What does an orchestra do when it's not on stage?

Since its inception, the Philharmonia has been renowned for its work as a recording orchestra. We can regularly be found in the studio recording for film and video games, as well as recording concert works. Join Patrick Bailey to explore the off-stage work of the orchestra, featuring music by composer Jessica Curry.

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We’re in this together. As a charity, we rely on the generosity of individuals like you to support the work we do through successes as well as these periods of difficulty. Please consider making a donation to our Keep the Philharmonia Playing appeal to secure our future and help us stay digitally connected with our audiences around the world.

Like many performing arts organisations, the Philharmonia is facing significant disruption during the COVID-19 pandemic. We want to thank all of our supporters, Friends, audience members and wider community at this challenging time. We are doing everything possible to be performing live again soon.

https://tickets.philharmonia.co.uk/contributions/donations

How do 60 individual violins, violas, cellos and basses transform into the lush sound of an orchestral string section? Who do they follow? What makes them all move together?

Find out all of their secrets in this film. And subscribe to our YouTube channel to be alerted when our brand new series on the sections of the orchestra continues with the woodwind section.

Keep the Philharmonia Playing: https://www.philharmonia.co.uk/donate

Mahler’s The Song of the Earth is an hour-long, soul-searching journey in the company of a composer examining his own mortality and love for life from all angles.

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While we can't perform it for you tonight, conductor Xian Zhang spoke to us about the challenges of conducting the piece, as well as her time learning her craft under the tuition of Lorin Maazel.

Like many performing arts organisations, the Philharmonia is facing significant disruption during the COVID-19 pandemic. We want to thank all of our supporters, Friends, audience members and wider community at this challenging time. We are doing everything possible to be performing live again soon.

https://philharmonia.co.uk/donate

Last, but certainly not least. Join presenter Paul Rissmann to discover the final symphony from the remarkably prolific composer, Joseph Haydn. You’ll learn the importance of symmetry within the work, Haydn’s creative use of tiny motifs, and the importance of silence.

“If after this concert you don’t fall in love with classical music, you never will.” – Pablo Heras-Casado

Meet Spanish conductor Pablo Heras-Casado ahead of his concerts of Russian classics this April. Maestro Heras-Casado shares his appreciation of the Philharmonia, his thoughts on the accessibility of classical music, and chats about Mussorgsky’s colourful classic, Pictures at an Exhibition, arranged by composer Maurice Ravel.

Concerts:

1 April, Leicester: https://philharmonia.co.uk/whats-on/200401_pictures-at-an-exhibition/

2 April, London: https://philharmonia.co.uk/whats-on/190402-heras-casado/

3 April, Cardiff: https://philharmonia.co.uk/whats-on/cardiff-liszt-stravinsky/

5 April, Basingstoke: https://philharmonia.co.uk/whats-on/200405-pictures-at-an-exhibition/  

With thanks to Sea Containers London.

Perfectionism... Swans... Finland... What do these all have to do with music? Discover the story behind Jean Sibelius’s famous 5th Symphony as described by presenter Paul Rissmann. You’ll learn what to listen out for and how this masterful work was written. Featuring extracts played in the studio by Philharmonia musicians.

Catch Sibelius Symphony No. 5 live in concert on 21 May 2020 in London at Royal Festival Hall, conducted by our Principal Conductor Designate, Santtu-Matias Rouvali: https://philharmonia.co.uk/whats-on/philharmonia-21-05-20/

The Virtual Orchestra travelled to our UK residencies in 2018 and 2019, offering audiences the chance to experience a symphony orchestra from the inside. We worked with local partners including community centres, charities, arts organisations and councils to bring orchestral music to new audiences. Check out this film to find out more about the project or head to the website to read our new report that shares our highlights, challenges, and outcomes from the project. https://philharmonia.co.uk/initial-report-into-the-virtual-orchestra

“The moment Lise sang the first phrase, everybody’s jaw dropped in the orchestra. I have never seen this kind of thing before.” – Esa-Pekka Salonen

Hear Lise Davidsen and Esa-Pekka Salonen in concert with the Philharmonia Orchestra on 19 March 2020 at Royal Festival Hall, Southbank Centre, London: https://philharmonia.co.uk/whats-on/200319-esa-pekka-salonen-mahler-and-schumann/

Link to the recording of Lise Davidsen with the Philharmonia Orchestra on Decca: https://decca.lnk.to/LiseDavidsen0F

The Mahler: Songs of Life concerts are supported by members of the Mahler Syndicate: Naomi and Christophe Kasolowsky, Caroline Tate, Marina Vaizey, John and Carol Wates, and others who wish to remain anonymous.

Principal Conductor and Artistic Advisor, Esa-Pekka Salonen, chats about how composer Gustav Mahler used and re-used vocal music. Music from his song cycles can later be heard in his symphonies.

Discover more in this film and join us for in London for our concert series, Mahler: Songs of Life, throughout our 2019/20 season: https://philharmonia.co.uk/whats-on/?date=all&location=all&type=all&event-group=1562

The Mahler: Songs of Life concerts are supported by members of the Mahler Syndicate: Naomi and Christophe Kasolowsky, Caroline Tate, Marina Vaizey, John and Carol Wates, and others who wish to remain anonymous.

“Everything was just a disaster. Most likely, people who survived it, when they walked out of there, they were completely confused and bewildered. There is something really attractive about the total excess of it.” – Esa-Pekka Salonen

Listen to Esa-Pekka Salonen, our Principal Conductor and Artistic Advisor, talk about why he’s reconstructing one of the most famous concerts ever: Beethoven’s legendary 1808 concert in Vienna. The concert was plagued by mishaps and ran for four hours, but those who were there heard the premieres of some of the greatest music of all time: Beethoven’s 5th and 6th Symphonies and the 4th Piano Concerto, performed by Beethoven himself.

You can join us for a reconstruction of this concert in March 2020, conducted by our Principal Conductor, Esa-Pekka Salonen.

14 March 2020, The Anvil, Basingstoke: https://www.philharmonia.co.uk/concerts/2658/basingstoke_beethoven_250

15 March 2020, Royal Festival Hall, London: https://www.philharmonia.co.uk/concerts/2528/beethoven_1808_reconstructed

Watch our animated film telling the story of this concert in our podcast feed.