Paulo Bruscky’s work reflects a simultaneous engagement with both the Brazilian artist’s local framework of Recife and a global network, which he documents in artist’s books, performative projects, and photographs. Associated with Fluxus, and a key participant in the international mail-art movement, he investigates meaning through action, collage, installation, film, and poetry. Produced during his first trip to New York as part of a Guggenheim Fellowship and in collaboration with Daniel Santiago, Air Art Proposal of Composition of Colored Clouds in the Sky of New York(1982) is one of a series of classified ads published in Brazilian and other newspapers that advocate absurd or impossible situations.