Episode 106: Dogville

This week on Philosophy in Film, the gang steps onto the chalk-lined streets of Lars von Trier's provocative 2003 drama, Dogville. When the mysterious Grace arrives seeking refuge from a pair of gangsters, the isolated mountain town reluctantly offers her shelter. But as hospitality gives way to exploitation, kindness slowly curdles into cruelty, revealing just how thin the line between virtue and self-interest can be.

Craig draws the map with Producer's Notes (11:54), while Alain walks the bare stage for the Beauclair Synopsis (19:23), guiding us through Dogville's quiet descent from generosity to moral collapse. In Philosopher's Corner (43:35), Chris shines a light on Immanuel Kant's notion of radical evil, asking what happens when ordinary people gradually learn to justify the unjustifiable. The gang then gathers at the Round Table (57:01), where every line in the sand is up for debate before Reviews (1:48:23) pulls back the curtain for one final look.

As always, we explore the philosophical and non-philosophical aspects of the film, because sometimes the darkest places are the ones that seem the most welcoming.

🍻 Featured Beer 🍻 - Saints and Sinners IPA by Dog Island Brewing (Slave Lake, AB)

Episode 105 - Back to the Future

Great Scott! This week on Philosophy in Film, the gang travels back in time to 1985 with Robert Zemeckis' beloved sci-fi adventure classic, Back to the Future. When Marty McFly is accidentally sent back to 1955 in a time machine built by the eccentric Doc Brown, he quickly discovers that history is far easier to disrupt than repair. Craig kicks things off, generating 1.21 gigawatts of Producer's Notes (5:21), while Alain fires up the DeLorean for the Beauclair Synopsis (19:28). In Philosopher's Corner (37:42), Chris engages the flux capacitor to navigate the film's famously tangled family tree. The gang then convenes at the Round Table (51:05), where timelines intersect, paradoxes emerge, and nobody can quite agree on the rules. Reviews (1:26:33) and Mailbag (1:37:34) bring us safely back to the present, wrapping up the episode before the timeline can drift any further.

As always, we explore the philosophical and non-philosophical aspects of the film, because where we're going, we don't need…roads.

Come visit us at https://philosophyinfilm.ca/!

🍻 Featured Beer 🍻 - "Why Don't You Make Like A Tree And Get Outta Here" NZ Cascade Pale Ale⁠ by Backcountry Brewing (Squamish, BC)

Episode 104: Glory Daze This week on Philosophy in Film, the gang cracks open a time capsule with Glory Daze, the scrappy 1995 Gen-X comedy filled with graduation panic, beer-soaked nostalgia, and an early Ben Affleck appearance before the Hollywood spotlight hit. Set over one chaotic night before graduation, the film follows a group of college friends desperately clinging to youth before adulthood finally calls their bluff. Craig stumbles into Producer's Notes (13:29), while Alain pulls an all-nighter for the Beauclair Synopsis (26:18), tracing the film's blend of drunken nostalgia and quarter-life existentialism. In Philosopher's Corner (45:13), Chris settles into the film's strange limbo between youth and adulthood, unpacking the quiet panic that comes with realizing freedom, responsibility, and identity rarely arrive at the same time. The gang gathers at the Round Table (53:50) to kick around one last semester of chaos before Reviews (1:37:46) and Mailbag (1:55:33) crack open a final beer and stumble across the graduation stage into the night. As always, we explore the philosophical and non-philosophical aspects of the film, because sooner or later, everybody has to leave campus. 🍻 Featured Beer 🍻 - Mixtape Hazy IPA by Polyrhythm Brewing (Edmonton, Alberta)

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Episode 103: Stand by Me

This week on Philosophy in Film, the gang sets out down the tracks with Rob Reiner's beloved coming-of-age classic, Stand by Me. Based on Stephen King's novella The Body, the film follows four boys as they leave in search of a missing body. What begins as childhood curiosity slowly unfolds into a meditation on friendship, memory, and the quiet moment when innocence gives way to experience. Craig packs the provisions with Producer's Notes (8:30), while Alain walks the rails through the Beauclair Synopsis (19:21), tracing the boys' winding path through campfire confessions and junkyard trials. In Philosopher's Corner (39:48), Chris reflects on the fragile architecture of childhood friendship, asking how loyalty, vulnerability, and social circumstance shape who we become long after the journey ends. The gang gathers at the Round Table (47:20) to revisit the film's enduring emotional resonance, weighing nostalgia against realism and asking why stories of youth often feel clearest in retrospect. Reviews (1:26:57) bring the trip home, as we reflect on a film that continues to find new meaning with each revisit.

As always, we explore the philosophical and non-philosophical terrain of the film, because sometimes the longest journeys are the ones we only recognize after we've grown up.

🍻 Featured Beer 🍻 - Alberta's Great Out S'mores Milk Stout by Hub Town Brewing (Okotoks, AB)

Episode 102: Slap Shot

With Special Guest: Megan Craig (Associate Professor of Philosophy and Art, Stony Brook University)

The gloves are off this week on Philosophy in Film as the gang faces off with George Roy Hill's bruising classic, Slap Shot! Set in the fading mill town of Charlestown, the film follows player-coach Reggie Dunlop, played by Paul Newman, as he tries to save a failing hockey team by leaning into spectacle, violence, and the sudden popularity of the Hanson Brothers. What begins as a desperate bid for ticket sales spirals into a question about integrity, entertainment, and what happens when winning becomes secondary to drawing blood. At centre ice, Craig drops the puck with Producer's Notes (), while Alain takes out some teeth with the Beauclair Synopsis (). In Philosopher's Corner, Chris digs into the film's storied history and stitches connections to our hometown. The gang heads to the penalty box for the Round Table () to consider the ethics of aggression, masculinity on ice, and the simmering class tensions bubbling beneath the boards. Reviews sound the final buzzer as we tally the hits, the heart, and whether Slap Shot earns its place in the hall.

As always, we explore the philosophical and non-philosophical aspects of the film, because when the crowd wants a fight, someone still has to decide what the game is really about.

🍻 Featured Beer 🍻 - Cabin Beer Everyday Lager by Cabin Brewing Company (Calgary, AB)

Episode 101: One Battle After Another

This week on Philosophy in Film, the gang locks in on Paul Thomas Anderson's sprawling, darkly funny, and relentlessly restless epic, One Battle After Another. Inspired by Thomas Pynchon's Vineland, the film follows Bob, a washed-up former revolutionary played by Leonardo DiCaprio, who's forced back into a life he thought he'd escaped when his daughter disappears and an old enemy resurfaces. Craig kicks off the revolution with Producer's Notes (11:36). Alain tackles the Beauclair Synopsis (25:20), charting Bob's return to dangerous terrain where revolution, paranoia, and fatherhood overlap in uneasy ways. From the Philosopher's Corner (49:18), Chris traces how the film wrestles with paternal responsibility and competence. The gang then sits at the Round Table (56:24) where they attempt to reveal the film's galactic roots while relating it to Star Wars. The episode follows a crest and dip in the road as Reviews (1:37:06) and Mailbag (2:02:55) close us out. As always, we explore the philosophical and non-philosophical terrain of the film, because when every battle leaves a mark, the hardest fight is often with what you carry forward.

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🍻 Featured Beer 🍻 - Chiquita Mexican Cerveza by Town Square Brewing (Edmonton, AB)

Episode 100: Miracle on 34th Street

Ho ho ho! For our 100th episode, the gang celebrates Philosophy in Film's centenary by stepping into the warm glow of a holiday classic with the original Miracle on 34th Street (1947). This timeless courtroom tale explores whether faith, goodwill, and a touch of magic still have a place in a modern, skeptical world. Craig lights the tree with Producer's Notes (11:49), spreading seasonal cheer with stories of reflection and festive mischief. Alain unwraps the story with the Beauclair Synopsis (20:47), laying out the film's gentle clash between legal rationality and childlike wonder as Kris Kringle finds himself on trial for being Santa Claus. Chris then settles into Philosopher's Corner (47:40), reflecting on the divinity of Santa and gods, and how choosing to believe in simple goodness can quietly generate hope without demanding miracles. The gang gathers at the Round Table (59:11) to share memories, arguments, and warm takes on belief and cynicism, before Reviews (1:37:08) and the Mailbag (1:43:12) shed light on our listeners' most hard-hitting questions. As always, we explore the philosophical and non-philosophical heart of the film, reminding ourselves that sometimes the most radical act is simply believing in good.

‼️December 21 @ Metro Cinema‼️

🌲This Sunday, Philosophy In Film will be at the Metro Cinema for another classic showing! Cozy up with us as we revisit the holiday classic and this week's focus film: Miracle on 34th Street🎄🎄

Details: https://metrocinema.org/event/miracle-on-34th-street-1947/

🍻 Featured Beer 🍻 - Unplugged Oatmeal Stout by Yukon Brewing (Whitehorse, YT)

Episode 99: A House of Dynamite

This week, the gang steps into the explosive tension of A House of Dynamite, a modern pressure-cooker thriller where family secrets, fraying loyalties, and a single terrible night threaten to blow everything apart. Craig sounds the alarm and readies for attack with Producer's Notes (9:16), while Alain scorches a few eyebrows with the Beauclair Synopsis (18:44), laying out the film's tightly coiled timeline and the slow, heavy crack of inevitability beneath it. Chris then tiptoes into Philosopher's Corner (32:13), following the movie's dual phenomenology as inner lives and outside impressions slowly misalign. The gang holds their breath as the Round Table (43:13) ignites debates whether A House of Dynamite is commentary, catharsis, or just a really well-timed spark. Before annihilation, Reviews (1:23:30) and the Mailbag (1:35:16) blow the doors open for closing thoughts. As always, join us as we sift through the philosophical and non-philosophical aspects of the debris left smoldering in the film's wake. 🌲Our next Philosophy In Film Metro Cinema showing will be on December 21! Join us as we cozy up with the holiday classic: Miracle on 34th Street!🎄🎄

🍻 Featured Beer 🍻 - Fire Bloom Honey Lager by Best of Kin Brewing (Calgary, AB)

Episode 98: Lean On Me

Season 5 marches on as the gang steps into the halls of Eastside High for John G. Avildsen's 1989 drama Lean On Me, where Principal Joe Clark takes on failing systems, fraying hope, and a school on the brink with nothing but a bullhorn, a baseball bat, and a stubborn belief in his students. Craig rings the bell with Producer's Notes (9:52), setting the tone for a spirited class session, while Alain sketches out the ups, downs, and hard lines in the Beauclair Synopsis (29:56). Chris takes the lectern in Philosopher's Corner (1:07:24), reflecting on the film's questions about authority, community responsibility, and the complicated ethics of "tough love." Things get heated at the Round Table (1:14:53) as the gang gathers to debate leadership, legacy, and whether Clark's methods are effective or overreaching. As the dust settles, we head into Reviews (2:16:04) and Mailbag (2:30:28) for the final rally of opinions and closing remarks. As always, we explore the philosophical and non-philosophical lessons carried through the story, because when the stakes are high and the halls are loud, everybody needs someone to lean on.

🍻 Featured Beer 🍻 - Beatbox Brown Ale by Polyrhythm Brewing (Edmonton, AB)

Episode 97: Weapons

Just in time for a Halloween Spooktacular, the gang is back for Season 5 of Philosophy in Film, and the reel's already spinning! First up in the tray: Zach Cregger's eerie ensemble horror Weapons (2025), where seventeen schoolchildren vanish at 2:17 a.m., forcing a town to ask: what if the monster isn't outside, but inside the story? In search of answers, Craig sounds the alarm with Producer's Notes (8:31) while Alain opens the Beauclair Synopsis (17:23), laying out the tangled threads of characters, each chasing a truth they're too afraid to face. Chris slips into Philosopher's Corner (42:55), tracing the film's vanishings through a dim reflection of screens and silence, where the real horror may be what we've grown used to losing. At The Round Table (42:40), the gang wrangles the question: Is Weapons a cautionary mirror or a funhouse for our fears? Later, Reviews (1:10:48) and Mailbag (1:24:41) let our audience testify in the court of shared dread. As always, we reflect on the philosophical and non-philosophical fissures the film fractures open, because in a town where the children vanish, silence becomes just another weapon.

🍻 Featured Beer 🍻 - Beldame Old World Pilsner by Strange Fellows Brewing (East Vancouver, BC)