Party Favorz is dropping a surprise peak hour party mix that shakes up our normal release schedule. "Wanna Go Dancin'" is packed to the hilt with slamming new Tech House tracks, a smattering of Bass House, and a healthy serving of deeper House M...

This is a 2020 tech house Peak Hour mix curated for the after-hours crowd. Red Alert collects deep peak-time groovers and unexpected funk edits designed to sustain a late-night energy and keep the floor moving even when the sun is long gone. Highlights include the moody opener from Claptone & Mylo, a fresh deep rework from The Cube Guys with Bando on Groove Is In The Heart, and Fatboy Slim & Eats Everything holding down a steady, infectious groove. Basement Jaxx’s Red Alert gets a modern Cube Guys remix, Above & Beyond turn Blue Monday into a widescreen moment, and Riva Starr’s flip of Dennis Ferrer’s Hey Hey injects classic house flair. Expect stomping tech-house, well-placed throwback samples, and a few surprise remixes that turn familiar hooks into late-night weapons.

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This Peak Hour episode is a 2020 Tech House and alternative-dance continuous mix built for late-night club energy and peak-time floors. Keep Control spotlights the Artbat remix of Sono’s classic as its centerpiece, and the set is designed to showcase tracks rolling in the world’s cooler clubs while giving them a fresh, progressive techno sheen.

Expect tight mixing and inventive mashups across 90 minutes, with highlights including Artbat’s take on Keep Control alongside Franky Rizardo’s Remember Me remix, Chris Lake’s rework of Josh Wink & Lil’ Louis, and modern peaks from Vintage Culture and Duke Dumont. The mix leans into Tech House, Techno and Progressive House flavors while slipping in inventive boots and mashups that let the DJ stretch into deeper, less commercial territory. It’s aimed at listeners who appreciate nuanced transitions, bold remixes, and peak-hour momentum.

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This is an Underground House Peak Hour mix from 2019 built for late-night raves and warehouse floors. For The People gathers tech house, bass house, breaks, trance and DnB into a two-hour set that shifts from dark remixes into peak-time utility while keeping the flow tight and mash-ready.

Highlights include the SHYHiZZLE take on Danny Darko & Julien Kelland’s Paint It Black and NERVO & Skazi’s rework of Zhu’s Faded, both leaning into the mix’s darker edge before things explode into party mode. You’ll also find peak cuts from Martin Ikin, Chris Lake & Solardo, Illyus & Barrientos and Dom Dolla that keep the energy moving and the transitions purposeful. This set celebrates variety and DJ-friendly sequencing—perfect for listeners who want a thoughtful underground journey rather than a straight commercial playlist.

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This Peak Hour mix from 2019 takes an underground-first approach across tech house, breaks, drum & bass, electro and progressive house, built as an immersive two-hour journey rather than a simple DJ outing. Party Favorz shapes the set like a rollercoaster—big drops, slow climbs and surprise turns—so expect intensity punctuated by brief, controlled respites rather than a relaxed listening session.

Highlights include the Robbie Rivera remix of Dave Winnel’s “Smoke Machine” as an opening tease and Eli Brown’s title cut “Change The Situation” later in the ride. CamelPhat’s rework of Dirty Vegas and a late-career Reinier Zonneveld cut sit alongside club-ready turns from Patrick Topping, Mark Knight, and Samim (Tube & Berger remix). The cover art leans on “Resist” imagery in solidarity with global protests, underscoring the underground’s role as a voice for change. Total running time: 02:10:29.

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This Peak Hour mix — let's get ill — collects 2019 tech-house, breaks, drum & bass, and peak-time house tracks built for the dancefloor. Compiled and edited in one sitting, the set moves fast with short passages and on‑the‑fly mashups designed to keep momentum high across its 1:43 runtime.

Highlights include FISHER, Chris Lake & Lee Foss, Laidback Luke & Keanu Silva (RetroVision remix), Mark Knight, Stanton Warriors featuring Sian Evans, and a recurring Loleatta Holloway presence that threads three tracks together — two samplings of her 1980 hit "Love Sensation" appear in different takes. Expect rugged underground energy, tribal-leaning moments, and a few unexpected edits and mashups that refresh classic disco-sourced elements for modern peak-hour floors.

Tracklist spans 34 selections from Sopran X Lexu and Benny Benassi to Robbie Rivera and Moreno Pezzolato, emphasizing dance-club favorites and underground party material currently circulating the circuit.

Find more Peak Hour mixes from Party Favorz at https://partyfavorz.com/category/peak-hour/

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Peak Hour House 2019 — Start the Party is a nearly two-hour underground set built for peak-time moments, weaving Tech House with Techno, Breaks and Drum & Bass. This installment is designed as an adventurous journey through darker club textures and rolling grooves, sitting comfortably in the series’ club-focused lineage while exploring a few left-field turns.

Highlights include CamelPhat & Cristoph’s emotive Breathe featuring Jem Cooke, Thomas Schumacher’s propulsive Golden Hour, a CamelPhat extended remix of Calvin Harris’ I’m Not Alone, and Cloonee’s Be Good To Me driving the peak. Franky Wah’s Get Me High appears again and was intentionally reworked here despite feeling incomplete, and the set closes out with festival-ready energy from Prospa’s Prayer (DJ Seinfeld Remix) and BK298’s Sing feat. Byron Stingily. Total time: 01:59:31. Enjoy this carefully sequenced Peak Hour House mix for adventurous dance-floor listeners.

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This episode is Peak Hour house music for 2019, a darker Tech House and peak-hour selection titled Rave Machine designed to thump through club systems. Franky Rizardo’s title track anchors the set while the mix stretches into Prog-House and techno territory to keep momentum unpredictable and club-ready. Expect standout moments from Gorgon City’s Lick Shot, Booka Shade’s Trespass 2019 in a Mark Knight extended rework, Eats Everything’s Space Raiders reshaped by Charlotte de Witte, plus cuts from Martin Ikin and Green Velvet & Gene Farris. The host also reflects on the limits of the Tech House boom and deliberately weaves in other styles to avoid monotony, favoring variety over trend-chasing. If you follow the Peak Hour series, this one leans darker but keeps the dancefloor in mind.

Find more Peak Hour mixes from Party Favorz at https://partyfavorz.com/category/peak-hour/

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This Peak Hour mix Drop It! (2018) serves up a darker, club-ready selection of Tech House and Techno to power through a mid-week set. Party Favorz resurrects an earlier Deep Edition vibe, opening with a warmed-up Shadow Child take on the early-90s rave classic "DJ's Take Control" before pushing into tougher grooves. Highlights include cuts from Green Velvet & Chris Lake, a driving moment from Dusky, and peak-time burners by Illyus & Barrientos and Shiba San & Tim Baresko. The set also weaves in hypnotic edits and a CamelPhat remix of Paul Woolford to keep momentum high while allowing space for textured, underground energy. The mix was carefully edited over several days to tighten transitions and sustain flow; expect a roughly 96-minute journey that builds, boils over, and eases back down. If you like darker dancefloor fare with purposeful pacing, this one’s for the late-night edge.

Find more Peak Hour mixes from Party Favorz at https://partyfavorz.com/category/peak-hour/

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This is a 2018 Peak Hour tech-house mix titled Feel It!, built around dark, driving Tech House with regular pivots into funkier, peak-time Power House. The first half leans into darker grooves before shifting back and forth into more anthemic, dancefloor-ready cuts, so expect a set designed for sustained energy rather than radio-friendly singles.

Highlights include bruising turns from Hot Since 82, a Tom Staar remix of David Guetta, Fisher’s Losing It, and peak-time weaponry from Illyus & Barrientos and Mark Knight, plus a Purple Disco Machine rework of Shakedown that lightens the mood. The mix also features Supernova with Gene Farris and nods to classic house vocals, all sequenced to balance tension and release across the two-hour runtime.

Note: the host explains why exclusive edits and promos aren’t shared directly and recommends checking their SoundCloud favorites for clues to tracks in rotation. This episode is aimed at listeners who like their tech-house dark but willing to be surprised by sharper, club-focused peaks.

Find more Peak Hour mixes from Party Favorz at https://partyfavorz.com/category/peak-hour/

Subscribe to Party Favorz on YouTube at https://www.youtube.com/@PartyFavorzPodcast

If the music moved you, pass a little energy back by supporting Party Favorz at https://donorbox.org/party-favorz-fundraiser