It’s time, for Past Our Prime… and this week we turn the clock back to April 5th, 1976—when the Indiana Hoosiers men's basketball team completed one of the most iconic seasons in sports history. On the cover of Sports Illustrated is Scott May, and inside the story is perfection: 32–0, a national title, and a team that still stands alone as the last undefeated champion in men’s college basketball. The POP crew dives into a week packed with unforgettable moments—from college hoops glory to drama across the sports world 50 years ago.

This episode shines a spotlight on that legendary Indiana run under Coach Bobby Knight—a team built on discipline, defense, and relentless preparation. The guys revisit how close this program came to back-to-back titles, how Scott May’s prior injury shaped the journey, and why this team’s dominance still resonates today. From the pressure of staying undefeated to the defining moments in Philadelphia, it’s a deep dive into what made the ’76 Hoosiers truly special—and why no one has matched them since.

And to bring it all to life, the show welcomes back a key piece of that championship puzzle: Bobby Wilkerson. Known as the glue guy of that historic lineup, Wilkerson offers firsthand insight into the mindset, chemistry, and toughness that powered Indiana to perfection. From guarding the opponent’s best player to navigating Coach Knight’s demanding system, his perspective adds a personal, behind-the-scenes layer to one of college basketball’s greatest teams.

Beyond Indiana’s perfect season, the episode covers a full slate of stories from that week in 1976—baseball expansion drama, Olympic-level performances from Nadia Comaneci, rising rookies in MLB, and unforgettable moments across golf, racing, and more. But at its heart, this show is about greatness achieved—and remembered. Fifty years later, the 1976 Hoosiers remain the standard, and Past Our Prime brings you right back to when perfection was reality.

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The March 29, 1976 issue of Sports Illustrated featured Kent Benson soaring toward the basket on its cover, captured during Indiana’s hard-fought 65-56 victory over Marquette in the Mideast Regional Final. Benson dominated the paint that night with 18 points and 9 rebounds, helping send the undefeated Hoosiers to the Final Four. Exactly 50 years to the day after that iconic cover hit newsstands, Benson returns to the Past Our Prime podcast for a second time — and he’s especially thrilled that Indiana has just completed a perfect 2025-26 football season and won the national championship.

That 1976 regional final against Marquette proved to be the toughest test on Indiana’s road to perfection. With Benson anchoring the defense and controlling the interior, the Hoosiers pulled away in the second half to advance. They would go on to defeat UCLA in the national semifinal and Michigan for a 3rd time that season, 86-68 in the championship game, where Benson posted 25 points and 9 rebounds to earn Final Four Most Outstanding Player honors. The Hoosiers finished the season a perfect 32-0, becoming the last team in Division I history to win the national championship without a single loss.

For Kent Benson, appearing on the March 29, 1976 Sports Illustrated cover was the crowning moment of a breakout college career. After playing a key role as a sophomore the year before, he emerged as the centerpiece of Bob Knight’s disciplined machine in 1976. Fifty years later, he returns to POP to reflect on that magical undefeated basketball run while also celebrating Indiana’s remarkable football achievement — completing a perfect 2025-26 season and winning the national championship. It’s a rare double dose of Hoosier perfection across two different eras, and Benson couldn’t be prouder on the Past Our Prime podcast.

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At just 13 years old, Tracy Austin was already doing things most players twice her age could only dream about—right down to landing on the March 22, 1976 cover of Sports Illustrated with the headline “A Star is Born.” And they weren’t kidding. With a calm, unshakable presence, she was already beating older, more experienced players with a sharp baseline game, all while still juggling school and family life—playing a semifinal in Rome one week and taking a social studies test the next.

The wins came quickly. In 1979, she became the youngest player ever at 16 to win the US Open, defeating Chris Evert, and two years later she did it again, beating Martina Navratilova for her second title at Flushing Meadows. She also captured a mixed doubles championship at Wimbledon Championships with her brother John, and by 1980, Austin had risen to No. 1 in the world at just 17—the youngest ever to do it.

But her story became just as much about resilience as dominance. Injuries, particularly a persistent back issue, began to slow her down, and a serious car accident in 1989 ultimately cut her career short. Still, her legacy was already secure—two-time major champion, world No. 1, and the youngest inductee into the International Tennis Hall of Fame in 1992. More than anything, Tracy Austin’s grace through adversity became just as memorable as her brilliance on the court.

She tells us what it was like to be on the cover of SI when she was barely a teenager. She recalls what it was like on the tour and reveals that not everyone was welcoming the 14-year old from Southern California. Tracy talks about going up against the all-time greats and how she went from opponents on the court to lifelong friends with Chrissy, Martina and Billie Jean. And she makes it clear that she wasn’t pushed into a life of tennis by her parents, but rather, how they had to race to keep up with her as she chased and then knocked down her dreams of being a champion… and the best player in the world.

Tracy Austin on the Past Our Prime podcast.

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The March 15, 1976 issue of Sports Illustrated featured the ever-colorful and once again owner of the White Sox, Bill Veeck on the cover. One of baseball’s most imaginative and controversial owners, Veeck’s reputation for showmanship and fan-friendly ideas had already made him a legend in the game. Best known for stunts like sending Eddie Gaedel—the 3-foot-7 pinch hitter—to the plate in 1951 and for promoting fireworks, giveaways, and constant ballpark entertainment, Veeck believed baseball should always put the fans first. By 1976, as the sport wrestled with labor disputes and the emerging era of free agency, Veeck remained one of the few owners openly sympathetic to players while still championing the idea that baseball should be fun, unpredictable, and accessible. The article captured Veeck as a stubborn independent spirit—cigar in hand, wooden leg propped up—still convinced that the game needed more characters and fewer boardroom executives. Luckily for White Sox fans, Veeck was both.

Nancy Faust became a beloved part of the game-day experience for the Chicago White Sox when she began playing organ at Comiskey Park in 1970. At a time when many ballparks treated organ music as quiet background noise, Faust turned it into a form of live entertainment, cleverly reacting to what was happening on the field with playful riffs, pop songs, and musical jokes that fans quickly learned to anticipate. Her quick timing and sense of humor helped energize crowds during some lean years for the White Sox, and she became one of the first ballpark organists to truly interact with the game and the fans. Over more than four decades with the team, Faust’s music became as much a part of the White Sox identity as the crack of the bat, making her one of the most recognizable and influential organists in baseball history.

After 41 seasons with the Sox, the Most Valuable Organist in baseball history called it a career but on the Past Our Prime podcast, Nancy tells us what it was like to work for the carnival show that was Bill Veeck. She talks about how she helped Harry Caray turn the 7th inning stretch into a nightly event and how taking the opposing pitcher out became an anthem( Na, na, na, on the South Side starting in 1977 and continuing to this day. And she recalls how she started a trend in baseball by combining Jesus Christ Superstar and future Hall of Fame slugger Dick Allen: the invention of the walk-up song.

She’s a true original spirit who played for the White Sox longer than any player in team history. The uber talented MVO, Nancy Faust on the Past Our Prime podcast.

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The March 8, 1976, issue of Sports Illustrated featured Buffalo Braves star Bob McAdoo on the cover, captured in a striking close-up portrait by photographer Neil Leifer, holding the ball at Buffalo Memorial Auditorium under the headline "Hottest Shot in the Game: Buffalo's Bob McAdoo." Just one year removed from winning the 1975 NBA MVP award—his second straight scoring title at 34.1 PPG in 1974-75—McAdoo was still dominating as one of the league's premier scorers and rebounders, leading the Braves in a strong season and representing the peak of his individual brilliance in Buffalo.

However, his tenure with the Braves ended abruptly that December when contract disputes and the team's unwillingness to meet his salary demands prompted a trade to the New York Knicks for center John Gianelli and cash. Injuries, including a persistent back issue and later more severe setbacks, began to erode his consistency despite continued high scoring. McAdoo then became a journeyman: traded to the Boston Celtics in 1979 (one season), then to the Detroit Pistons (waived in 1981 due to injuries), a brief stint with the New Jersey Nets, before landing with the Los Angeles Lakers on Christmas Eve 1981 in a low-key trade for a second-round pick and cash to bolster depth after Mitch Kupchak's injury. In L.A., he reinvented himself as a potent sixth man on the Showtime-era teams alongside Magic Johnson, Kareem Abdul-Jabbar, and James Worthy, contributing key scoring off the bench to help secure two NBA championships in 1982 and 1985 before concluding his NBA career.

Named to the NBA’s 75th anniversary team, the 6-10 McAdoo was a force in the NBA and one of it’s most prolific scorers winning three scoring titles in succession and is the last player in the league to average 30 points and 15 rebounds per game in 1974. One of the most dominant players in NBA history was still at his peak in 1976, scoring 42 points for the Braves on December 7th of that year. But two days later he was traded to the Knicks and McAdoo tells us that’s when he knew this game was actually a business. He remembers what a thrill it was to be on the cover of SI for the first and only time and he recalls how being named MVP is the ultimate prize… until you win an NBA Championship. He tells us how he came off the bench for the first time ever for Pat Riley’s teams and while he didn’t start most games, he certainly finished them. And he reminisces about meeting his childhood hero Earl “The Pearl” Monroe and what it his relationship was like with Kareem, Riley and Jerry West.

One of the smoothest to ever do it in the NBA… Hall of Famer Bob McAdoo on the Past Our Prime podcast. 

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When Muhammad Ali stopped Jean-Pierre Coopman in five rounds on February 20, 1976, in San Juan, it was a controlled and confident defense of his heavyweight title. Ali dictated the pace from the opening bell, snapping jabs and sharp combinations while keeping the overmatched challenger at bay until the referee stepped in. The performance earned Ali the cover of the March 1, 1976 issue of Sports Illustrated, a reminder that even a routine title defense still revolved around “The Greatest.”

Moments like that take on more meaning when viewed through the lens of Professor Gerald Early, one of the leading scholars on Ali’s life and legacy. As editor of The Muhammad Ali Reader, Early explores Ali as more than just a boxer — he examines him as a cultural force who reshaped conversations about race, politics, and celebrity. On Past Our Prime, Early helped us connect the fighter that was Ali to the much bigger story outside the ring.

Professor Early tells us how Ali’s refusal to serve in the Vietnam War, a stand rooted in his faith cost him his title and years in his prime and went on to explain how Ali’s conversion to Islam shaped his identity, discipline, and sense of purpose, and how his beliefs guided some of the most consequential decisions of his career. And then the conversation turned personal. Early shared that as a kid, he didn’t just admire Ali — he thought he was a superhero. Years later, actually meeting Ali brought that childhood awe full circle, reminding him that sometimes your heroes can be human and still be larger than life.

When you step back, that’s really the story — a dominant champion in 1976, a man willing to sacrifice for his convictions, and a figure who inspired a generation. From the ring to the broader culture to one young fan who grew up to become a leading Ali scholar, it all came together in a way that felt both historic and personal on the Past Our Prime podcast.

If you think you know Muhammad Ali... think again. Listen wherever you get your podcasts.

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The February 23, 1976 issue of Sports Illustrated featured a colorful and compelling story on Seattle SuperSonics guard Slick Watts, written by veteran reporter John Papanek who had a gift for capturing the spirit of athletes who didn’t always fit the traditional superstar mold, and Watts — with his bald head, crooked headband and relentless defensive energy — was perfect material. Rather than reduce him to novelty, Papanek portrayed Watts as a symbol of grit and individuality in a changing NBA, blending humor, texture and sharp reporting in a way that defined Sports Illustrated in the 1970s.

By 1976, Papanek was already a seasoned voice at Sports Illustrated, known for immersive storytelling and his ability to find humanity beneath the box score. His profile of Watts reflected SI’s editorial golden age — long-form narrative, scene-setting detail, and cultural context wrapped around sports performance. The piece didn’t just chronicle steals and assists; it explored personality, confidence and the way Watts connected with Seattle fans. Papanek understood that sports stories resonated most when they revealed character, and that approach helped solidify SI’s reputation for literary sports journalism.

In addition, Papanek helped launch Sports Illustrated for Kids, proving his versatility across audiences. He tells us on the show how he had to convince the powers that be that their main competition wasn't other magazines, but rather, to their shock, video games and M-TV. Papanek always had his finger on the pulse of pop culture and later carried that storytelling sensibility he developed at SI into the modern media era with ESPN. He became part of the launch team for ESPN The Magazine in the late 1990s, helping shape its voice as a sharper, more contemporary counterpart to traditional sports publications. He also contributed to ESPN.com, adapting his narrative instincts to the digital format while maintaining depth and personality in his features.

From Sports Illustrated’s golden age to the multimedia expansion of ESPN, John Papanek’s career reflects the evolution of sports journalism that spans half a century... which is just perfect for our show. One of the all-time greats from Sports Illustrated... John Papanek on the Past Our Prime podcast.

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On February 5, 1976, Franz Klammer delivered one of the most electrifying performances in Winter Olympic history, charging down the Patscherkofel course in Innsbruck to win gold in the men’s downhill. The 22-year-old Austrian was already a World Cup star, but the pressure on him that day was immense. Austria was hosting the Games, the nation expected victory in its signature alpine event, and Klammer had struggled in training runs. Wearing bib No. 15, he attacked the mountain with breathtaking aggression—arms flailing, skis rattling, barely holding the racing line—yet somehow stayed upright. When he crossed the finish line and saw he had taken the lead, the eruption from the home crowd was as dramatic as the run itself.

Now, 50 years later to the day, Klammer joins the guys on the Past Our Prime podcast to talk about that life changing 1 :45.73 down the icy mountain and how for Austria, Klammer’s victory was far more than just a gold medal. Alpine skiing is woven into the country’s cultural identity; its champions are national heroes, symbols of resilience and pride in a small alpine nation that measures itself against the world on snow. Hosting the Olympics magnified that pride—and the anxiety. A loss in the marquee downhill could have felt like a national disappointment. Instead, Klammer’s daring descent became a unifying moment, a release of collective tension and a reaffirmation of Austrian excellence in the mountains that define the country. His win gave the home Games their emotional centerpiece and remains one of the most cherished moments in Austrian sports history.

That significance was captured internationally when Klammer appeared on the cover of the February 16, 1976 issue of Sports Illustrated. The cover cemented his run not just as a national triumph, but as a global sporting spectacle—an image of fearless commitment under overwhelming pressure.

On POP, Klammer recalls how going last down the mountain was torturous waiting his turn. He knew he had the weight of his country on his shoulders and attacked the mountain knowing that his rival and now good friend Bernhard Russi had just set a record time coming down the hill. Now it was his turn. He tells us he was going to do one of two things... crash or win.

He won.

One of the greatest skiers ever... Franz Klammer on the Past Our Prime podcast. Listen and subscribe wherever you get your podcasts.

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The February 9, 1976 cover of Sports Illustrated froze a moment that changed Tennessee basketball forever. Bernard King and Ernie Grunfeld weren’t just winning games — they were transforming the sport. King played with raw power and fearless intent, a scorer who imposed his will, while Grunfeld brought grace, vision, and a scorer’s touch that made defenses choose wrong every time. Together, they became more than teammates. They were a movement. The Ernie and Bernie Show wasn’t just a hit — it was must-see basketball.

What made them unforgettable was how perfectly they balanced each other. You couldn’t stop one without awakening the other. King attacked the rim like it owed him something. Grunfeld punished hesitation with precision. Their chemistry lifted Tennessee onto the national stage and announced that the Volunteers belonged among college basketball’s elite at a moment when the game itself was exploding into the American consciousness.

For Mike Keith, those two players meant something even deeper. Long before he became the unmistakable Voice of the Vols, he was a kid watching Bernard and Ernie make Tennessee matter. On Past Our Prime, Mike reflects on seeing them play in Atlanta when the Omni first opened — how they looked like kings, on and off the court, and how that moment felt like personal validation. Tennessee was no longer just his team; it was a national treasure, and he was proud to share it with the world. Bernard King and Ernie Grunfeld didn’t just shape an era — they helped shape Mike Keith’s love for the Vols and the voice he would one day lend to their history.

It’s the Bernie and Ernie Show, decades later, meeting the man who carries their legacy forward every night. Mike Keith joins Past Our Prime — and it’s a conversation that still echoes through Knoxville. Listen and subscribe wherever you get your podcasts.

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Sheila Young entered 1976 as the face of American speed skating, and in fact her appearance on the February 2, 1976 cover of Sports Illustrated made her the face of the USA's best chance at a gold medal and captured the moment perfectly. Already a world champion with a reputation for raw power and fearless racing, Young stood out in a sport dominated by European skaters. The cover reflected more than hype—it marked her as the rare American athlete expected to challenge for Olympic gold at the upcoming Winter Games in Innsbruck.

At the 1976 Winter Olympics, Young delivered a historic performance. She won gold in the 500 meters, confirming her status as the world’s premier sprinter, then added a silver medal in the 1,000 meters and a bronze in the 1,500 meters. Medaling across three distances was a remarkable feat and made her the most decorated American speed skater of the Games, showcasing both her versatility and competitive toughness on the biggest stage.

Those achievements cemented Sheila Young’s place as one of the great figures in Olympic speed skating, a trailblazer who brought American confidence and personality into a traditionally European sport. Decades later, her legacy continues—not just on the ice, but in conversation—as Sheila Young joined the Past Our Prime podcast, reflecting on that unforgettable 1976 season and giving listeners a firsthand look at what it took to thrive under the brightest Olympic spotlight.

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