A police officer in Rutherford County, Tennessee, sees a video of little kids fighting, and decides to investigate. This leads to the arrest of 11 kids for watching the fight. The arrests do not go smoothly.

Credits: “The Kids of Rutherford County” is a production of Serial, The New York Times, ProPublica and Nashville Public Radio. It was written and reported by Meribah Knight with additional reporting from Ken Armstrong at ProPublica.

The show was produced by Daniel Guillemette with additional production by Michelle Navarro. It was edited by Julie Snyder and Jen Guerra. Additional editing by Anita Badejo, Sarah Blustain, Tony Gonzalez, Ken Armstrong and Alex Kotlowitz. The Supervising Producer is Ndeye Thioubou; research and fact checking by Ben Phelan, with additional fact checking by Naomi Sharp. Music supervision, sound design, and mixing by Phoebe Wang. Our Standards Editor is Susan Wessling. Legal review from Dana Green and Al-Amyn Sumar.

Original score by The Blasting Company. Additional production from Jenelle Pifer. Mack Miller is the Executive Assistant for Serial. Art by Pablo Delcan. Sam Dolnick is a Deputy Managing Editor of The New York Times.

A juvenile court in Rutherford County was wrongly arresting and illegally jailing kids for more than a decade before a former juvenile delinquent-turned-lawyer came up with a plan to take it on. This four-part narrative podcast builds on a joint investigation by WPLN Nashville Public Radio and ProPublica and is produced by The New York Times and Serial Productions.

“The Kids of Rutherford County” reveals how this system came to be, with particular attention to the adults responsible for it and the two juvenile delinquents-turned-lawyers who try to do something about it. The podcast's host is Meribah Knight, a Peabody Award-winning reporter for Nashville Public Radio who co-reported the original investigation.
 
 Listeners can subscribe on Apple Podcasts, Spotify and wherever podcasts are available. The first two episodes will premiere on Thursday, Oct. 26; parts three and four will air the following two Thursdays.

In this series, we're going to tell you about what's been described as a toxic culture of misconduct and retaliation within the Metro Nashville Police Department. And the disciplinary system that has allowed that culture to thrive.

It’s February 2020, and Warner Elementary’s star is rising. It’s showing so much progress this year that it might be able to go from one of the lowest performing schools in Tennessee to one of the best. Now it’s just time to hunker down and work until the big state test at the end of the year.   

But we all know what happens next. First, a natural disaster in Nashville. Then, a global pandemic. And at a school with low-income students, these challenges hit especially hard.  

“I'm tired of fighting for kids. One person can’t consistently carry that burden,” Warner principal Ricki Gibbs said. “I was at a point where I was going to say, ‘You can have Warner. This is too much.’” 

In this dramatic final episode of Season 2, crisis brings Warner’s challenges to a breaking point. 

The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.

There was a time when the decision of where to send your child to school was relatively simple: public or private. Now, in Nashville and many other cities, those choices have multiplied exponentially.   

In large part, it's because of white families — a way to keep them in the public system, but on their own terms. But with so many choices at play, things have gotten messy. Judgement is cast. Pedagogy is ruthlessly ranked. Gossip and chatter steer decision making. And information begins to splinter.   

In this episode, we follow two mothers whose experiences in choosing a school couldn't be more different.   

The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions. 

Last fall, parents from Lockeland Elementary held a community meeting to talk about the elephant in the room: Despite the diversity of the neighborhood, their school was the whitest school in the entire district.

Some white parents in the neighborhood simply didn’t see any problem. Others did and wanted the district to find a solution that would bring more children of color to their school. But there was a time, not that long ago, when an idea was floated that could have changed the makeup of Lockeland’s student body — and it did not go well.

In this episode, white parents start to realize that their choices, and the choices of their neighbors, created this problem.

The Promise is written and produced Meribah Knight, with additional reporting by Samantha Max. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.

Warner Elementary is about to take its moon shot. After landing on the state’s list of lowest-performing schools, it’s aiming to make the list of highest-performing schools. Finally, it has all the right tools: an infusion of federal grant money, an energetic and experienced principal, and new class offerings that set the school apart. 

But the real turnaround will only work if more students enroll — white students, specifically. And most white families in the neighborhood want nothing to do with Warner.  

In this episode, Warner begins its uphill turnaround battle.  

The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.

When Willie Sims’ daughter started kindergarten at a high-performing elementary school in East Nashville, all seemed well at first. His daughter loved her teacher. She was making friends. But then Willie realized: In a neighborhood with tons of Black families, his daughter was the only Black child in the entire grade.

Then he started hearing murmurings from other families, white families, concerned about the issue of resegregation. They were mobilizing. They wanted to push the school to acknowledge the fact that families of color were becoming scarcer and scarcer at the school.

In this episode, white parents start to see the problem. And once they do, they can’t unsee it.

The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.

After 43 years of courtroom battles, Nashville's landmark school desegregation lawsuit was settled.  In the eyes of the law, the city finally made an honest effort to racially integrate its schools. But in truth, the matter was far from settled. 

For the Kelley family, whose son was the case's named plaintiff, being Black in America meant there were battles and sacrifices at every turn — far beyond education. And for Richard Dinkins, the plaintiffs' lawyer, hope was quickly replaced by dismay as he watched decades of work and progress towards school desegregation begin to unravel.  

"The settlement was based on mutual promises," Dinkins said. "The city broke the promise." 

In this episode, our story about Nashville's fight for school desegregation continues. 

The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.

To understand the resegregation of Nashville’s schools, you have to start with understanding desegregation.  

In 1954, the famous Brown v. Board decision ruled that segregated schools violated the constitution. But in reality, that decision changed very little in Nashville. Segregation was an architecture, and to pull it apart was a grueling endeavor. White families derailed the process. City officials worked mightily to resist it. And black families sacrificed for it. 

In this episode, we’re going back to the early days of this battle for racial equity in the classroom, to the time not that long ago when school desegregation literally blew this city apart. 

The Promise is written and produced Meribah Knight. Edited by Emily Siner, with additional editing by Anita Bugg, Tony Gonzalez, Samantha Max, Sergio Martinez-Beltran and Damon Mitchell. Fact-checking and research by Sam Zern. Advising for this season by Savala Nolan Trepczynski and Alex Kotlowitz. Mixing by Jakob Lewis of Great Feeling Studios. The music is by Blue Dot Sessions.