court to let his clients out of detention—even when the law says they shouldn’t have been held in the first place. 

He’s frustrated and demoralized, until he makes a friend.

Credits: “The Kids of Rutherford County” is a production of Serial, The New York Times, ProPublica and Nashville Public Radio. It was written and reported by Meribah Knight with additional reporting from Ken Armstrong at ProPublica.

The show was produced by Daniel Guillemette with additional production by Michelle Navarro. It was edited by Julie Snyder and Jen Guerra. Additional editing by Anita Badejo, Sarah Blustain, Tony Gonzalez, Ken Armstrong and Alex Kotlowitz. The Supervising Producer is Ndeye Thioubou; research and fact checking by Ben Phelan, with additional fact checking by Naomi Sharp. Music supervision, sound design, and mixing by Phoebe Wang. Our Standards Editor is Susan Wessling. Legal review from Dana Green and Al-Amyn Sumar.

Original score by The Blasting Company. Additional production from Jenelle Pifer. Mack Miller is the Executive Assistant for Serial. Art by Pablo Delcan. Sam Dolnick is a Deputy Managing Editor of The New York Times.