PeerTube of Jigme Datse

Susan Klienberg

Susan Kleinberg’s Tierra Sin Males is an animation built out of contradiction: a digitally generated glass sphere rolling with impossible tension, and a soundtrack pulled entirely from the real world. The image is synthetic; the resonance is bodily. That pairing is deliberate. Her mentor John Cage taught her that every organ vibrates at its own frequency, and the piece carries that insight forward - equilibrium and disequilibrium held in the same frame.

At the center of the orbit is an image people mistake for ancient art - a fragment of Attic pottery, an Etruscan mask, a calligraphic ruin. In truth, it is the reflection of a highway sign on the U.S.–Mexico border: a silhouette of a family running, the word Caution flashing beside them. For years she carried that image, waiting for the structure that could hold its ethical weight. Tierra Sin Males became that structure.

This interview captures the rigor behind her practice: the way authenticity emerges not from confession but from precision, from the courage to bind political urgency, historical memory, and personal resonance into one unified, unsettling form.

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(Click on [CC] for English closed captions)

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Stream/Recording Date: Nov 30 2025

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(Streamed September 8, 2023)

Part 8 of a full playthrough of Marvel's Spider-man (PS5)

David Callau Gené

David Callau Gené speaks about his life as if he has lived several, each one forcing him closer to the truth he can no longer avoid. Raised in the mountains by grandparents who taught him to invent, build, and transform raw nature into possibility, he learned early that his path would never resemble the “normal” one. His childhood was a laboratory of materials, instinct, and imagination.

What followed was a long detour: years of ego-driven nocturnal art, a near-fatal accident, and the choice - literal and metaphoric - to return to life. That moment became a pivot into coherence. When he woke, the first thing he moved were his hands and feet, and with them, the understanding that his work could no longer be superficial performance. It had to become the structure of his truth.

Now, at forty, he says he is beginning again. His colors have changed. His brushwork carries a new clarity. His inspiration comes not from spectacle but from the quiet accumulation of daily life - what the eye notices, what the heart absorbs, what the camera inside him stores until it becomes paint.

He paints in silence, sometimes crying, sometimes laughing, always moving toward the message he feels compelled to leave behind. It is not nostalgia; it is the ongoing discipline of authenticity, shaping a legacy that holds together because he finally does.

A cover of the 1963 Doris Troy hit (Troy / Carroll) which was a hit for The Hollies a year later.

My performance from the @ZeepLAB stream. I did some audio editing in post. #eurorack #livemusic #ambientdrone #ambientmusic

Timelapse of the night sky.

#godot #nakama #claudecode #multiplayer #ai #gamedev