On this episode of the Paul Weller Fan Podcast, I’m joined by singer-songwriter Amelia Coburn - an artist whose distinctive voice, storytelling flair, and genre-blurring style have won her fans far beyond the folk world. Amelia’s connection to Weller began with her wonderful ukulele cover of Down in the Tube Station at Midnight, which eventually caught Paul’s ear via Shindig! magazine’s John Mills. This story leads to a beautiful collaboration on Paul Weller’s new album Find El Dorado, where Amelia’s vocals feature on the Christy Moore song 'One Last Cold Kiss'.

We talk about her musical upbringing, the influence of The Jam, the decade-long journey to her debut album Between the Moon and the Milkman, and the stories behind songs like 'Dublin Serenade', 'Nodding Dog', and 'Sandra'. Amelia also shares how it feels to be championed by one of her heroes, her hopes for future collaborations, and exciting plans for album number two.

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Declan O'Rourke is my guest on this episode of The Paul Weller Fan Podcast - another huge talent and always a delight to talk to. Warm, humorous, super-smart and clearly a huge talent.

This time around we talk Find El Dorado and the opening song - a duet between Paul and Declan - a cover of Richie Havens’ 'Handouts in the Rain' - a song that is undeniably beautiful with the juxtaposition that it reflects on humanity’s repeated failures - violence, prejudice, and exploitation - while warning of the inevitable consequences: alienation, shame, and destitution.

Written during the 1970s, its verses reflect on personal and societal cruelty, from harming neighbours and foreigners to betraying women and misleading children. The refrain - "taking handouts in the rain” - is a powerful image of collective downfall, suggesting that those who perpetuate harm will ultimately share in suffering and marginalisation.

As Paul and Declan cover the song decades later, its relevance has not diminished. In today’s world, issues of xenophobia, social division, and generational mistrust remain pressing. The song’s critique of scapegoating, violence, and inherited prejudice resonates just as strongly, if not more so, amid ongoing global conflicts, refugee crises, and polarised societies.

Both versions underscore how cycles of blame and cruelty lead only to mutual ruin - a message as urgent now as when Havens first sang it.

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This week’s guest on the Paul Weller Fan Podcast is Tony Harlow, one of the most influential figures in the modern music industry and the current Chairman & CEO of Warner Music UK.

CEO of Richard Branson’s V2 Records during Paul Weller's time at the label, their professional paths have crossed again more recently, with Paul signing back with Warner's Parlophone label for Find El Dorado.

Beyond his work with Paul Weller, Tony Harlow has played a pivotal role in shaping the careers of a diverse range of artists.

At V2, he championed acts like The White Stripes, Stereophonics, and Moby, while his leadership at Warner Music Australia saw him help launch the global success of Ed Sheeran and Dua Lipa.

His approach has always been artist-centric, blending a keen ear for talent with a progressive vision for the industry - evident in his efforts to support independent musicians through initiatives like Co-Op Music, and his recent investments in regional UK studios and digital innovation at Warner.

Our chat was for my upcoming Dancing Through the Fire - Paul Weller oral history book, and Tony has kindly let me use the audio for an episode of the podcast.

We cover his early days working at Beggars Banquet record shop and going to punk gigs ... to V2 during Paul Weller’s time at the label and the sale of the record label at the point Paul had just finished creating 22 Dreams.

Tony shares his memories of working with Paul, his unique relationship with John Weller, and why he believes Paul remains one of the greatest and most enduring artists of our time.

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Paul Weller’s new album Find El Dorado, out today via Parlophone, is a reflective, quietly radical covers record reinterpreting tracks discovered through late-night listening, friends’ recommendations, and crate-digging, now given a home in his voice.

Produced by Steve Cradock, it features intimate yet polished arrangements and contributions from Declan O’Rourke, Amelia Coburn, Noel Gallagher, Seckou Keita, Robert Plant, Hannah Peel and others.

The album opens with Richie Havens’ haunting ‘Handouts In The Rain’ and journeys through obscurities like ‘Daltry Street’ and ‘One Last Cold Kiss’, reimagined classics such as ‘I Started A Joke’ and ‘Nobody’s Fool’, and finishes as an act of listening and reflection.

It reveals Weller’s enduring creativity – a glimpse into the five-decade journey told in full in my upcoming authorised oral history Paul Weller: Dancing Through the Fire, out 11 September, featuring unheard stories and voices from across his remarkable life.

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In this episode, I’m joined by acclaimed music journalist and broadcaster Pete Paphides to dive into Paul Weller’s new album, Find El Dorado. Pete wrote the liner notes for the album and the cover story for Uncut magazine, so he brings a unique perspective on how the project came together, the inspiration behind the track-list, and why these particular songs were chosen. We talk about Weller’s drive to celebrate lesser-known gems, his collaboration with Steve Cradock (who produces), and the contributions from special guests like Declan O’Rourke, Amelia Coburn, Noel Gallagher, and Robert Plant.

We also explore the wider context of Weller’s career - how his voice has evolved, the influence of folk, soul, and psychedelia on this record, and what makes this album stand apart from his recent releases. There are plenty of stories from behind the scenes, reflections on creative partnerships, and even a look ahead to The Jam’s 50th anniversary and my own upcoming book, Paul Weller: Dancing Through the Fire...

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Dean Chalkley is a renowned photographer who, for over three decades, has created authentic and powerful imagery across music, fashion, and culture, capturing everyone from underground pioneers to pop stars with an eye rooted in subcultures like Mod, Northern Soul, and Rudeboy scenes.

Originally trained as a tailor, his deep understanding of personal style and cultural movements has informed projects such as Return of the Rudeboy and Young Souls, while his experimental works like New Perspectives continue to push boundaries.

Dean has photographed some of the most exciting names in the contemporary music world - including Noel Gallagher, Amy Winehouse, Suede, Boy George, Dizzie Rascal, Jay-Z, Richard Ashcroft, and, of course, Paul Weller !

Over the years, he has photographed Paul many times for magazines and supplements like The Sunday Times Magazine, Uncut, and NME, for his record label, his collaborative clothing range with Sunspel in 2021, and most recently for the Find El Dorado album project.

A lifelong Mod himself, Dean brings an insider’s understanding of style, attitude, and cultural nuance to every image he creates.

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My guest on this episode is a true icon – singer, songwriter, DJ, author, and cultural trailblazer – Boy George.

A 20 minute chat to gather stories for my upcoming Paul Weller oral history book - that was so good , I wanted you to hear as a podcast too.

From the early days of seeing Paul on Wardour Street in a sharp blue mod suit, to touring together in Japan with The Style Council and Culture Club, George shares his memories of Weller’s music, their mutual respect, and hilarious tales involving Marilyn, Mick Talbot’s wife, and wild nights out.

Hear how Boy George ended up performing ' One Tear' on Paul Weller's A Kind Revolution album in 2017, and live with the BBC Orchestra for a stunning rendition of 'You’re The Best Thing' for Weller's lockdown gig at the Barbican.

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Martin Carthy MBE is a true icon of British folk music.

In this episode, we explore Martin’s remarkable legacy - a career spanning over six decades - from the 1960s folk revival to ground-breaking collaborations with Steeleye Span, The Watersons, and The Imagined Village (on which Paul, Martin and Eliza Carthy collaborated on 'John Barleycorn'.

We discuss his work with Paul Weller, including the 2018 album True Meanings, where Martin’s guitar graces the track 'Come Along.'

Martin also reflects on the original 1972 recording of Lal Waterson’s haunting 'Never the Same,' recently reimagined by Paul for his upcoming covers album Find the El Dorado.

We also chat about Martin’s new 2025 release Transform Me Then Into a Fish – a full-circle revisit of his 1965 debut album, reimagined for his 84th birthday. It’s a powerful reminder of his enduring artistry and commitment to traditional song.

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On this episode of the podcast, I am joined by Brian Protheroe , the man behind the 1974 original of 'Pinball' - Paul Weller's latest single from the upcoming covers album Find El Dorado.

When Paul Weller chose to cover Brian Protheroe’s 1974 debut single 'Pinball' for his latest single and upcoming album Find El Dorado, it wasn’t just a nod to nostalgia - it was an artist recognising a song that had quietly endured for half a century. For Brian, who has straddled a dual career in acting and music, Pinball was never meant to be a pop hit. It was a stream-of-consciousness diary entry, capturing a moment of heartbreak, aimlessness, and Soho wanderings, all strung together without a chorus - just mood, melody, and raw honesty.

Written during a low point in his life - newly single, broke, and living in a flea-ridden Covent Garden flat - his vivid lyrical sketches ('fleas in the bedroom, flies in the bathroom') offered something different to the glam and gloss of the charts. That difference resonated: Pinball landed him on Top of the Pops, and repeated plays from Kenny Everett on his Capital radio show.

Now 81, Brian is still writing and recording, with a remastered vinyl reissue of his debut album Pinball due in August.

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For episode 10 of the podcast’s third season, I had the pleasure of speaking with Jackson Ducasse - a filmmaker who has collaborated with many incredible artists including Dua Lipa, Calum Scott, James Bay, Clean Bandit, New Order, Imagine Dragons, Isaac Gracie, Kelis, Professor Green, Amy Macdonald, Jess Glynne, John Legend, Blondie, Katie Melua and Nile Rodgers. 

Jackson was brought on board by Weller HQ and Parlophone to direct the video for Paul’s latest single, a bluesy, raw reinterpretation of a little-known track called Lawdy Rolla.

The brief? Keep it stylish, simple, and true to Weller’s vision. Shot entirely at Black Barn, the video uses bold colour backdrops and split-screen edits to showcase the instrumental complexity and the cool, effortless energy of Weller, longtime collaborator Steve Cradock and sax player, Kevin Haynes.

We dive into his behind-the-scenes work on the striking video for Paul Weller’s latest single, discussing how the project came about, filming at Black Barn Studio, the challenges of directing music legends, and the thoughtful creative process behind it all. From stylish split-screens to Savile Row suits, it's a fascinating insight into bringing Paul's vision to life on screen.

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