Peak Viewing

This week we talk about Lost in America, the mid-life crisis movie to end all mid-life crisis movies. Albert Brooks is skewering baby boomers who watched Easy Rider one too many times, and we’re asking the big questions. What age do you have to be to consider it a “mid-life” crisis? How much is the nest egg in 2025 dollars? What’s the deal with New York, New York? Could you live in a Winnebago long-term? And what’s the right age to watch Airplane?

Picture a man. Now give him all of the worst, most awful (non-violent) possessive traits you can imagine. Now picture a movie all about this man, and you might have something approximating Albert Brooks’ sophomore feature, Modern Romance. This damning indictment of the modern dating man was written decades before terms like “toxic masculinity” entered our everyday vocabulary, and for that reason it has an almost timeless quality to its satire. In between groaning over this man, we also discuss the fun meta filmmaking scenes, the terrible DVD cover, and how much Henry’s couch looks like the one in the movie.

Today we embark on a journey through the comedies of Albert Brooks. His first film, 1979’s Real Life, is a wonderful send up of reality TV, a genre of entertainment that effectively didn’t even exist yet! We discuss the myriad of ways this movie was ahead of it’s time, the interconnected web of alt comedians in this time period, a few embarrassing film blinds spots we still have, and of course, the Jumbotron CEO.

We’re taking one last dip into the Coens filmography with Ethan and Tricia’s new film Honey Don’t! This may not exactly be a "great" movie, but it’s enough of a step-up from Drive-Away Dolls that we both walked away somewhat impressed. We share our observations on audience reactions, IMDb plot keyword sickos, the hottest new addictive mobile game, and how we can no longer trust our own moviegoing opinions.

Tony Scott’s 2009 remake of The Taking of Pelham 123 is unfortunately the kind of remake that has all the edges sanded off. What was once a story about corruption and scorn in the hearts of all men has been retooled into a tale of just two men, one on a righteous path and the other tumbling down the crime-ridden ravine. Are they different? Are they the same? What was Henry’s secret agenda from last week? Why did Bill Clinton endorse Cuomo? And what the hell is MovieIQ?!

Our shortest miniseries to date focuses on two films, the original from the 1970s and the remake in the late aughts. This week we’re talking about 1974’s The Taking of Pelham One Two Three, the original story of criminals hijacking a New York subway car. Samuel read the book, and he’s disturbed! Henry heard the dialogue, and he’s delighted! We discuss the flavorful style of this movie, from the performances to the music, and tease a secret agenda behind this miniseries…

Now that we’re done with the movies Joel and Ethan Coen made together, we move on to the “solo” projects. We already covered The Tragedy of Macbeth last year as part of our Denzel Washington miniseries, so it’s on to Ethan Coen’s Drive-Away Dolls, a lesbian road comedy made with his wife Tricia Cooke. This movie (which we both found to be equal parts strange, funny, and bad) has its fair share of topic starters, so please enjoy our unhinged discussion on character actor cameos, southern accents, lesbian bars, and, of course, dildos. Way more dildo discussion than you would probably expect.

This week we discuss the final (?) film Joel and Ethan Coen made together, a western anthology that is tonally all over the place. The Ballad of Buster Scruggs may not be our favorite movie from the two brothers, but there is something remarkable about seeing all their styles and themes blended into six particular stories. In this tangent-filled episode we also discuss Detroit: Become Human, the origins of Samuel’s caffeine addictions, if Kevin Costner and James Cameron will ever get to finish their passion projects, an update to our Coens Tonal Alignment Chart, and our final rankings of their entire collaborative filmography.

As far as Hollywood send-ups go, Hail, Caesar! is pretty good. As far as Coen brothers movies go, Hail, Caesar! is… well, it’s near the bottom of our rankings. That’s not to say that this star-studded satire isn’t worth your time, it’s just, eh… we haven’t an opinion. On this episode we also get into Henry’s secret undercover job, Spielberg’s forgotten WWII film, and Hobie’s failure to keep it so simple.

This week we need no carpet on our floor. Come along and follow us as we talk about Inside Llewyn Davis, a love letter to the early 60s folk scene that is also one of the Coens most well-crafted stories. So don’t miss the train we’re on, don’t know that we’re gone, listen on as we discuss the film and go on tangents about what the best desserts are, Samuel’s hot (or not hot!) takes on leftovers, the eternal battle of Beyonce vs. Taylor Swift, and of course, Shachtmanism.