Past Present Feature with Marcus Mizelle

In this conversation, Oscar-nominated Scandar Copti discusses his latest film 'Happy Holidays', which just won the Orizontti Award for Best Screenplay at the Venice Film Festival. His past inspiration includes Alexander Nanau’s 2014 Docu-drama ‘Toto and His Sisters’ and Brazilian doc ‘Bus 174’.

Scandar shares the creative process behind his film and the unique approach he takes in filmmaking, such as casting non-professional actors, and filming chronologically, which allows actors to experience deeper emotions as their characters would.

Scandar emphasizes the need to understand the human experience in storytelling, the value in embracing imperfections, and how the normalization of suffering is a central theme in his work.

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In this conversation, Peter Kerekes, Slovakian director of the Venice-bound documentary ‘Wishing On a Star’, shares valuable insights and inspirations, including Ulrich Seidl’s ‘Losses to Be Expected’ and Italian comedies from the 1970s.

Peter shares his journey into poetic documentary filmmaking, the influence of his filmmaker father's experiences, the importance of humor in his films, and the process of developing and editing documentaries. 

He emphasizes the significance of character development, the impact of travel on personal transformation, the role of teaching in shaping future filmmakers, and the future of documentaries.

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In this conversation, Deepak Rauniyar - director of ‘Pooja, Sir’, which just premiered at the Venice Film Festival - shares how he found inspiration in Akira Kurosawa’s ‘Stray Dog’, and the 2019 French film ‘Les Misérables’ by Ladj Ly.

Deepak discusses his journey from journalism to filmmaking, inspired by personal experiences and the socio-political landscape of Nepal. He emphasizes the importance of cultural representation in cinema, the struggles that shape creativity, and the role of community and mentorship in the filmmaking process. 

Deepak also highlights the value of openness to criticism and the importance of connectivity in the industry.

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In this conversation, Nathan Tape shares his experiences making ‘Off Ramp’, now in cinemas after its World premiere at the prestigious Polish genre festival Splat!FilmFest, followed by the New Orleans Film Festival. Nate’s biggest inspiration: David Lynch’s 1990 film ‘Wild at Heart’ starring Nicolas Cage and Laura Dern. 

Nathan dives into the making of his film ‘Off-Ramp’, a film about Juggalos, the super fans of the Insane Clown Posse, and their sense of community and chosen family, sharing that he wanted to make a road trip movie that explores the meaning of friendship and belonging.

Nathan and Marcus also reflect on their time working together on big film sets in New Orleans, which provided valuable experience and opportunities for growth as a filmmaker, such as building relationships in the industry and coming to understand how resilience and perseverance are key qualities for success. Also, each filmmaker has their path and timeline, so it's important to embrace your journey, and that the satisfaction of completing a film and seeing it come to life far outweighs the challenges and setbacks along the way.

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On today’s episode, Elliott Lester talks about his latest film ‘The Thicket’, starring Peter Dinklage and Juliette Lewis, and shares his inspirations from movies like 'The Rocky Horror Picture Show', 'Midnight Cowboy', and the works of Martin Scorsese. He also discusses his experience working with global stars such as Arnold Schwarzenegger and Jason Statham.

Elliott speaks on Tubi as a production partner and distribution platform, the challenges of making and distributing films in today’s landscape, the value of audience feedback, and the impact of awards and reviews. He also shares his casting process and the importance of finding the right actors for a role.

Elliott offers advice on creating a collaborative and enjoyable atmosphere on set and reflects on his journey in the industry.

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Today’s episode features Vincent Grashaw and his new film 'Bang Bang', screening this week at the Deauville Film Festival following Locarno and Tribeca. Past inspiration includes ‘The Wrestler’, and we share an appreciation for Spike Lee’s ‘He Got Game’.

Vincent talks about his connection to boxing, his casting techniques, shooting on ultra-wide lenses, and the unsung process of color grading. He also discusses his previous films and the challenges of making low-budget indie movies, emphasizing the importance of taking control of your destiny and to never give up. 

Vincent shares the common themes in his films, such as friendship and the impact of relationships, and we talk about the current state of the Hollywood film industry and the need for a material renaissance. 

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In this conversation, filmmaker Dương Dược Linh discusses her journey into filmmaking and her fascination with the body horror genre, ahead of her feature debut, ‘Don't Cry Butterfly’, which is premiering at Venice Critics Week followed by the Toronto International Film Festival. 

Being inspired by such past body horrors ‘Possession’, directed by Andrzej Żuławski and ‘Species’ by Roger Donaldson, Dương explores the generational trauma and internalized misogyny experienced by middle-aged women in Vietnam and shares her interest in understanding how things work underneath led her to explore the inner emotions of characters through body horror. 

She also speaks on her excitement about premiering at Venice Critics Week, and shares some of the unique marketing ideas she and her team have planned for the festival.

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Marcus speaks with Freddy Macdonald about his debut feature film 'Sew Torn', just screened at Locarno, following a World premiere at South by Southwest. Drawing inspiration from the 1998 German film ‘Run Lola Run’ as well as ‘No Country For Old Men’ (2007), Freddy speaks on the great fortune of sitting down with one of the directors of the latter film - Joel Cohen - who encouraged him to keep going, and to turn his short into a feature.

The conversation also touches on Freddy’s experience filming in Switzerland, making a movie with his dad, unconventional shooting methods and practical effects, and the value of creating a short film first that can lead the way to becoming a feature film later.

Other topics include the importance of managing expectations, the role of champions in the industry, and the vulnerability of sharing one's work.

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Marcus speaks with Bálint Szimler about his feature film ‘Lesson Learned’, which just premiered at the Locarno Fim Festival. The discussion also touches on the films that most inspired him - 'Play' by Ruben Östlund and 'Family Nest' by Béla Tarr.

Bálint dives in to the inspiration behind his film, and the challenges of the Hungarian educational system. He also talks about his approach to storytelling and the importance of realistic and character-driven films. He shares insights into his scriptwriting process, the use of improvisation in his films, the importance of passion and dedication, and the collective effort of the cast and crew. Bálint also speaks on the significance of honoring the craft, and the decision to shoot on 16mm film - collaborating with cinematographer Marcell Rév of Euphoria fame.

The conversation also touches on the themes of living in the moment, the value of limitations, the rewards of filmmaking, and challenging the systems in place.

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Today I speak with my friend and exceptional filmmaker Ellie Foumbi, about her Independent Spirt Award-nominated 'Our Father The Devil,' which is now on the Criterion Channel following a premiere at last year’s Venice International Film Festival. We also discuss the influence of Andrea Arnold’s film 'Red Road' (2006) on her work.

We reminisce about our initial meeting and collaboration in 2012, mutual connections in the industry, and Ellie's process of making an effective micro-budget thriller - which involves the balance of intrigue, character development, and a clear antagonist to create tension and engage the audience. 

Ellie shares her thoughts on the future of cinema, the significance of her work being featured on Criterion, and the importance of patience and honing one's skills through short films and workshops. 

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