
Sign up to save your podcasts
Or


On today’s date in 1985, a brand-new piece of music had its premiere in a brand-new concert hall in Minnesota. American composer Paul Fetler wrote his jaunty Capriccio to celebrate both the first concert of the seventh season of conductor Jay Fishman’s Minneapolis Chamber Symphony and the new Ordway Music Theater in St. Paul, which had opened its doors to the public that year.
“When Jay Fishman commissioned me to compose a dedicatory work for their opening concert, I immediately thought of a composition which would be light-hearted, buoyant, and playful,” Felter wrote, “I felt for once that the ‘serious’ contemporary music scene (which I often find to be super serious) could stand a bit of contrast. Perhaps the time is ripe to have a few pieces which are less ‘profound,’ something with the flair of Rossini to divert the listener from the daily burdens of life.”
He concluded: “There is no story behind the Capriccio, but the whimsy and playfulness are intended to suggest a musical caper of a kind. To bring this out, I made primary use of the woodwinds, in particular the flute and piccolo, with their skips, runs, and arpeggios.”
Paul Fetler (1920-2018): Capriccio; Ann Arbor Symphony; Arie Lipsky, conductor; Naxos 8.559606
By American Public Media4.7
176176 ratings
On today’s date in 1985, a brand-new piece of music had its premiere in a brand-new concert hall in Minnesota. American composer Paul Fetler wrote his jaunty Capriccio to celebrate both the first concert of the seventh season of conductor Jay Fishman’s Minneapolis Chamber Symphony and the new Ordway Music Theater in St. Paul, which had opened its doors to the public that year.
“When Jay Fishman commissioned me to compose a dedicatory work for their opening concert, I immediately thought of a composition which would be light-hearted, buoyant, and playful,” Felter wrote, “I felt for once that the ‘serious’ contemporary music scene (which I often find to be super serious) could stand a bit of contrast. Perhaps the time is ripe to have a few pieces which are less ‘profound,’ something with the flair of Rossini to divert the listener from the daily burdens of life.”
He concluded: “There is no story behind the Capriccio, but the whimsy and playfulness are intended to suggest a musical caper of a kind. To bring this out, I made primary use of the woodwinds, in particular the flute and piccolo, with their skips, runs, and arpeggios.”
Paul Fetler (1920-2018): Capriccio; Ann Arbor Symphony; Arie Lipsky, conductor; Naxos 8.559606

6,789 Listeners

38,788 Listeners

8,765 Listeners

9,192 Listeners

5,744 Listeners

926 Listeners

1,389 Listeners

1,275 Listeners

3,146 Listeners

1,977 Listeners

520 Listeners

182 Listeners

13,695 Listeners

3,075 Listeners

247 Listeners

28,214 Listeners

435 Listeners

5,490 Listeners

2,178 Listeners

14,109 Listeners

6,355 Listeners

2,515 Listeners

4,874 Listeners

568 Listeners

204 Listeners